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Author: Alexander Welsh
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 408
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Book Description
This book gives a deeper and more sophisticated understanding of the relation between works of literature and history.
Author: Alexander Welsh
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 408
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Book Description
This book gives a deeper and more sophisticated understanding of the relation between works of literature and history.
Author: Nancy Henry
Publisher: Cambridge University Press
ISBN: 1139469681
Category : Literary Criticism
Languages : en
Pages : 115
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Book Description
As the author of The Mill on the Floss and Middlemarch, George Eliot was one of the most admired novelists of the Victorian period, and she remains a central figure in the literary canon today. She was the first woman to take on the kind of political and philosophical fiction that had previously been a male preserve, combining rigorous intellectual ideas with a sensitive understanding of human relationships and making her one of the most important writers of the nineteenth century. This innovative introduction provides students with the religious, political, scientific and cultural contexts they need to understand and appreciate her novels, stories, poetry and critical essays. Nancy Henry also traces the reception of her work to the present, surveying a range of critical and theoretical responses. Each novel is discussed in a separate section, making this the most comprehensive short introduction available to this important author.
Author: Philip Davis
Publisher: Oxford University Press
ISBN: 019253548X
Category : Literary Collections
Languages : en
Pages : 445
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Book Description
Reading George Eliot's work was described by one Victorian critic as like the feeling of entering the confessional in which the novelist sees and hears all the secrets of human psychology—'that roar which lies on the other side of silence'. This new biography of George Eliot goes beyond the much-told story of her life. It gives an account of what it means to become a novelist, and to think like a novelist: in particular a realist novelist for whom art exists not for art's sake but in the exploration and service of human life. It shows the formation and the workings of George Eliot's mind as it plays into her creation of some of the greatest novels of the Victorian era. When at the age of 37 Marian Evans became George Eliot, this change followed long mental preparation and personal suffering. During this time she related her power of intelligence to her capacity for feeling: discovering that her thinking and her art had to combine both. That was the great ambition of her novels—not to be mere pastimes or fictions but experiments in life and helps in living, through the deepest account of human complexity available. Philip Davis's illuminating new biography will enable you both to see through George Eliot's eyes and to feel what it is like to be seen by her, in the imaginative involvement of her readers with her characters.
Author: Marilyn Orr
Publisher: Northwestern University Press
ISBN: 0810135906
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
George Eliot's Religious Imagination addresses the much-discussed question of Eliot’s relation to Christianity in the wake of the sociocultural revolution triggered by the spread of theories of evolution. The standard view is that the author of Middlemarch and Silas Marner “lost her faith” at this time of religious crisis. Orr argues for a more nuanced understanding of the continuity of Eliot’s work, as one not shattered by science, but shaped by its influence. Orr’s wide-ranging and fascinating analysis situates George Eliot in the fertile intellectual landscape of the nineteenth century, among thinkers as diverse as Ludwig Feuerbach, David Strauss, and Søren Kierkegaard. She also argues for a connection between George Eliot and the twentieth-century evolutionary Christian thinker Pierre Teilhard de Chardin. Her analysis draws on the work of contemporary philosopher Richard Kearney as well as writers on mysticism, particularly Karl Rahner. The book takes an original look at questions many believe settled, encouraging readers to revisit George Eliot’s work. Orr illuminates the creative tension that still exists between science and religion, a tension made fruitful through the exercise of the imagination. Through close readings of Eliot's writings, Orr demonstrates how deeply the novelist's religious imagination continued to operate in her fiction and poetry.
Author: Lucie Armitt
Publisher: Columbia University Press
ISBN: 9780231124225
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Focusing on three of Eliot's most influential and widely read novels, this guide traces recent critical interpretations of her work as well as revisiting some of the perspectives offered by original reviewers and early critics.
