88: the Giants of Jazz Piano PDF Download
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Author: Robert L. Doerschuk
Publisher: Hal Leonard Corporation
ISBN: 9781617744853
Category : Music
Languages : en
Pages : 370
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Book Description
(Book). This handsome, insightful hardcover volume delves deep into the music of 88 visionaries who have made an indelible mark on the world of jazz through their mastery of the piano's 88 keys. This engaging collection describes the intriguing personality and performance characteristics of each pianist. Seven major figures are covered in depth: Jelly Roll Morton, Earl Hines, Art Tatum, Thelonious Monk, Bud Powell, Keith Jarrett and Cecil Taylor. Other featured artists include: James P. Johnson, Count Basie, Duke Ellington, Nat "King" Cole, Oscar Peterson, Les McCann, Herbie Hancock, Dave Brubeck, Billy Taylor, McCoy Tyner, Chick Corea and 70 others, in styles ranging from stride to swing, bebop to post-bop, funk to avant garde, and more. Includes 100 photos, and a foreword by Keith Jarrett.
Author: Robert L. Doerschuk
Publisher: Hal Leonard Corporation
ISBN: 9781617744853
Category : Music
Languages : en
Pages : 370
Get Book Here
Book Description
(Book). This handsome, insightful hardcover volume delves deep into the music of 88 visionaries who have made an indelible mark on the world of jazz through their mastery of the piano's 88 keys. This engaging collection describes the intriguing personality and performance characteristics of each pianist. Seven major figures are covered in depth: Jelly Roll Morton, Earl Hines, Art Tatum, Thelonious Monk, Bud Powell, Keith Jarrett and Cecil Taylor. Other featured artists include: James P. Johnson, Count Basie, Duke Ellington, Nat "King" Cole, Oscar Peterson, Les McCann, Herbie Hancock, Dave Brubeck, Billy Taylor, McCoy Tyner, Chick Corea and 70 others, in styles ranging from stride to swing, bebop to post-bop, funk to avant garde, and more. Includes 100 photos, and a foreword by Keith Jarrett.
Author: Studs Terkel
Publisher:
ISBN: 9781565847699
Category : Music
Languages : en
Pages : 214
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Book Description
Recounts the professional lives of thirteen great jazz musicians and vocalists, including King Oliver, Bessie Smith, Duke Ellington, Billie Holiday, and Charlie Parker.
Author: Herman Leonard
Publisher: Scala Arts Publishers Incorporated
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
With a camera as his backstage pass, Herman Leonard has photographed the giants of jazz in their golden age, movie stars on set and on their travels to exotic places, the fashion world of Paris in the 1960s, and the inner sanctums of his beloved New Orle
Author: John Coltrane
Publisher: Alfred Music
ISBN: 1457494140
Category : Music
Languages : en
Pages : 95
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Book Description
The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Jazz Style of John Coltrane provides many transcriptions, plus discography, biographical data, style traits, genealogy, and bibliography.
Author: Miles Davis
Publisher: Alfred Music
ISBN: 9781457494123
Category : Music
Languages : en
Pages : 72
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Book Description
The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Davis book provides many transcriptions, plus discography, biographical data, list of innovations, genealogy, bibliography and comments.
Author: Cécile Révauger
Publisher: Simon and Schuster
ISBN: 1620554887
Category : Social Science
Languages : en
Pages : 297
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Book Description
The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement • Examines the letters of Prince Hall, legendary founder of the first black lodge • Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole • Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter. Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian Cécile Révauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from “African Lodges” to “Prince Hall Lodges” in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others. Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, Révauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.
Author: Jos Willems
Publisher: Scarecrow Press
ISBN: 9780810857308
Category : Biography & Autobiography
Languages : en
Pages : 476
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Book Description
Louis "Satchmo" Armstrong was not only jazz's greatest musician and innovator but also the frontal figure in the development of contemporary popular music. Overcoming social and political obstacles, he established a long and impressive career with an enormous musical output, which is amassed and detailed in this discography-from professional commercial releases to amateur and unissued recordings.
Author: Jimmy Heath
Publisher: Temple University Press
ISBN: 1439901996
Category : Biography & Autobiography
Languages : en
Pages : 343
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Book Description
Composer of more than 100 jazz pieces, three-time Grammy nominee, and performer on more than 125 albums, Jimmy Heath has earned a place of honor in the history of jazz. Over his long career, Heath knew many jazz giants such as Charlie Parker and played with other innovators including John Coltrane, Miles Davis, and especially Dizzy Gillespie. Heath also won their respect and friendship. In this extraordinary autobiography, the legendary Heath creates a “dialogue” with musicians and family members. As in jazz, where improvisation by one performer prompts another to riff on the same theme, I Walked with Giants juxtaposes Heath’s account of his life and career with recollections from jazz giants about life on the road and making music on the world’s stages. His memories of playing with his equally legendary brothers Percy and Albert (aka “Tootie”) dovetail with their recollections. Heath reminisces about a South Philadelphia home filled with music and a close-knit family that hosted musicians performing in the city’s then thriving jazz scene. Milt Jackson recalls, “I went to their house for dinner...Jimmy’s father put Charlie Parker records on and told everybody that we had to be quiet till dinner because he had Bird on.... When I [went] to Philly, I’d always go to their house.” Today Heath performs, composes, and works as a music educator and arranger. By turns funny, poignant, and extremely candid, Heath’s story captures the rhythms of a life in jazz.
Author: Karen Ehrhardt
Publisher: Houghton Mifflin Harcourt
ISBN: 0547545746
Category : Juvenile Nonfiction
Languages : en
Pages : 37
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Book Description
In this toe-tapping jazz tribute, the traditional "This Old Man" gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound "divine." Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance! Includes a brief biography of each musician.
Author: George Grella
Publisher: Bloomsbury Publishing USA
ISBN: 1628929456
Category : Music
Languages : en
Pages : 147
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Book Description
It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.
