Galleries and Cabinets of Art in Great Britain PDF Download
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Author: Gustav Friedrich Waagen
Publisher: London, Murray
ISBN:
Category : AT GREAT BRITAIN GALLERIES AND MUSEUMS
Languages : en
Pages : 576
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Book Description
Author: Gustav Friedrich Waagen
Publisher: London, Murray
ISBN:
Category : AT GREAT BRITAIN GALLERIES AND MUSEUMS
Languages : en
Pages : 576
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Book Description
Author: Dr. Waagen
Publisher: BoD – Books on Demand
ISBN: 3375158173
Category : Fiction
Languages : en
Pages : 570
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Book Description
Reprint of the original, first published in 1857.
Author: Gustav Friedrich Waagen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 774
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Book Description
Author: Gustav Friedrich Waagen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 598
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Book Description
Author: Gustav Friedrich Waagen
Publisher:
ISBN:
Category :
Languages : en
Pages : 500
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Book Description
Author: Lowell (Mass.). City Library
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 44
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Book Description
Author: Christopher Whitehead
Publisher: Routledge
ISBN: 1351883429
Category : History
Languages : en
Pages : 317
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Book Description
During the mid-nineteenth century a debate arose over the form and functions of the public art museum in Britain. Various occurrences caused new debates in Parliament and in the press about the purposes of the public museum which checked the relative complacency with which London's national collections had hitherto been run. This book examines these debates and their influence on the development of professionalism within the museum, trends in collecting and tendencies in museum architecture and decoration. In so doing it accounts for the general development of the London museums between 1850 and 1880, with particular reference to the National Gallery. This involves analysis of art display and its relations with art historiography, alongside institutional and architectural developments at the British Museum, the South Kensington Museum and the National Gallery. It is argued that the underpinning factor in all of these developments was a reformulation of the public museum's mission, which was in turn related to the electoral reform movement. In a potential situation of mass enfranchisement, the 'masses' should be well educated; the museum was openly identified as a useful institution in this sense. This consideration also influenced approaches to collecting and arranging artworks and to configuring their architectural setting within the museum, allowing for displays to be instructive in specific ways. Dissatisfaction with the British Museum and National Gallery buildings and their locations led to proposals to move the national collections, possibly merging and redefining them. Again the socio-political usefulness of the museum was key in determining where the national collections should be housed and in what form of building. This rich debate is analysed with full references to the various forums in and out of Parliament. Part one covers these issues in a thematic structure, examining all of the national collections, their interrelationships and their gradual development of discrete (yet sometimes arbitrary) museological territories. Part two focuses on the individual case of the National Gallery, observing how museological debate was brought to bear on the development of a specific institution. Every architectural development and redisplay is closely analysed in order to gauge the extent to which the products of debate were carried through into practice, and to comprehend the reasons why no museological grand project emerged in London.
Author: Louis Thies
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 590
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Book Description
Author: ElizabethA. Pergam
Publisher: Routledge
ISBN: 1351542796
Category : Art
Languages : en
Pages : 417
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Book Description
An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 908
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Book Description
