Golden Horrors

Golden Horrors PDF Author: Bryan Senn
Publisher: McFarland
ISBN: 1476610894
Category : Performing Arts
Languages : en
Pages : 529

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Book Description
From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.

Golden Horrors

Golden Horrors PDF Author: Bryan Senn
Publisher: McFarland
ISBN: 1476610894
Category : Performing Arts
Languages : en
Pages : 529

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Book Description
From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.

Universal Horrors

Universal Horrors PDF Author: Tom Weaver
Publisher: McFarland
ISBN: 0786491507
Category : Performing Arts
Languages : en
Pages : 617

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Book Description
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.

Cut!

Cut! PDF Author: Christopher Golden
Publisher: Berkley Trade
ISBN:
Category : Performing Arts
Languages : en
Pages : 344

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Book Description
In candid form, horror's masters of the printed page write about the films that most affected them, inspired them, and scared them, including Anne Rice, Clive Barker, Ramsey Campbell, Ed Gorman, Craig Shaw Gardner, plus other bestselling authors.

Horror and Mystery Photoplay Editions and Magazine Fictionizations

Horror and Mystery Photoplay Editions and Magazine Fictionizations PDF Author: Thomas Mann
Publisher: McFarland
ISBN: 1476614091
Category : Performing Arts
Languages : en
Pages : 185

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Book Description
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central character, although in some cases melodramas, thrillers, and film noir books having crime as a plot element are included. Science fiction and fantasy works, and others having outre aspects, are also within scope. With a few exceptions, the cut-off date for inclusion in the catalog is the year 1970. In an entertaining introductory essay the author reflects on the attractions of assembling such a collection, analyzes aspects of the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisements, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories. Included in an appendix is the complete text of "The Gorilla," a short story version of a lost First National Film, reprinted from a rare issue of Moving Picture Stories from 1927.

Supranational Horrors

Supranational Horrors PDF Author: Rui M. Trindade Oliveira
Publisher: Rowman & Littlefield
ISBN: 1793654352
Category : Social Science
Languages : en
Pages : 259

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Book Description
Supranational Horrors: Italian and Spanish Horror Cinema since 1968 moves beyond national cinema discourse in considering the horror production of two Southern European countries, Italy and Spain. Rui M. Trindade Oliveira examines cultural elements that films from these nations share, arguing that a fuller understanding of European horror is possible when we acknowledge the output of Italy and Spain as being interconnected, as possessing a supranational, common identity: “Italian-Spanishness.”

Hellboy: An Assortment of Horrors

Hellboy: An Assortment of Horrors PDF Author: Mike Mignola
Publisher: Dark Horse Comics
ISBN: 1630089338
Category : Fiction
Languages : en
Pages : 259

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Book Description
Fifteen of the biggest names in weird literature come together to pay tribute to Hellboy and the characters of Mike Mignola's award-winning line of books! Assembled by Joe Golem and Baltimore co-writer Christopher Golden and featuring illustrations by Mike Mignola and Chris Priestley, the anthology boasts fifteen original stories by the best in horror, fantasy, and science fiction, including Seanan McGuire (October Daye series), Chelsea Cain (Heartsick), Jonathan Maberry (Joe Ledger series), and more! The new writer of Hellboy and the B.P.R.D., iZombie co-creator Chris Roberson, pitches in as well, and Chris Priestley (Tales of Terror) provides a story and an illustration! Each story illustrated by Mike Mignola!

FUNHOUSE OF HORRORS

FUNHOUSE OF HORRORS PDF Author: Jazan Wild
Publisher: Carnival Comics
ISBN: 1944171266
Category : Comics & Graphic Novels
Languages : en
Pages : 231

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Book Description
“Love a good ghost story? So do I... or at least I did until my life became one. My name is Stone and this is my story. Let me take you on a trip back to when I had only one voice in my head, MY OWN!” And with just those few words the doors to the Funhouse of Horrors opened to the world. Now the international smash hit series that has readers around the globe seeing ghosts, has entombed all four bestselling books into one huge creepy crawling monster of a tale. In this collection you can, if you dare, go behind the Funhouse doors and discover the bones of what made this thriller... in the "History of a Good Scare". Or if you are feeling brave, look under the floorboards and brush aside the cobwebs to see never before released scripting and artwork. Hear from author, Jazan Wild, and artist, Rudy Vasquez, in their own words, just what it takes to wake the dead! Truly, we are dying for YOU to come inside. So, Enter If You Dare... Jazan Wild's Funhouse of Horrors Graphic Novel! "CARNIVAL COMICS" and "FUNHOUSE OF HORRORS" are Registered Trademarks.

Chicago TV Horror Movie Shows

Chicago TV Horror Movie Shows PDF Author: Ted Okuda
Publisher: SIU Press
ISBN: 0809335387
Category : History
Languages : en
Pages : 271

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Book Description
By the last 1950s, studios saw television as a convenient dumping ground for thousands of films that had been gathering dust in their vaults. Distributors grouped them by genre-- and Chicago's tradition of TV horror movie shows was born. From giant grasshoppers to Dracula epics, Okuda and Yurkiw take a comprehensive look at these programs, with career profiles of the "horror hosts," a look at the politics behind the shows, and broadcast histories, as well as guides to many of the films themselves.

The Turn to Gruesomeness in American Horror Films, 1931-1936

The Turn to Gruesomeness in American Horror Films, 1931-1936 PDF Author: Jon Towlson
Publisher: McFarland
ISBN: 0786494743
Category : Performing Arts
Languages : en
Pages : 241

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Book Description
Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and "sex pictures," horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen "gruesomeness," studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 "happy ending" horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.

Theatricality in the Horror Film

Theatricality in the Horror Film PDF Author: André Loiselle
Publisher: Anthem Press
ISBN: 178527130X
Category : Performing Arts
Languages : en
Pages : 167

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Book Description
The horror film generally presents a situation where normality is threatened by a monster. From this premise, Theatricality in the Horror Film argues that scary movies often create their terrifying effects stylistically and structurally through a radical break with the realism of normality in the form of monstrous theatricality. Theatricality in the horror fi lm expresses itself in many ways. For example, it comes across in the physical performance of monstrosity: the overthe-top performance of a chainsaw-wielding serial killer whose nefarious gestures terrify both his victims within the film and the audience in the cinema. Theatrical artifice can also appear as a stagy cemetery with broken-down tombstones and twisted, gnarly trees, or through the use of violently aberrant filmic techniques, or in the oppressive claustrophobia of a single-room setting reminiscent of classical drama. Any performative element of a film that flaunts its difference from what is deemed realistic or normal on screen might qualify as an instance of theatrical artifice, creating an intense affect in the audience. This book argues that the artificiality of the frightening spectacle is at the heart of the dark pleasures of horror.