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Author: Patrick McGee
Publisher: Wiley-Blackwell
ISBN: 9781405139649
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
From Shane to Kill Bill: Rethinking the Western is an original and compelling critical history of the American Western film. Provides an insightful overview of the American Western genre Covers the entire history of the Western, from 1939 to the present Analyses Westerns as products of a genre, as well as expressions of political and social desires Deepens an audience’s understanding of the genre’s most important works, including Shane, Stagecoach, The Searchers, Unforgiven, and Kill Bill Contains numerous illustrations of the films and issues discussed.
Author: Patrick McGee
Publisher: Wiley-Blackwell
ISBN: 9781405139649
Category : Performing Arts
Languages : en
Pages : 280
Get Book Here
Book Description
From Shane to Kill Bill: Rethinking the Western is an original and compelling critical history of the American Western film. Provides an insightful overview of the American Western genre Covers the entire history of the Western, from 1939 to the present Analyses Westerns as products of a genre, as well as expressions of political and social desires Deepens an audience’s understanding of the genre’s most important works, including Shane, Stagecoach, The Searchers, Unforgiven, and Kill Bill Contains numerous illustrations of the films and issues discussed.
Author: Carter Matthew Carter
Publisher: Edinburgh University Press
ISBN: 1474402836
Category : Performing Arts
Languages : en
Pages : 381
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Book Description
What is the nature of the relationship between the Hollywood Western and American frontier mythology? How have Western films helped develop cultural and historical perceptions, attitudes and beliefs towards the frontier? Is there still a place for the genre in light of revisionist histories of the American West?Myth of the Western re-invigorates the debate surrounding the relationship between the Western and frontier mythology, arguing for the importance of the genre's socio-cultural, historical and political dimensions. Taking a number of critical-theoretical and philosophical approaches, Matthew Carter applies them to prominent forms of frontier historiography. He also considers the historiographic element of the Western by exploring the different ways in which the genre has responded to the issues raised by the frontier. Carter skilfully argues that the genre has - and continues to reveal - the complexities and contradictions at the heart of US society. With its clear analyses of and intellectual challenges to the film scholarship that has developed around the Western over a 65-year period, this book adds new depth to our understanding of specific film texts and of the genre as a whole - a welcome resource for students and scholars in both Film Studies and American Studies.
Author: Patrick McGee
Publisher: Wiley-Blackwell
ISBN: 9781405139656
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
From Shane to Kill Bill: Rethinking the Western is an original and compelling critical history of the American Western film. Provides an insightful overview of the American Western genre Covers the entire history of the Western, from 1939 to the present Analyses Westerns as products of a genre, as well as expressions of political and social desires Deepens an audience’s understanding of the genre’s most important works, including Shane, Stagecoach, The Searchers, Unforgiven, and Kill Bill Contains numerous illustrations of the films and issues discussed.
Author: Cynthia J. Miller
Publisher: Scarecrow Press
ISBN: 0810892650
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.
Author: Stacey Abbott
Publisher: ECW Press
ISBN: 1770900349
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
As a natural heir to the hit television series Buffy the Vampire Slayer, Supernatural has risen to prominence with a strong cult following, and this series of essays from contributors around the globe investigates the genre-bending series cultural footprint both in the United States and abroad. The writings explore topics such as folklore, religion, gender and sexuality, comedy, music, and much more, and a brief guide to all the episodes is also included. Supernatural follows brothers Dean and Sam Winchester as they encounter and battle evil beings such as vampires, shapeshifters, ghouls, and ghosts from a multitude of genres including folklore, urban legends, and religious history.
Author: Drew Morton
Publisher: Univ. Press of Mississippi
ISBN: 1496809793
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Over the past forty years, American film has entered into a formal interaction with the comic book. Such comic book adaptations as Sin City, 300, and Scott Pilgrim vs. the World have adopted components of their source materials' visual style. The screen has been fractured into panels, the photographic has given way to the graphic, and the steady rhythm of cinematic time has evolved into a far more malleable element. In other words, films have begun to look like comics. Yet, this interplay also occurs in the other direction. In order to retain cultural relevancy, comic books have begun to look like films. Frank Miller's original Sin City comics are indebted to film noir while Stephen King's The Dark Tower series could be a Sergio Leone spaghetti western translated onto paper. Film and comic books continuously lean on one another to reimagine their formal attributes and stylistic possibilities. In Panel to the Screen, Drew Morton examines this dialogue in its intersecting and rapidly changing cultural, technological, and industrial contexts. Early on, many questioned the prospect of a "low" art form suited for children translating into “high” art material capable of drawing colossal box office takes. Now the naysayers are as quiet as the queued crowds at Comic-Cons are massive. Morton provides a nuanced account of this phenomenon by using formal analysis of the texts in a real-world context of studio budgets, grosses, and audience reception.
Author: Michael Duchemin
Publisher: University of Oklahoma Press
ISBN: 0806156716
Category : History
Languages : en
Pages : 327
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Book Description
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
Author: Jason P. Vest
Publisher: Bloomsbury Publishing USA
ISBN: 0313378207
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
This book offers the only examination of the television writing of David Milch and David Simon as significant contributions to American culture, literature, and social realism. David Milch and David Simon are two of the most prolific and successful television drama writers in the last 30 years. These talented writers have combined real-world knowledge with wild imaginations and understandings of the human psyche to create riveting shows with realistic environments and storylines. Minch and Simon's writing have resulted in television series that have earned both critical acclaim and millions of viewers. The Wire, Deadwood, Homicide, and NYPD Blue: Violence is Power is the most comprehensive text yet written about Milch and Simon, and documents how television dramas of the 1980s, 1990s, and 2000s mirrored American culture with unprecedented sociological accuracy. The author explains how both individuals are not only capable dramatists, but also insightful cultural critics. This book also examines the full range of Milch's and Simon's authorial careers, including Milch's books True Blue: The Real Stories behind NYPD Blue and Deadwood: Tales of the Black Hills and Simon's Homicide: A Year on the Killing Streets and The Corner: A Year in the Life of an Inner-City Neighborhood.
Author: Nela Bureu Ramos
Publisher: Peter Lang
ISBN: 9783034304382
Category : Aging in literature
Languages : en
Pages : 368
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Book Description
Desire in the broadest sense, as a form of generous self-assertion should ideally increase with the passage of time as we gradually acquire deeper insight into ourselves and others. Prescriptive cultural stereotypes, however, put obstacles on our path to progress as individuation. Yet growing older should not entail renunciation of the singularity of personal fulfilment. This volume is a collection of literary testimonies to the power of art to challenge and resist the social constraints on desire in the context of aging. In the essays, men and women claim their right to age in desire and imaginative vigour.
Author: Stephen McVeigh
Publisher: Edinburgh University Press
ISBN: 0748629440
Category : History
Languages : en
Pages : 256
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Book Description
This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century.Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the 'American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history.The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White.
