Author: Bram Dijkstra
Publisher: Princeton Univ Department of Art &
ISBN: 9780691015620
Category : Art
Languages : en
Pages : 272
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Book Description
Georgia O'Keeffe has long been recognized as one of America's most adventurous early modernist artists. But critics often suggest that she became a revolutionary despite her American background, not because of it. Bram Dijkstra challenges that point of view. In this searching reappraisal of O'Keeffe's work, the distinguished cultural historian shows that her art was decisively shaped by the America in which she grew up. In doing so, he casts new light on the facts of O'Keeffe's remarkable life and offers incisive new readings of many of her most important paintings. Art historians have largely accepted the view that O'Keeffe's art was shaped by Alfred Stieglitz and the work of the European modernists she encountered under his tutelage--a view actively encouraged by the famous photographer himself. Dijkstra counters this idea by taking us into the cultural environment of her childhood and by illuminating the details of her early education in art. He shows that O'Keeffe's mature style found its origin in such apparently unlikely sources as Edgar Allan Poe's speculations about the androgynous nature of the soul before industrialism, and in what Dijkstra calls the "transcendental materialism" of the tonalist movement in turn-of-the-century American art. Dijkstra also explores O'Keeffe's important--but until now widely neglected--identification with the feminist aims and artistic concerns of the radical periodicalThe Masses. And he shows that even the daring new styles of illustration featured there, and in other magazines of the period, significantly influenced her development of a personal style. Dijkstra argues, moreover, that O'Keeffe's very American search for an organic abstraction of form that would celebrate nature allowed her to develop a humanist style that deliberately challenged the early European modernists' emphasis on mechanistic constructions of formagainst nature. Beautifully written and painstakingly researched, Georgia O'Keeffe and the Eros of Placeis a major reassessment of O'Keeffe's place in American culture and a tribute to the artist's steadfast refusal to abandon her "provincial" belief in the shaping spirit of place.
Author: Virginia Crosswhite Hyde
Publisher: Fairleigh Dickinson Univ Press
ISBN: 083864225X
Category : Frontier and pioneer life in literature
Languages : en
Pages : 221
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Book Description
"'Terra Incognita': D.H. Lawrence at the Frontiers, edited by Virginia Crosswhite Hyde and Eari G. Ingersoll, is a collection of nine essays by scholars from five countries. They show ways in which Lawrence explored not only remote regions of the earth but also consciousness and human relations. The book also considers implications of terms like "frontier," "boundary," and "place." It gives readings that are the first to utilize new texts and research in the final prose volumes of the Cambridge Lawrence Edition. This includes all the essays Lawrence wrote in America about Southwestern and Mexican Indians (Mornings in Mexico and Other Essays, 2009). Writers are Michael Hollington, Judith Ruderman, Edina Pereira Crunfli, Tina Ferris, Virginia Crosswhite Hyde, Jack Stewart, Keith Cushman, Julianne New-mark, and Paul Poplawski. In addition to the essays, the book contains eight pages of color illustrations. It will interest both general readers and scholars of Lawrence and of twentieth-century literature"--Publisher's website.
Author: Frank N. Magill
Publisher: Routledge
ISBN: 1136593624
Category : History
Languages : en
Pages : 1418
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Book Description
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Author: Kirsten Swinth
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
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Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Author: Frank Northen Magill
Publisher: Routledge
ISBN: 1579580483
Category : Biography
Languages : en
Pages : 1418
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Book Description
Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.
Author: Nira Tessler
Publisher: Cambridge Scholars Publishing
ISBN: 1443886238
Category : Art
Languages : en
Pages : 289
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Book Description
This book explores the meaning and symbolism of the flower motif in the art of women artists, from the nineteenth century to the present day. It begins with a discussion of the symbolic significance of the flower in canonical texts such as the Song of Songs, in which the female lover is likened to a “lily among the thorns,” and to an “enclosed garden.” These allegorical images permeated into Christian iconography, attaining various expressions in the plastic arts from the twelfth through nineteenth centuries. The heart of the book is a discussion of the meaning of the change in representations of the flower, and at the same time the appearance of amazing images of “masculine” skyscrapers, in the works of avant-garde American women artists during the 1920s and 30s, in three hubs of Modernist art: New York, California, and Mexico. Tessler explains how modernist artists of various fields of art – such as Glaspell, Stettheimer, O’Keeffe, Pelton, Cunningham, Mather, Modotti and Kahlo – were aware of the religious symbolism of the flower in Judaism and Christianity, and turned it into an emblem of the new modern woman with her own views of the world. Flowers and Towers concludes by presenting the works of contemporary feminist American artists such as Chicago and Schapiro, who pay tribute to those same Modernist artists by creating a new and daring image of the flower and using “feminine” materials and techniques that link them, as it were, to their spiritual mothers.
Author: Vivien Green Fryd
Publisher: University of Chicago Press
ISBN: 9780226266541
Category : Art
Languages : en
Pages : 326
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Book Description
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution. Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the widespread middle-class fears that the new urban, multidwelling homes would contribute to the breakdown of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman. Art and the Crisis of Marriage provides both a penetrating reappraisal of the interconnections between Georgia O'Keeffe's and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender, and sexuality transformed American society between the wars in ways that continue to shape it today.
Author: Linda M. Grasso
Publisher: University of New Mexico Press
ISBN: 0826358810
Category : Art
Languages : en
Pages : 336
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Book Description
Cover -- Half Title -- Title Page -- Copyright -- Dedication -- Epigraph -- Contents -- Illustrations -- Acknowledgments -- Introduction: Georgia O'Keeffe and Feminism -- Chapter One. Living Feminism in the 1910s -- Chapter Two. The Artist Idea -- Chapter Three. Women in the Picture -- Chapter Four. "You Are No Stranger to Me": Women's Fan Letters -- Chapter Five. Georgia O'Keeffe's Self-Portrait -- Chapter Six. Feminism as Politics and Art -- Notes -- Bibliography -- Index
Author: Bram Dijkstra
Publisher: Princeton University Press
ISBN: 0691216134
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.
Author: Ellen Spolsky
Publisher: Bucknell University Press
ISBN: 0838755429
Category : Art
Languages : en
Pages : 211
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Book Description
"The essays in this collection expand the boundaries of inter-art studies, claiming that human beings have evolved to draw nourishment from pictures. Ellen Spolsky argues in a polemical introduction that the recognition of our embodied need for pictures, that is, our human iconotropism, provides a fresh way of understanding the relationship of works of art to their historical contexts."--Jacket.