Author: Neil Hertz
Publisher: Stanford University Press
ISBN: 9780804743907
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Ranging over all George Eliot's fiction and drawing as well on her letters, essays, and translations, in this book the distinguished critic Neil Hertz documents Eliot's lifelong questioning of the nature of authorship and of what it might mean, in the language of one of her early letters, for her "not simply to be, but to utter." Pursuing oddities of diction and figuration, of plotting and characterization, Hertz finds everywhere in Eliot's works passages of high mimetic realism that ask to be read as allegories of writing or as characters whose actions and destinies can only be understood if they are seen as disguised surrogates of their author. Each essay begins with an intriguing or problematic bit of language, then moves about within a particular work of fiction or criss-cross to other writings of Eliot's as well as to works by philosophers, psychoanalysts, and literary theorists.
Author: Delia da Sousa Correa
Publisher: Springer
ISBN: 0230598013
Category : Fiction
Languages : en
Pages : 266
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Book Description
George Eliot was passionate about music and her writing is steeped in musical allusion. This book explores musical reference in her work and investigates contexts such as Eliot's friendship with Wagner, the legacy of Romanticism, music's role in scientific theory, and the ambivalent status of female musicality. The book establishes how intensely Eliot's musical allusions are informed by her contemporary culture and offers a fresh view of the experimental writing through which she took literary realism into previously uncharted regions.
Author: Graham Handley
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 136
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Book Description
Author: Jeremy Tambling
Publisher: Apollo Books
ISBN: 9781845194994
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
On Reading the Will studies the will, will-power and wilfulness, the will to death or the will to power, as well as lack of will. It surveys many texts - from Augustine, Shakespeare, Dickens, Trollope, George Eliot and D.H. Lawrence - in order to analyse the history of its different meanings: whether these imply rational or irrational drives, or the sexual appetite, or the testamentary will. This last is a particularly interesting form of the will, in that it asserts the desire to control, and to have an identity beyond death. Drawing on philosophies of the will in Schopenhauer and Nietzsche, the book studies music as the embodied will in Wagner and Verdi. Considering the law and its prohibitions as a form of the will, it sees how these produce a perverse will. Drawing on Freud and Lacan it studies interrelationships between the law which prohibits and the desire which wills, how desire creates the law, and the law desire. What stands out is that the authors studied are fascinated by the will as unknowable and irresistible, as rational and countermanding rationality, as divided and imperious. Chapters include how wills motivate plots in Shakespeare and the Victorian novel. Discussion of opera and Nietzsche focuses on the will as an unconscious force.--
Author: Janet Gezari
Publisher: University of Pennsylvania Press
ISBN: 1512802263
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Selected by Choice magazine as an Outstanding Academic Title In both her life and her art, Charlotte Brontë was alive to the difficulty of responding to attacks that are denied or underacknowledged, so that any defense risks seeming defensive in our modern sense of the word: too quick to take offense or covertly aggressive. For some, Brontë's novels are deformed by hunger, rebellion, and rage; for others, they are deformed by the repression of these feelings. Both views ignore hunger, rebellion, and rage as powerful resources for Brontë's art rather than as personal difficulties to be surmounted or even deplored. Janet Gezari reassesses Charlotte Brontë's achievement by showing the ways in which an embodied defensiveness is central to both the novels and their author's life. She argues that Brontë's novels explore the complex relations between accommodation and resistance in the lives of those who find themselves—largely for reasons of class and gender—on the defensive. Gezari rehabilitates the concept of defensiveness by suggesting that there are circumstances in which defensive conduct is both appropriate and creditable. The emphasis on a different kind of bodily experience in each novel identifies Brontë's specific social concerns in the text; and the kinds of self-defenses at issue in it. This book arrives in the wake of renewed critical interest in Charlotte Brontë, especially on the part of feminist critics. They have substantially revised our understanding of Jane Eyre and Villette, but there have been few studies of The Professor and Shirley, and few book-length studies of Charlotte Brontë's work as a whole. Although Gezari's book is not a biography, she also seeks to revise our sense of Brontë's life by turning attention from its familiar romantic circumstances—the bleakness of the Yorkshire moors and unrequited love—to its less familiar practical circumstances—her struggles as a woman of a certain class and a publishing author. They reveal a woman more embattled, contentious, and resilient, though no less passionate, than the more familiar trembling soul.
