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Author: Kumiko Tanabe
Publisher: Cambridge Scholars Publishing
ISBN: 1443882429
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This book explores the poetics of “fancy” in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkins’s poetics and later becomes the essence of his idiosyncratic concept of “inscape”, as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkins’s poetics of fancy, Hopkins’s experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fancy and the aesthetics of Romantic poets such as Keats and Wordsworth. Chapter Two focuses on the concept of fancy in Hopkins’s predecessors, William Shakespeare and Alfred Lord Tennyson, who, along with Coleridge and Ruskin, had a major influence on the writer, leading him to pen the play “Floris in Italy” and the sonnet series “The Beginning of the End” in order to experiment with the language of inspiration which he argued only fancy could produce. This chapter also discusses Hopkins’s interest in J. E. Millais and the impact of the Pre-Raphaelites in the development of his poetics of fancy, Hopkins’s fancy as metalanguage, the contrast between his fancy and the impressionism of Walter Pater, and the role of fancy in Hopkins’s sonnets. Chapter Three treats Hopkins’s conversion to Catholicism and his views on Catholic art, including his interest in William Butterfield and the Gothic Revival, as well as the abrupt parallelism between Christ and fancy in “The Wreck of the Deutschland”. Hopkins’s poetic diction is a condensed evocation of art and nature with fancy as the source of his inspiration. His metaphors are not ordinary figures expressing the attributes of things, but are autonomous and have their nature within themselves. Hopkins’s poetic idiosyncrasy is generated by the parallelism between distinctive and autonomous images which repeat the surprise and ecstasy of the poet contemplating art and nature. He endeavoured to achieve the poetry of inspiration with his emphasis on fancy as the basis of his poetic diction so as to reinstate it as the source of a “new Realism”. Hopkins’s fancy foregrounds the discontinuous nature of a new poetic diction, which demonstrates unfettered combinations between autonomous images and signs in metalanguage in advance of semiotic literary theories.
Author: Kumiko Tanabe
Publisher: Cambridge Scholars Publishing
ISBN: 1443882429
Category : Literary Criticism
Languages : en
Pages : 245
Get Book Here
Book Description
This book explores the poetics of “fancy” in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkins’s poetics and later becomes the essence of his idiosyncratic concept of “inscape”, as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkins’s poetics of fancy, Hopkins’s experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fancy and the aesthetics of Romantic poets such as Keats and Wordsworth. Chapter Two focuses on the concept of fancy in Hopkins’s predecessors, William Shakespeare and Alfred Lord Tennyson, who, along with Coleridge and Ruskin, had a major influence on the writer, leading him to pen the play “Floris in Italy” and the sonnet series “The Beginning of the End” in order to experiment with the language of inspiration which he argued only fancy could produce. This chapter also discusses Hopkins’s interest in J. E. Millais and the impact of the Pre-Raphaelites in the development of his poetics of fancy, Hopkins’s fancy as metalanguage, the contrast between his fancy and the impressionism of Walter Pater, and the role of fancy in Hopkins’s sonnets. Chapter Three treats Hopkins’s conversion to Catholicism and his views on Catholic art, including his interest in William Butterfield and the Gothic Revival, as well as the abrupt parallelism between Christ and fancy in “The Wreck of the Deutschland”. Hopkins’s poetic diction is a condensed evocation of art and nature with fancy as the source of his inspiration. His metaphors are not ordinary figures expressing the attributes of things, but are autonomous and have their nature within themselves. Hopkins’s poetic idiosyncrasy is generated by the parallelism between distinctive and autonomous images which repeat the surprise and ecstasy of the poet contemplating art and nature. He endeavoured to achieve the poetry of inspiration with his emphasis on fancy as the basis of his poetic diction so as to reinstate it as the source of a “new Realism”. Hopkins’s fancy foregrounds the discontinuous nature of a new poetic diction, which demonstrates unfettered combinations between autonomous images and signs in metalanguage in advance of semiotic literary theories.
Author: Mirko Starčević
Publisher: Cambridge Scholars Publishing
ISBN: 1527551466
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
This book analyses the themes of anxiety and transience in the poetical thought of Gerard Manley Hopkins, a prominent 19th-century poet. The book argues that, despite Hopkins’s strong religious beliefs, his artistic vision and quest for an original aesthetic were the foremost concerns in his poetry. The author examines Hopkins’s early interest in transience, which he later developed through the influence of the philosopher Duns Scotus and the aesthetic critic Walter Pater. In the second half of the book, the author employs Martin Heidegger’s philosophy to deepen our understanding of Hopkins’s poetics of anxiety and transience. He illuminates how these themes shaped Hopkins’s poetic voice, revealing his affinity with Romanticism and his belief that transience and anxiety enhance rather than hinder the creative process. The book provides a fresh perspective on Hopkins’s work, challenging the prevailing views that downplay the importance of these themes. While the book is primarily a contribution to literary scholarship, it may also appeal to readers interested in the intersection of literature, philosophy and art.
