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Author: Carlos Masotta
Publisher: La Marca Editora
ISBN:
Category : Antiques & Collectibles
Languages : es
Pages : 124
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Book Description
BILINGUAL ENGLISH/SPANISH EDITION This charming, gift-worthy 6 x 6-inch paperback presents a wide selection of beautifully tinted photographic postcards of and by Argentine cowboys, or gauchos, in the early 1900s. Often reproduced with stamps, postmarks and handwriting perfectly preserved, these fascinating relics depict life on the Argentine prairie with documentary candor as well as romantic aplomb. Here we find many photographs of the gauchos with their horses, at their ranches, playing their guitars and courting their wives. Cows are quartered, houses are raised, rivers forged and duels fought. Collected by Carlos Masotta, the Buenos Aires anthropologist, documentarian and image-identity expert. Hacia el 1900, en una sociedad en febril proceso de modernización y caracterizada por un cosmopolita auge inmigratorio, hace su aparición un fenómeno cultural mencionado comúnmente como 'criollismo'. Entre las últimas décadas del s. XIX y primeras del s. XX se divulgó un gusto por lo gauchesco que pudo reunir nuevamente a diferentes sectores socioeconómicos, pero ahora en clave de representación y consumo de la imagen de un mundo pasado. Paradoja o curiosidad; la figura del gaucho ha sido elogiada y elevada como símbolo de la nacionalidad en el preciso momento en que aquél dejaba de existir. El conjunto de postales recrean el mundo del gaucho como un código estructurado en escenas: el trabajo con hacienda (el arreo, la yerra o marcación de ganado, la carneada); el transporte en carretas; el ocio (juegos de taba, carrera de caballos, bailes); el asado, el duelo a cuchillo y la relación amorosa son los temas habituales, muchos de ellos rescatados de la pintura de fines del siglo XIX.
Author: Carlos Masotta
Publisher: La Marca Editora
ISBN:
Category : Antiques & Collectibles
Languages : es
Pages : 124
Get Book Here
Book Description
BILINGUAL ENGLISH/SPANISH EDITION This charming, gift-worthy 6 x 6-inch paperback presents a wide selection of beautifully tinted photographic postcards of and by Argentine cowboys, or gauchos, in the early 1900s. Often reproduced with stamps, postmarks and handwriting perfectly preserved, these fascinating relics depict life on the Argentine prairie with documentary candor as well as romantic aplomb. Here we find many photographs of the gauchos with their horses, at their ranches, playing their guitars and courting their wives. Cows are quartered, houses are raised, rivers forged and duels fought. Collected by Carlos Masotta, the Buenos Aires anthropologist, documentarian and image-identity expert. Hacia el 1900, en una sociedad en febril proceso de modernización y caracterizada por un cosmopolita auge inmigratorio, hace su aparición un fenómeno cultural mencionado comúnmente como 'criollismo'. Entre las últimas décadas del s. XIX y primeras del s. XX se divulgó un gusto por lo gauchesco que pudo reunir nuevamente a diferentes sectores socioeconómicos, pero ahora en clave de representación y consumo de la imagen de un mundo pasado. Paradoja o curiosidad; la figura del gaucho ha sido elogiada y elevada como símbolo de la nacionalidad en el preciso momento en que aquél dejaba de existir. El conjunto de postales recrean el mundo del gaucho como un código estructurado en escenas: el trabajo con hacienda (el arreo, la yerra o marcación de ganado, la carneada); el transporte en carretas; el ocio (juegos de taba, carrera de caballos, bailes); el asado, el duelo a cuchillo y la relación amorosa son los temas habituales, muchos de ellos rescatados de la pintura de fines del siglo XIX.
Author: Idurre Alonso
Publisher: Getty Publications
ISBN: 1606065327
Category : Photography
Languages : en
Pages : 346
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Book Description
From its independence in 1810 until the economic crisis of 2001, Argentina has been seen, in the national and international collective imaginary, as a modern country with a powerful economic system, a massive European immigrant population, an especially strong middle class, and an almost nonexistent indigenous culture. In some ways, the early history of Argentina strongly resembles that of the United States, with its march to the prairies and frontier ideology, the image of the cowboy as a national symbol (equivalent to the Argentine gaucho), the importance of the immigrant population, and the advanced and liberal ideas of the founding fathers. But did Argentine history truly follow a linear path toward modernization? How did photography help shape or deconstruct notions associated with Argentina? Photography in Argentina examines the complexities of this country’s history, stressing the heterogeneity of its realities, and especially the power of constructed pho-tographic images—that is, the practice of altering reality for artistic expression, an important vein in Argentine photography. Influential specialists from Argentina have contributed essays on various topics, such as the shaping of national myths, the adaptation of gesture as related to the “disappeared” during the dictatorship period, the role of contemporary photography in the context of recent sociopolitical events, and the reinterpreting of traditional notions of documentary photography in Argentina and the rest of Latin America.
Author: Manuela Fischer
Publisher: Böhlau Verlag Köln Weimar
ISBN: 3412224154
Category : History
Languages : en
Pages : 434
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Book Description
The Ethnologisches Museum in Berlin holds more than 6,500 historical black-and-white photographs from Latin America. These images were produced between 1868 and 1936 and mainly depict ethnological and archaeological motifs, although some portray views of urban or natural landscapes. The contributions to this volume focus on particular series from this extensive archive. In doing so, they illustrate the enormous potential for research inherent within such “repositories of memory”, represent a diverse set of approaches and provide varied interpretations of historical photographs. The contributions focus on the contexts in which these images were produced and provide interpretations of the intentions behind some of the photographs. Moreover, they analyse the acquisition of these photographs and the manner in which they have been preserved and disseminated. Additionally, the contributions highlight the manners in which the images have been used and the impact of some of the formats in which the photographs were published. This richly illustrated volume is complemented by the digital reproductions available online at http://www.smb-digital.de/.
