Goya and the spirit of Enlightenment : Museo del Prado Madrid 6.10.-18.12.1988 : Museum of Fine Arts Boston 18.1.-26.3.1989 : Metropolitan Museum of Art 9.5.-16.7.1989 PDF Download
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Author: Alfonso E. Pérez Sánchez, 1935-
Publisher:
ISBN: 9780878462995
Category :
Languages : en
Pages : 407
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Book Description
Author: Alfonso E. Pérez Sánchez, 1935-
Publisher:
ISBN: 9780878462995
Category :
Languages : en
Pages : 407
Get Book Here
Book Description
Author: Francisco Goya
Publisher: Book Sales
ISBN: 9780878462995
Category : Art
Languages : en
Pages : 407
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Book Description
Features the works of art that illustrate the artist's involvement with the Spanish Enlightenment
Author: Peter Schjeldahl
Publisher: Geoffrey Young
ISBN: 9780935724417
Category : Art
Languages : en
Pages : 212
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Book Description
"The 76 columns, short reviews, and articles here (many of them abridged by me) are most of what I wrote for 7 Days.... a running chronicle of the art life of a specific period in New York."--Preface.
Author: Alfonso E. Perez
Publisher:
ISBN: 9780792448273
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Anthony J. Cascardi
Publisher: Princeton University Press
ISBN: 1942130708
Category : Art
Languages : en
Pages : 290
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Book Description
An innovative study of Goya's unprecedented elaboration of the critical function of the work of art Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself.
Author: Francisco Goya
Publisher: Museum of Fine Arts Boston
ISBN: 9780878468089
Category : Art
Languages : en
Pages : 403
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Book Description
Francisco Goya has been widely celebrated as the most important Spanish artist of the late eighteenth and early nineteenth centuries, the last of the Old Masters and the first of the Moderns, and an astute observer of the human condition in all its complexity. The many-layered and shifting meanings of his imagery have made him one of the most studied artists in the world. Few, however, have made the ambitious attempt to explore his work as a painter, printmaker, and draftsman across media and the timeline of his life. This book does just that, presenting a comprehensive and integrated view of Goya through the themes that continually challenged or preoccupied him, and revealing how he strove relentlessly to understand and describe human behavior and emotions even at their most orderly or disorderly extremes. Derived from the research for the largest Goya art exhibition in North America in a quarter century, this book takes a fresh look at one of the greatest artists in history by examining the fertile territory between the two poles that defined the range of his boundlessly creative personality.
Author: Robert Hughes
Publisher: Knopf
ISBN: 0307809625
Category : Biography & Autobiography
Languages : en
Pages : 747
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Book Description
Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.
Author: The Open University
Publisher: The Open University
ISBN: 1473005582
Category :
Languages : en
Pages : 72
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Book Description
This 5-hour free course explored the works of Goya, the influences of the times in which he lived and developments in his career as an artist.
Author: David Williams
Publisher: A&C Black
ISBN: 9781850752868
Category : Political Science
Languages : en
Pages : 288
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Book Description
Twelve essays by as many scholars reconsider the French Revolution in the long term and the short term, examining both the immediate events of 1789 and their long shadow over other countries and times, including our own. Some chapters focus on the Paris experience, others give a glimpse of the Revolution in the provinces or beyond the borders of France itself. To determine what it achieved, what it meant, and what it continues to mean, the scope of the study must include history and art, science and literature, Switzerland, England, Germany, Russia, Napoleon's Europe and Mitterand's. These essays originated as public lectures in the University of Sheffield, and retain much of their original liveliness and broad appeal. From a variety of vantage points they view a crucial moment in post-Renaissance history, and gauge how the light of that moment shines in our own time.
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572
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Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