Author: Catharine Randall
Publisher: Wm. B. Eerdmans Publishing
ISBN: 146746015X
Category : Biography & Autobiography
Languages : en
Pages : 207
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Book Description
Gerard Manley Hopkins, one of the most beloved English-language poets of all time, lived a life charged with religious drama and vision. The product of a High-Church Anglican family, Hopkins eventually converted to Roman Catholicism and became a priest—after which he stopped writing poetry for many years and became completely estranged from his Protestant family. A Heart Lost in Wonder provides perspective on the life and work of Gerard Manley Hopkins through both religious and literary interpretation. Catharine Randall tells the story of Hopkins’s intense, charged, and troubled life, and along the way shows readers the riches of religious insight he packed into his poetry. By exploring the poet’s inner life and the Victorian world in which he lived, Randall helps readers to understand better the context and vision of his astonishing and enduring work.
Author: Kumiko Tanabe
Publisher: Cambridge Scholars Publishing
ISBN: 1527539989
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
This volume deals with the various (direct and indirect) connections between literary figures, artists and locations during the Victorian era. It also addresses influential figures from before and after this period, such as William Blake, Sir Joshua Reynolds and Mother Teresa, as well as the connection between Britain and America in certain contexts. In establishing such relationships, this volume, therefore, covers a wide range of writers and painters, such as Charles Dickens, Arthur Conan Doyle, Thomas Hardy, William Morris, D. G. Rossetti, J. E. Millais, Herman Melville, J.M.W. Turner, G. M. Hopkins, William Butterfield, W. H. Ainsworth, and Sir Edward Coley Burne-Jones, while also including cultural topics related to both Victorian society and the eras which preceded it.
Author: J. Robinson
Publisher: Springer
ISBN: 140398283X
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This book calls attention to the pervasive but largely unacknowledged poetics of the 'Fancy' evident in poetry written during the British Romantic period. These poetics, Robinson demonstrates, are an early nineteenth-century version of what will become the visionary, experimental, open-form poetics of the twentieth-century.
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 594
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Book Description
Author: Paul Mariani
Publisher: Penguin
ISBN: 1101078839
Category : Biography & Autobiography
Languages : en
Pages : 516
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Book Description
An insightful and inspirational biography of the heroic and spiritual poet. Gerard Manley Hopkins (1844?1889) may well have been the most original and innovative poet writing in the English language during the nineteenth century. Yet his story of personal struggle, doubt, intense introspection, and inward heroism has never been told fully. As a Jesuit priest, Hopkins?s descent into loneliness and despair and his subsequent recovery are a remarkable and inspiring spiritual journey that will speak to many readers, regardless of their faith or philosophies. Paul Mariani, an award-winning poet himself and author of a number of biographies of literary figures, brilliantly integrates Hopkins?s spiritual life and his literary life to create a rich and compelling portrait of a man whose work and life continue to speak to readers a century after his death.
Author: Heather McAlpine
Publisher: BRILL
ISBN: 9004407642
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
In this book, Heather McAlpine argues that emblematic strategies play a more central role in Pre-Raphaelite poetics than has been acknowledged, and that reading Pre-Raphaelite works with an awareness of these strategies permits a new understanding of the movement’s engagements with ontology, religion, representation, and politics. The emblem is a discursive practice that promises to stabilize language in the face of doubt, making it especially interesting as a site of conflicting responses to Victorian crises of representation. Through analyses of works by the Pre-Raphaelite Brotherhood, Christina Rossetti, Dante Gabriel Rossetti, Gerard Manley Hopkins, A.C. Swinburne, and William Morris, Emblematic Strategies examines the Pre-Raphaelite movement’s common goal of conveying “truth” while highlighting differences in its adherents’ approaches to that task.
Author: Isobel Armstrong
Publisher: Routledge
ISBN: 1317688805
Category : Literary Collections
Languages : en
Pages : 576
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Book Description
In Victorian Poetry: Poetry, Poetics and Politics, Isobel Armstrong rescued Victorian poetry from its longstanding sepia image as ‘a moralised form of romantic verse' and unearthed its often subversive critique of nineteenth-century culture and politics. In this uniquely comprehensive and theoretically astute new edition, Armstrong provides an entirely new preface that notes the key advances in the criticism of Victorian poetry since her classic work was first published in 1993. A new chapter on the alternative fin de siècle sees Armstrong discuss Michael Field, Rudyard Kipling, Alice Meynell and a selection of Hardy lyrics. The extensive bibliography acts as a key resource for students and scholars alike.
Author: Jill Muller
Publisher: Routledge
ISBN: 1135886423
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
This book restores the poet to his full intellectual and literary context as a Victorian convert to Catholicism.
