Author: Giorgio Morandi
Publisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97

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Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.

Author: Josef Albers
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144

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Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Kenneth E. Silver
Publisher:
ISBN: 9780892074051
Category : Art and society
Languages : en
Pages : 0

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Book Description
This catalogue examines the interwar period in its key artistic manifestations. It encompasses painting, photography, film, sculpture, architecture, fashion and decorative arts. The book examines classicism between the wars in Europe.

Author: Giorgio Morandi
Publisher:
ISBN:
Category : Etching, Italian
Languages : en
Pages : 92

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Author: Giorgio Morandi
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 184

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Author: Giorgio Morandi
Publisher: Silvana Editoriale
ISBN: 9788836625680
Category : Etching, Italian
Languages : en
Pages : 0

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Book Description
Giorgio Morandi: Lines of Poetry presents a large selection of graphic works by Bologna's master of poetic understatement. Entirely self-taught as a printmaker, in 1912 Morandi began to etch using old manuals as his reference guides. He quickly mastered the technique, coming to consider it an important vehicle for his artistic expression, and the medium continued to be important to him throughout his career. Morandi went on to hold the Chair in Printmaking at Bologna's Academy of Fine Arts for more than 20 years. These still lifes and landscapes reveal the artist's stylistic versatility and desire for experimentation. Also included in this volume are a number of Morandi's watercolors--works that exemplify his ability to distil the essence of a complex scene or composition into an arrangement of simple, near-abstract forms. Captivating in their restraint and extraordinary economy of means, these images are nevertheless intensely moving.

Author: Bo Nilsson
Publisher:
ISBN: 9789198042894
Category :
Languages : en
Pages : 221

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Book Description
The exhibition at Artipelag highlights about fifty works from Morandi?s career. The very earliest works are from 1921 and the latest from 1963. A significant portion of the Morandi paintings featured in the exhibition are still life of ceramic household items and there are also a handful of landscape paintings included. The paintings are complemented by drawings, etchings and watercolours, which illustrate Morandi?s artistic range.0De Waal?s characteristic series of porcelain pots shifts the attention from each pot to their grouping as a whole, the created spaces between them and how the viewer?s gaze flows through the art work.0Artipelag?s exhibition will be the first time that de Waal?s works are presented in Sweden and will include close to forty art works from 2012 to 2017. About ten of these works are new, stemming from a dialogue with the works of Morandi; de Waal has on numerous occasions emphasized Morandi as one of his greatest sources of inspiration. 00Exhibition: Artipelag, Gustavsberg, Sweden (07.04. -1.10.2017)

Author: Emily Braun
Publisher: Guggenheim Museum Publications
ISBN: 9780892075232
Category :
Languages : en
Pages : 0

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Published to accompany a major retrospective exhibition - the first in the United States in more than 35 years and the most comprehensive ever mounted - this title showcases the pioneering work of Italian artist Alberto Burri (1915-1995). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works. Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and mark making of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances - and his abject picture-objects - also profoundly influenced Arte Povera, Neo-Dada and Process art.

Author: Trinita Kennedy
Publisher: Paul Holberton Publishing
ISBN: 9781911300816
Category : Art and society
Languages : en
Pages : 0

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Medieval Bologna through its books / Michael Byron Norris -- Bologna: the built environment / Areli Marina -- Bringing honor to that art called illumination : Bolognese manuscript painting techniques, ca. 1250-1400 / Nancy K. Turner -- Learning the law in Medieval Bologna : the production and use of illuminated legal manuscripts / Susan L'Engle -- The art of the friars in the university city / Trinita Kennedy -- Pride and glory in the art of illumination : manuscripts for church ceremonies from Bologna and environs / Bryan C. Keene -- Bolognese narrative painting around the time of papal legate Bertrand du Pouget (1327-1334) -- Lyle Humphrey.