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Author: Jethro Soutar
Publisher: Anova Books
ISBN: 9781906032258
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Gael Garcia Bernal has become the most well-known face of Latin American cinema. He has starred in many of the Latin American movies that have been very successful in the UK and the US, including Y Tu Mama Tambien, Amores Perros and The Motorcycle Diaries. His more recent films include Babel and The Science of Sleep. He is passionately political; well known for his activities in promoting awareness of big issues such as poverty in Latin America and Fair Trade and for his protests at the 2005 G8 summit. He has been labelled the new Johnny Depp and James Dean, and has topped countless ''Year's Sexiest Man'' lists. This book will be the first biography of the star and will also tell the story of the rise of Latin America's pioneer filmmakers - driven to produce movies that bring the problems of areas like the Favelas to the World's screens. GGB has a connection with the UK: taking a break from filmmaking a few years ago, he worked on building sites and in bars in London whilst attending drama school. This book will appeal to fans of film books like Peter Biskind's Easy Riders, Raging Bulls and Down and Dirty Pictures.
Author: Jethro Soutar
Publisher: Anova Books
ISBN: 9781906032258
Category : Biography & Autobiography
Languages : en
Pages : 296
Get Book Here
Book Description
Gael Garcia Bernal has become the most well-known face of Latin American cinema. He has starred in many of the Latin American movies that have been very successful in the UK and the US, including Y Tu Mama Tambien, Amores Perros and The Motorcycle Diaries. His more recent films include Babel and The Science of Sleep. He is passionately political; well known for his activities in promoting awareness of big issues such as poverty in Latin America and Fair Trade and for his protests at the 2005 G8 summit. He has been labelled the new Johnny Depp and James Dean, and has topped countless ''Year's Sexiest Man'' lists. This book will be the first biography of the star and will also tell the story of the rise of Latin America's pioneer filmmakers - driven to produce movies that bring the problems of areas like the Favelas to the World's screens. GGB has a connection with the UK: taking a break from filmmaking a few years ago, he worked on building sites and in bars in London whilst attending drama school. This book will appeal to fans of film books like Peter Biskind's Easy Riders, Raging Bulls and Down and Dirty Pictures.
Author: Jethro Soutar
Publisher:
ISBN:
Category : Motion picture actors and actresses
Languages : en
Pages : 264
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Book Description
Author: Maria M. Delgado
Publisher: John Wiley & Sons
ISBN: 1118552881
Category : Performing Arts
Languages : en
Pages : 560
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Book Description
A Companion to Latin American Cinema offers a wide-ranging collection of newly commissioned essays and interviews that explore the ways in which Latin American cinema has established itself on the international film scene in the twenty-first century. Features contributions from international critics, historians, and scholars, along with interviews with acclaimed Latin American film directors Includes essays on the Latin American film industry, as well as the interactions between TV and documentary production with feature film culture Covers several up-and-coming regions of film activity such as nations in Central America Offers novel insights into Latin American cinema based on new methodologies, such as the quantitative approach, and essays contributed by practitioners as well as theorists
Author: Stephen M. Hart
Publisher: Reaktion Books
ISBN: 1780234031
Category : Art
Languages : en
Pages : 225
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Book Description
From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.
Author: Frederick Luis Aldama
Publisher: University of Michigan Press
ISBN: 0472029126
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
Mex-Cinéoffers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Cinéaims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.
Author: Maria M. Delgado
Publisher: Manchester University Press
ISBN: 1526141787
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
This collection offers a new lens through which to examine Spain’s cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of ‘national’ cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.
Author: Fabrizio Cilento
Publisher: Springer
ISBN: 3319926810
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies. These documentary-like films refrain from a simplistic reconstruction of historical events and are mainly concerned with what does not immediately appear on the surface of events. Consequently, they raise questions about the nature of the “truth” promoted by institutions, newspapers, and media reports. By highlighting unanswered questions, they leave us with a lack of clarity, and the questioning of documentation becomes the actual narrative. Investigative cinema is examined in relation to the historical conjunctures of the “economic miracle” in Italy, the simultaneous decolonization and reordering of culture in France, the waves of globalization and neoliberalism in post-dictatorial Latin America, and the post-Watergate, post-9/11 climate in US society. Investigative cinema is exemplified by the films Salvatore Giuliano, The Battle of Algiers, The Parallax View, Gomorrah, Zero Dark Thirty, and Citizenfour.
Author: Rebecca Janzen
Publisher: State University of New York Press
ISBN: 1438485328
Category : Art
Languages : en
Pages : 213
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Book Description
Rebecca Janzen brings a unique applied understanding of religion to bear on analysis of Mexican cinema from the Golden Age of the 1930s onward. Unholy Trinity first examines canonical films like Emilio Fernández's María Candelaria and Río Escondido that mythologize Mexico's past, suggesting that religious imagery and symbols are used to negotiate the place of religion in a modernizing society. It next studies films of the 1970s, which use motifs of corruption and illicit sexuality to critique both church and state. Finally, an examination of films from the 1990s and 2000s, including Guita Schyfter's Novia que te vea, a film that portrays Mexico City's Ashkenazi and Sephardic Jewish communities in the twentieth century, and Carlos Carrera's controversial 2002 film El crimen del padre Amaro, argues that religious imagery—related to the Catholic Church, people's interpretations of Catholicism, and representations of Jewish communities in Mexico—allows the films to critically engage with Mexican politics, identity, and social issues.
Author: John Freeman
Publisher: Granta
ISBN: 1905881649
Category : Literary Collections
Languages : en
Pages : 272
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Book Description
Since Granta's inaugural list of the Best of Young British Novelists in 1983 - featuring Salman Rushdie, Ian McEwan, Kazuo Ishiguro, Martin Amis and Julian Barnes - the Best of Young issues have been some of the magazine's most influential. In 2010, Granta looked beyond the English-speaking world with Best of Young Spanish-Language Novelists. Now, with its first-ever issue fully translated from Portuguese in partnership with Granta em Português, the magazine continues its work of celebrating emerging talent from around the world. Submissions by young and promising authors from across Brazil have been read and discussed by a judging panel comprised of the country's foremost literary figures - including Manuel da Costa Pinto, coordinator of the Paraty Literary Festival, Cristovão Tezza is one of the most important writers in the country, and Benjamin Moser, author of a biography on Clarice Lispector. Their final choices will introduce the world to the diversity and uniqueness of Brazilian literature today.
Author: Sergio de la Mora
Publisher: University of Texas Press
ISBN: 0292782314
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.