Author: Paulina Alberto
Publisher: Cambridge University Press
ISBN: 1107107636
Category : History
Languages : en
Pages : 393
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Book Description
This book reconsiders the relationship between race and nation in Argentina during the twentieth and twenty-first centuries and places Argentina firmly in dialog with the literature on race and nation in Latin America, from where it has long been excluded or marginalized for being a white, European exception in a mixed-race region. The contributors, based both in North America and Argentina, hail from the fields of history, anthropology, and literary and cultural studies. Their essays collectively destabilize widespread certainties about Argentina, showing that whiteness in that country has more in common with practices and ideologies of Mestizaje and 'racial democracy' elsewhere in the region than has typically been acknowledged. The essays also situate Argentina within the well-established literature on race, nation, and whiteness in world regions beyond Latin America (particularly, other European 'settler societies'). The collection thus contributes to rethinking race for other global contexts as well.
Author: Carlos Masotta
Publisher: La Marca Editora
ISBN:
Category : Antiques & Collectibles
Languages : es
Pages : 124
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Book Description
The present small format edition reproduces hundreds of period postcards of Argentinean landscapes printed by the thousands from 1900 until the 1930's. These images represent the early 20th century general utopian atmosphere of the period, marked by the centennial celebrations and the wave of European immigrations and "a response to a tourist's view in which nature is depicted in a pleasant way"
Author: Ernesto Cardenal
Publisher: Indiana University Press
ISBN: 9780253209030
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
"... very well translated... Cardenal merits praise for presenting, on such an ambitious scale, a passionate alternative history of the Spanish encounter with Central America." --Booklist "Combining hsitory with poetry, Cardenal exposes the violence, treachery, injustice, and exploitation that are so much a part of Central America and Mexico's] past and present." --World Literature Today "Explore this dense, beautiful poem and you will be rewarded with riches that 'delight and hurt not'." --Nicaragua Update "... a remarkable text.... El estrecho dudoso is a masterful and compelling poetic account of early colonial Central America, and the translation is likewise masterful." --Colonial Latin American Historical Review In this book-length poem, Nicaraguan priest and revolutionary Ernesto Cardenal tells the story of the Spanish conquest of Central America from the "discovery" of the American continent to recent historical events. A remarkable achievement and an engrossing narrative, the poem is published here in both Spanish and English.
Author: Matthew Benjamin Karush
Publisher: Duke University Press
ISBN: 0822352648
Category : History
Languages : en
Pages : 290
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Book Description
Following the mass arrival of European immigrants to Argentina in the early years of the twentieth century new forms of entertainment emerged including tango, films, radio and theater. While these forms of culture promoted ethnic integration they also produced a new kind of polarization that helped Juan Peron to build the mass movement that propelled him to power.
Author: Peter Burke
Publisher: Reaktion Books
ISBN: 1861898282
Category : History
Languages : en
Pages : 226
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Book Description
Eyewitnessing evaluates the place of images among other kinds of historical evidence. By reviewing the many varieties of images by region, period and medium, and looking at the pragmatic uses of images (e.g. the Bayeux Tapestry, an engraving of a printing press, a reconstruction of a building), Peter Burke sheds light on our assumption that these practical uses are 'reflections' of specific historical meanings and influences. He also shows how this assumption can be problematic. Traditional art historians have depended on two types of analysis when dealing with visual imagery: iconography and iconology. Burke describes and evaluates these approaches, concluding that they are insufficient. Focusing instead on the medium as message and on the social contexts and uses of images, he discusses both religious images and political ones, also looking at images in advertising and as commodities. Ultimately, Burke's purpose is to show how iconographic and post-iconographic methods – psychoanalysis, semiotics, viewer response, deconstruction – are both useful and problematic to contemporary historians.
Author: Judith Freidenberg
Publisher: University of Texas Press
ISBN: 0292719957
Category : History
Languages : en
Pages : 207
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Book Description
By the mid-twentieth century, Eastern European Jews had become one of Argentina's largest minorities. Some represented a wave of immigration begun two generations before; many settled in the province of Entre Ríos and founded an agricultural colony. Taking its title from the resulting hybrid of acculturation, The Invention of the Jewish Gaucho examines the lives of these settlers, who represented a merger between native cowboy identities and homeland memories. The arrival of these immigrants in what would be the village of Villa Clara coincided with the nation's new sense of liberated nationhood. In a meticulous rendition of Villa Clara's social history, Judith Freidenberg interweaves ethnographic and historical information to understand the saga of European immigrants drawn by Argentine open-door policies in the nineteenth century and its impact on the current transformation of immigration into multicultural discourses in the twenty-first century. Using Villa Clara as a case study, Freidenberg demonstrates the broad power of political processes in the construction of ethnic, class, and national identities. The Invention of the Jewish Gaucho draws on life histories, archives, material culture, and performances of heritage to enhance our understanding of a singular population—and to transform our approach to social memory itself.
Author: Ariel de la Fuente
Publisher: Duke University Press
ISBN: 9780822325963
Category : History
Languages : en
Pages : 270
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Book Description
DIVCombines peasant studies and cultural history to revise the received wisdom on nineteenth-century Argentinian politics and aspects of the Argentinian state-formation process./div
