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Author: Georg Kaiser
Publisher: MHRA
ISBN: 1781882665
Category : Drama
Languages : en
Pages : 390
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Book Description
After Expressionism had run its feverish course, its foremost exponent Georg Kaiser (1878-1945) ‑‑ The Burghers of Calais, From Morn to Midnight, Gas ‑‑ proved equally adept at the lighter fare demanded by post-war audiences. Of some nine hundred comedies premièred in the Weimar era, his Pulp Fiction was an early triumph, often revived and played now as parody of a contagious literary genre, now as critique of Old World pieties. The New Woman emerged even more clearly towards the end of the ‘Roaring Twenties’ in Clairvoyance ‑‑ though now also as antagonist, from whose vampish sophistication the loving wife emancipates both self and wayward husband. Between these two comedies, in One Day in October (acclaimed especially in Gustav Gründgens’s gripping production) focus shifts to psychological wrestling in deadly earnest over the parentage of a child. A parallel dilemma underlies the compelling plot, rising tension and searing climax of Agnete ‑‑ an uncanny precursor of the ‘Heimkehrer’ literature inspired by soldiers and captives returning home after 1945. This was indeed a fitting play to mark the rebirth of the Federal Republic of Germany in 1949. Kaiser had died in exile, though not before taking leave, like Prospero, with another wry comedy, The Gordian Egg.
Author: Georg Kaiser
Publisher: MHRA
ISBN: 1781882665
Category : Drama
Languages : en
Pages : 390
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Book Description
After Expressionism had run its feverish course, its foremost exponent Georg Kaiser (1878-1945) ‑‑ The Burghers of Calais, From Morn to Midnight, Gas ‑‑ proved equally adept at the lighter fare demanded by post-war audiences. Of some nine hundred comedies premièred in the Weimar era, his Pulp Fiction was an early triumph, often revived and played now as parody of a contagious literary genre, now as critique of Old World pieties. The New Woman emerged even more clearly towards the end of the ‘Roaring Twenties’ in Clairvoyance ‑‑ though now also as antagonist, from whose vampish sophistication the loving wife emancipates both self and wayward husband. Between these two comedies, in One Day in October (acclaimed especially in Gustav Gründgens’s gripping production) focus shifts to psychological wrestling in deadly earnest over the parentage of a child. A parallel dilemma underlies the compelling plot, rising tension and searing climax of Agnete ‑‑ an uncanny precursor of the ‘Heimkehrer’ literature inspired by soldiers and captives returning home after 1945. This was indeed a fitting play to mark the rebirth of the Federal Republic of Germany in 1949. Kaiser had died in exile, though not before taking leave, like Prospero, with another wry comedy, The Gordian Egg.
Author: Ernst Schurer
Publisher: A&C Black
ISBN: 9780826409508
Category : History
Languages : en
Pages : 348
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Book Description
This volume in The German Library includes the following authors and plays, which best represent the Expressionist movement of the early 20th century: -- Georg Kaiser: Gas I and Gas II -- Ernst Toller: Masses and Man -- Gottfried Benn: Ithaka -- Oskar Kokoschka: Murderer the Women's Hope -- Carl Sternheim: The Bloomers -- Walter Hasenclever: The Son>
Author: Karl Kraus
Publisher: Yale University Press
ISBN: 0300252803
Category : Political Science
Languages : en
Pages : 314
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Book Description
The first complete English translation of a far-seeing polemic, written in 1933 by the preeminent German-language satirist, unmasking the Nazi seizure of power Now available in English for the first time, Austrian satirist and polemicist Karl Kraus’s Third Walpurgis Night was written in immediate response to the Nazi seizure of power in 1933 but withheld from publication for fear of reprisals against Jews trapped in Germany. Acclaimed when finally published by Kösel Verlag in 1952, it is a devastatingly prescient exposure, giving special attention to the regime’s corruption of language as masterminded by Joseph Goebbels. Bertolt Brecht wrote to Kraus that, in his indictment of Nazism, “You have disclosed the atrocities of intonation and created an ethics of language.” This masterful translation, by the prizewinning translators of Kraus’s The Last Days of Mankind, aims for clarity where Kraus had good reason to be cautious and obscure.
Author: Michael Levenson
Publisher: Yale University Press
ISBN: 0300111738
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself. Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters.
Author: Lisa Marie Anderson
Publisher: BRILL
ISBN: 9401200513
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that strain is traced through the work of four important Expressionist playwrights: Ernst Barlach, Georg Kaiser, Ernst Toller and Franz Werfel. Moreover, these dramatists are brought into new and sustained dialogues with the theorists and philosophers of messianism who were their contemporaries: Walter Benjamin, Ernst Bloch, Martin Buber, Hermann Cohen, Gershom Scholem. In arguing, for example, that concepts like Bloch’s utopian self-encounter (Selbstbegegnung) and Benjamin’s messianic now-time (Jetztzeit) reappear as the framework for Expressionism’s staging of collective redemption in a new age, Anderson forges a previously underappreciated link in the study of Central European thought in the early twentieth century.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296304
Category : Drama
Languages : en
Pages : 244
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Book Description
Modern drama in theory and ... /J.L. Styan.-v.3.
Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930
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Book Description
Author: Peter Nicholls
Publisher: Bloomsbury Publishing
ISBN: 1137114924
Category : Literary Criticism
Languages : en
Pages : 424
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Book Description
Peter Nicholls provides original analytic accounts of the main Modernist movements. Close readings of key texts monitor the histories of Futurism, Expressionism, Cubism, Dadaism and Surrealism. This new edition includes discussion of the recent research trends, examination of developments in the US, and a new chapter on African-American Modernisms.
Author: R. S. Furness
Publisher: Taylor & Francis
ISBN: 1351630512
Category : Literary Criticism
Languages : en
Pages : 115
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Book Description
As part of WebMuseum, Paris, Nicolas Pioch provides an overview of Expressionism, an artistic movement that developed in the late 19th and 20th centuries. Expressionism emphasized the expression of inner experience rather than a realistic portrayal of reality. Versions of the Web site are available in English and French. The movement originated in Germany.
Author: Ulrich Weisstein
Publisher: John Benjamins Publishing
ISBN: 9027284806
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
Ulrich Weisstein’s collection of 21 essays offers a comparative study of Expressionism as a Modernist movement whose dynamic core lay in Germany and Austria-Hungary, but which transformed artistic practices in other European countries. The focus, Weisstein argues, “must be strictly and sharply aimed at a specific body of works and opinions—a relatively dense core surrounded by a less clearly defined fringe zone—indigenous to the German speaking countries.” The volume spans an “Expressionist” period extending from roughly 1910 to 1925. Weisstein himself contributes two introductory chapters on problems of definition and a thoughtful analysis of English Vorticism. An ample context is set by comparative essays concerned with international movements such as Futurism that had an impact on German Expressionist drama, prose, and poetry, together with essays on the adaptation of Expressionist forms in countries such as Poland, Russia, Hungary, South Slavic nations and the United States. These essays call attention to representative authors and artists, as well as to periodicals and artistic circles. Reviewers have praised not only the presentation of “literary links and interaction” among national cultures, but especially the “most rewarding” interdisciplinary essays on Dada and on Expressionist painting, music, and film.
