Garder Le Reve - the Triumph of the Dream in Rostand PDF Download
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Author: Emma Adams Miller
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Emma Adams Miller
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Columbia University. Library
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 690
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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 600
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Author: Columbia University. Libraries
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 80
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Author: Columbia University. Libraries
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 636
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Author: Arthur Adamov
Publisher:
ISBN: 9780714542409
Category :
Languages : en
Pages :
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Author: Robert Collison
Publisher: Springer
ISBN: 1349048984
Category : Literary Criticism
Languages : en
Pages : 415
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Author: Gale Research Company
Publisher:
ISBN:
Category : Literature, Modern
Languages : en
Pages : 544
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Book Description
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.
Author: Victoria Duckett
Publisher: University of Illinois Press
ISBN: 9780252039669
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
The most famous stage actress of the nineteenth century, Sarah Bernhardt enjoyed a surprising renaissance when the 1912 multi-reel film Queen Elizabeth vaulted her to international acclaim. The triumph capped her already lengthy involvement with cinema while enabling the indefatigable actress to reinvent herself in an era of technological and generational change. Placing Bernhardt at the center of the industry's first two decades, Victoria Duckett challenges the perception of her as an anachronism unable to appreciate film's qualities. Instead, cinema's substitution of translated title cards for her melodic French deciphered Bernhardt for Anglo-American audiences. It also allowed the aging actress to appear in the kinds of longer dramas she could no longer physically sustain onstage. As Duckett shows, Bernhardt contributed far more than star quality. Her theatrical practice on film influenced how the young medium changed the visual and performing arts. Her promoting of experimentation, meanwhile, shaped the ways audiences looked at and understood early cinema. A leading-edge reappraisal of a watershed era, Seeing Sarah Bernhardt tells the story of an icon who bridged two centuries--and changed the very act of watching film.
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
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Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
