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Author: Stephanie Galasso
Publisher: Northwestern University Press
ISBN: 0810146819
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project. Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence.
Author: Stephanie Galasso
Publisher: Northwestern University Press
ISBN: 0810146819
Category : Literary Criticism
Languages : en
Pages : 221
Get Book Here
Book Description
Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project. Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence.
Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810143186
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
Author: Erica Weitzman
Publisher: Northwestern University Press
ISBN: 0810129833
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Irony's Antics marks a major intervention into the underexplored role of the comic in German letters. At the book's heart is the relationship between the comic and irony. Weitzman argues that in the early twentieth century, irony, a key figure for the German Romantics, reemerged from its relegation to "nonsense" in a way that both rethought Romantic irony and dramatically extended its reach.
Author: Malika Maskarinec
Publisher: Northwestern University Press
ISBN: 0810137712
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
The Forces of Form in German Modernism charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally intensifying forces: the force of gravity and a self-determining will to form. Maskarinec thereby discloses, for the first time, German modernism's sustained preoccupation with classical mechanics and with how human bodies and artworks resist gravity. Considering canonical artists such as Rodin and Klee, seminal authors such as Kafka and Döblin, and largely neglected thinkers in aesthetics and art history such as those associated with Empathy Aesthetics, Maskarinec unpacks the manifold anthropological and aesthetic concerns and historical lineage embedded in the idea of form as the precarious achievement of uprightness. The Forces of Form in German Modernism makes a decisive contribution to our understanding of modernism and to contemporary discussions about form, empathy, materiality, and human embodiment.
Author: Tyler Whitney
Publisher: Northwestern University Press
ISBN: 0810140233
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. Eardrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science.
Author: Kirk Wetters
Publisher: Northwestern University Press
ISBN: 0810129760
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
In this ambitious book, Kirk Wetters traces the genealogy of the demonic in German literature from its imbrications in Goethe to its varying legacies in the work of essential authors, both canonical and less well known, such as Gundolf, Spengler, Benjamin, Lukács, and Doderer. Wetters focuses especially on the philological and metaphorological resonances of the demonic from its core formations through its appropriations in the tumultuous twentieth century. Propelled by equal parts theoretical and historical acumen, Wetters explores the ways in which the question of the demonic has been employed to multiple theoretical, literary, and historico-political ends. He thereby produces an intellectual history that will be consequential both to scholars of German literature and to comparatists.
Author: Rebecca Schuman
Publisher: Northwestern University Press
ISBN: 0810131501
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
In Kafka and Wittgenstein, Rebecca Schuman undertakes the first ever book-length scholarly examination of Ludwig Wittgenstein’s philosophy of language alongside Franz Kafka’s prose fiction. In groundbreaking readings, she argues that although many readers of Kafka are searching for what his texts mean, in this search we are sorely mistaken. Instead, the problems and illusions we portend to uncover, the im-portant questions we attempt to answer—Is Josef K. guilty? If so, of what? What does Gregor Samsa’s transformed body mean? Is Land-Surveyor K. a real land surveyor?— themselves presuppose a bigger delusion: that such questions can be asked in the first place. Drawing deeply on the entire range of Wittgenstein’s writings, Schuman can-nily sheds new light on the enigmatic Kafka.
Author: Tatiana Kuzmic
Publisher: Northwestern University Press
ISBN: 0810133997
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
In Adulterous Nations, Tatiana Kuzmic enlarges our perspective on the nineteenth-century novel of adultery, showing how it often served as a metaphor for relationships between the imperialistic and the colonized. In the context of the long-standing practice of gendering nations as female, the novels under discussion here—George Eliot’s Middlemarch, Theodor Fontane’s Effi Briest, and Leo Tolstoy’s Anna Karenina, along with August Šenoa’s The Goldsmith’s Gold and Henryk Sienkiewicz’s Quo Vadis—can be understood as depicting international crises on the scale of the nuclear family. In each example, an outsider figure is responsible for the disruption experienced by the family. Kuzmic deftly argues that the hopes, anxieties, and interests of European nations during this period can be discerned in the destabilizing force of adultery. Reading the work of Šenoa and Sienkiewicz, from Croatia and Poland, respectively, Kuzmic illuminates the relationship between the literature of dominant nations and that of the semicolonized territories that posed a threat to them. Ultimately, Kuzmic’s study enhances our understanding of not only these five novels but nineteenth-century European literature more generally.
Author: Anne Jamison
Publisher: Northwestern University Press
ISBN: 0810137224
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
Kafka’s Other Prague: Writings from the Czechoslovak Republic examines Kafka’s late writings from the perspective of the author’s changing relationship with Czech language, culture, and literature—the least understood facet of his meticulously researched life and work. Franz Kafka was born in Prague, a bilingual city in the Habsburg Empire. He died a citizen of Czechoslovakia. Yet Kafka was not Czech in any way he himself would have understood. He could speak Czech, but, like many Prague Jews, he was raised and educated and wrote in German. Kafka critics to date have had little to say about the majority language of his native city or its “minor literature,” as he referred to it in a 1913 journal entry. Kafka’s Other Prague explains why Kafka’s later experience of Czech language and culture matters. Bringing to light newly available archival material, Anne Jamison’s innovative study demonstrates how Czechoslovakia’s founding and Kafka’s own dramatic political, professional, and personal upheavals altered his relationship to this “other Prague.” It destabilized Kafka’s understanding of nationality, language, gender, and sex—and how all these issues related to his own writing. Kafka’s Other Prague juxtaposes Kafka’s German-language work with Czechoslovak Prague’s language politics, intellectual currents, and print culture—including the influence of his lover and translator, the journalist Milena Jesenská—and shows how this changed cultural and linguistic landscape transformed one of the great literary minds of the last century.
Author: Ari Linden
Publisher: Northwestern University Press
ISBN: 0810141647
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Ari Linden’s Karl Kraus and the Discourse of Modernity reconsiders the literary works of the Viennese satirist, journalist, and playwright Karl Kraus (1874–1936). Combining close readings with intellectual history, Linden shows how Kraus’s two major literary achievements (The Last Days of Mankind and The Third Walpurgis Night) and his adaptation of The Birds by Aristophanes (Cloudcuckooland) address the political catastrophes of the first third of Europe’s twentieth century—from World War I to the rise of fascism. Kraus’s central insight, Linden argues, is that the medial representations of such events have produced less an informed audience than one increasingly unmoved by mass violence. In the second part of the book, Linden explores this insight as he sees it inflected in the writings of Søren Kierkegaard, Walter Benjamin, and Theodor Adorno. This hidden dialogue, Linden claims, offers us a richer understanding of the often-neglected relationship between satire and critical theory writ large.
