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Author: Steven Geoffrey Laitz
Publisher: Oxford University Press, USA
ISBN: 9780195376999
Category : Music
Languages : en
Pages : 270
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Book Description
This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises within.
Author: Steven Geoffrey Laitz
Publisher: Oxford University Press, USA
ISBN: 9780195376999
Category : Music
Languages : en
Pages : 270
Get Book Here
Book Description
This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises within.
Author: Steven Geoffrey Laitz
Publisher: Oxford University Press, USA
ISBN: 9780195376982
Category : Music
Languages : en
Pages : 270
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Book Description
Building on the same pedagogy that informed The Complete Musician, this Graduate Review of Tonal Theory is the first book to review music theory at a level that is sophisticated enough for beginning graduate students. Steven G. Laitz and Christopher Bartlette address students as colleagues, and thoroughly explore appealing and practical analytical applications. The text also provides a means to discuss the perception and cognition, the analysis and performance, and the composition and reception of common-practice tonal music. Marked by clarity and brevity, Graduate Review of Tonal Theory presents crucial concepts and procedures found in the majority of tonal pieces. A workbook for students (978-0-19-537699-9) that can be packaged with the text at a significant savings! (Package ISBN: 978-0-19-538628-8) This invaluable resource is organized by chapter into discrete assignments (3-5 per chapter), each progressing from short, introductory analytical and writing exercises tomore involved tasks. The workbook also includes an appendix of keyboard exercises.
Author: Steven Geoffrey Laitz
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 0
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Book Description
Author: Henry Burnett
Publisher: Routledge
ISBN: 1351571338
Category : Music
Languages : en
Pages : 431
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Book Description
Musicology, having been transmitted as a compilation of disparate events and disciplines, has long necessitated a 'magic bullet', a 'unified field theory' so to speak, that can interpret the steady metamorphosis of Western art music from late medieval modality to twentieth-century atonality within a single theoretical construct. Without that magic bullet, discussions of this kind are increasingly complicated and, to make matters worse, the validity of any transformational models and ideas of the natural evolution of styles is questioned and even frowned upon today as epitomizing a grotesque teleological bigotry. Going against current thinking, Henry Burnett and Roy Nitzberg claim that the teleological approach to observing stylistic change is still valid when considered from the purely compositional perspective. The authors challenge the traditional understanding of development, and advance a new theory of eleven-pitch tonality as it relates to the corpus of Western composition. The book plots the evolution of tonality and its bearing on style and the compositional process itself. The theory is not based on the diatonic aspect of the various tonal systems exploited by composers; rather, the theory is chromatically based - the chromatically inflected octave being the source not only of a highly ingenious developmental dialectic, but also encompassing the moment-to-moment progression of the musical narrative itself. Even the most profound teachings of Schenker, and the often startlingly original and worthwhile speculations of Riemann, Tovey, Dahlhaus and others, still provide no theory of development and so are ultimately unable to unite the various tendrils of the compositional organism into a unified whole. Burnett and Nitzberg move beyond existing theory and analysis to base their theory from the standpoint of chromatic 'pitch fields'. These fields are the specific chromatic pitch choices that a composer uses to inform and design a complete composition, utilizing
Author: Steven Geoffrey Laitz
Publisher: Oxford University Press, USA
ISBN: 9780199347094
Category : Harmony
Languages : en
Pages : 0
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Book Description
Beginning with music fundamentals, The Complete Musician covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. Rather than rote learning of concepts and terms, this text emphasizes that understanding how theory intersectswith composition and performance is key to seeing its relevance to students' wider musical lives.
Author: Miguel A. Roig-Francolí
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 404
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Book Description
The author recognises that 20th century music is best understood in both technical and historical terms. The book features model composition exercises. The use of hands-on experience familiarises students with techniques and styles of major composers.
Author: Allen Clayton Cadwallader
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.
Author: Carl Schachter
Publisher: Oxford University Press
ISBN: 0190227397
Category : Music
Languages : en
Pages : 313
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Book Description
Carl Schachter is the world's leading practitioner of Schenkerian theory and analysis. His articles and books have been broadly influential, and are seen by many as models of musical insight and lucid prose. Yet, perhaps his greatest impact has been felt in the classroom. At the Mannes College of Music, the Juilliard School of Music, Queens College and the Graduate Center of the City University of New York, and at special pedagogical events around the world, he has taught generations of musical performers, composers, historians, and theorists over the course of his long career. In Fall 2012, Schachter taught a doctoral seminar at the CUNY Graduate Center in which he talked about the music and the musical issues that have concerned him most deeply; the course was in essence a summation of his extensive and renowned teaching. In The Art of Tonal Analysis, winner of the Society for Music Theory's 2017 Citation of Special Merit, music theorist Joseph Straus presents edited transcripts of those lectures. Accompanied by abundant music examples, including analytical examples transcribed from the classroom blackboard, Straus's own visualizations of material that Schachter presented aurally at the piano, and Schachter's own extended Schenkerian graphs and sketches, this book offers a vivid account of Schachter's masterful pedagogy and his deep insight into the central works of the tonal canon. In making the lectures of one of the world's most extraordinary musicians and musical thinkers available to a wide audience, The Art of Tonal Analysis is an invaluable resource for students and scholars of music.
Author: L. Poundie Burstein
Publisher:
ISBN: 9780393679601
Category : Harmony
Languages : en
Pages :
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Book Description
Author: Christopher Doll
Publisher: University of Michigan Press
ISBN: 0472053523
Category : Music
Languages : en
Pages : 331
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Book Description
An original, listener-based approach to harmony for popular music from the rock era of the 1950s to the present
