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Author: U. C. Knoepflmacher
Publisher: Univ of California Press
ISBN: 0520311280
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
This study shows how George Eliot, a leader in the nineteenth-century intellectual world of Darwin and the Industrial Revolution, wrestled in her early novels with the esthetic problems of reconciling her art and her philosophy. Attempting in her fiction to reproduce the real, temporal world she lived in, George Eliot also tried to reassure herself and her readers that their godless modern world still operated according to higher moral laws of justice and perfectibility. U. C. Knoepflmacher examines here for the first time in sequence George Eliot's development of increasingly sophisticated forms of fiction in her efforts to reconcile the two conflicting orientations in her thought. We see this popular novelist as she progressed artistically from the flawed "Amos Barton" in 1857 up to the balance she achieved in Silas Marner in 1861. And we discover her in the context of her literary antecedents and surrounding in a way that brings many new affiliations to light, particularly the connection of her novels to the writings of Milton, the Romantic poets, and her contemporaries Arnold and Carlyle. Professor Knoepflmacher thoroughly discusses each work in George Eliot's first stage, brining new attention to minor works like "The Lifted Veil" and Scenes of Clerical Life and fresh insights to such well known works as Adam Bede, The Mill on the Floss, and Silas Marner. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Author: U. C. Knoepflmacher
Publisher: Univ of California Press
ISBN: 0520311280
Category : Literary Criticism
Languages : en
Pages : 284
Get Book
Book Description
This study shows how George Eliot, a leader in the nineteenth-century intellectual world of Darwin and the Industrial Revolution, wrestled in her early novels with the esthetic problems of reconciling her art and her philosophy. Attempting in her fiction to reproduce the real, temporal world she lived in, George Eliot also tried to reassure herself and her readers that their godless modern world still operated according to higher moral laws of justice and perfectibility. U. C. Knoepflmacher examines here for the first time in sequence George Eliot's development of increasingly sophisticated forms of fiction in her efforts to reconcile the two conflicting orientations in her thought. We see this popular novelist as she progressed artistically from the flawed "Amos Barton" in 1857 up to the balance she achieved in Silas Marner in 1861. And we discover her in the context of her literary antecedents and surrounding in a way that brings many new affiliations to light, particularly the connection of her novels to the writings of Milton, the Romantic poets, and her contemporaries Arnold and Carlyle. Professor Knoepflmacher thoroughly discusses each work in George Eliot's first stage, brining new attention to minor works like "The Lifted Veil" and Scenes of Clerical Life and fresh insights to such well known works as Adam Bede, The Mill on the Floss, and Silas Marner. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Author: Rebecca Mead
Publisher: Crown
ISBN: 0307984788
Category : Biography & Autobiography
Languages : en
Pages : 266
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Book Description
A New Yorker writer revisits the seminal book of her youth--Middlemarch--and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories. Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.
Author: U. C. Knoepflmacher
Publisher: Univ of California Press
ISBN: 0520306309
Category : Education
Languages : en
Pages : 284
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Book Description
This study shows how George Eliot, a leader in the nineteenth-century intellectual world of Darwin and the Industrial Revolution, wrestled in her early novels with the esthetic problems of reconciling her art and her philosophy. Attempting in her fiction to reproduce the real, temporal world she lived in, George Eliot also tried to reassure herself and her readers that their godless modern world still operated according to higher moral laws of justice and perfectibility. U. C. Knoepflmacher examines here for the first time in sequence George Eliot's development of increasingly sophisticated forms of fiction in her efforts to reconcile the two conflicting orientations in her thought. We see this popular novelist as she progressed artistically from the flawed "Amos Barton" in 1857 up to the balance she achieved in Silas Marner in 1861. And we discover her in the context of her literary antecedents and surrounding in a way that brings many new affiliations to light, particularly the connection of her novels to the writings of Milton, the Romantic poets, and her contemporaries Arnold and Carlyle. Professor Knoepflmacher thoroughly discusses each work in George Eliot's first stage, brining new attention to minor works like "The Lifted Veil" and Scenes of Clerical Life and fresh insights to such well known works as Adam Bede, The Mill on the Floss, and Silas Marner. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Author: George Eliot
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 460
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Book Description
Author: George Eliot
Publisher: Wordsworth Editions
ISBN: 9781840220629
Category : England
Languages : en
Pages : 1416
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Book Description
Adam Bede was George Eliot's first full-length novel. Set in the English Midlands of farmers and village craftsmen at the turn of the eighteenth century, the book tells a story of seduction, and is also a pioneering record of a long lost rural world.Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town is told through the lives of Dorothea Brooke and Dr Tertius Lydgate, illuminating the condition of English life in the mid-nineteenth century.The Mill on the Floss is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. Maggie Tulliver's love for her brother Tom turns to conflict. His bourgeois standards contrasting with her own lively intelligence, and the result, is tragedy.Silas Marner tells the tender and moving story of the unjustly exiled linen weaver, Silas Marner of Raveloe in the agricultural heartland of England. It tells of how he is restored to life and his sadness ended by the unlikely means of the orphan child Eppie.
Author: George Eliot
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Author: George Eliot
Publisher: Cambridge University Press
ISBN: 9780521794572
Category : Biography & Autobiography
Languages : en
Pages : 458
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Book Description
The great Victorian novelist's complete surviving journals - first publication of new George Eliot text.
Author: George Elliott
Publisher: ReadHowYouWant.com
ISBN: 1425040527
Category : Fiction
Languages : en
Pages : 486
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Book Description
An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.
Author: A. S. Byatt
Publisher: Penguin UK
ISBN: 0141958723
Category : Literary Collections
Languages : en
Pages : 578
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Book Description
The works collected in this volume provide an illuminating introduction to George Eliot's incisive views on religion, art and science, and the nature and purpose of fiction. Essays such as 'Evangelical Teaching' show her rejecting her earlier religious beliefs, while 'Woman in France' questions conventional ideas about female virtues and marriage, and 'Notes on Form in Art' sets out theories of idealism and realism that she developed further in Middlemarch and Daniel Deronda. It also includes selections from Eliot's translations of works by Strauss and Feuerbach that challenged many ideas about Christianity; excerpts from her poems; and reviews of writers such as Wollstonecraft, Goethe and Browning. Wonderfully rich in imagery and observations, these pieces reveal the intellectual development of this most challenging and rewarding of writers.
Author: Marilyn Orr
Publisher: Northwestern University Press
ISBN: 0810135906
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
George Eliot's Religious Imagination addresses the much-discussed question of Eliot’s relation to Christianity in the wake of the sociocultural revolution triggered by the spread of theories of evolution. The standard view is that the author of Middlemarch and Silas Marner “lost her faith” at this time of religious crisis. Orr argues for a more nuanced understanding of the continuity of Eliot’s work, as one not shattered by science, but shaped by its influence. Orr’s wide-ranging and fascinating analysis situates George Eliot in the fertile intellectual landscape of the nineteenth century, among thinkers as diverse as Ludwig Feuerbach, David Strauss, and Søren Kierkegaard. She also argues for a connection between George Eliot and the twentieth-century evolutionary Christian thinker Pierre Teilhard de Chardin. Her analysis draws on the work of contemporary philosopher Richard Kearney as well as writers on mysticism, particularly Karl Rahner. The book takes an original look at questions many believe settled, encouraging readers to revisit George Eliot’s work. Orr illuminates the creative tension that still exists between science and religion, a tension made fruitful through the exercise of the imagination. Through close readings of Eliot's writings, Orr demonstrates how deeply the novelist's religious imagination continued to operate in her fiction and poetry.
