Author: Henry Davison
Publisher:
ISBN:
Category :
Languages : en
Pages : 962

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Book Description

Author: R. Larry Todd
Publisher: Princeton University Press
ISBN: 1400831628
Category : Music
Languages : en
Pages : 428

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Book Description
During the 1830s and 1840s the remarkably versatile composer-pianist-organist-conductor Felix Mendelssohn-Bartholdy stood at the forefront of German and English musical life. Bringing together previously unpublished essays by historians and musicologists, reflections on Mendelssohn written by his contemporaries, the composer's own letters, and early critical reviews of his music, this volume explores various facets of Mendelssohn's music, his social and intellectual circles, and his career. The essays in Part I cover the nature of a Jewish identity in Mendelssohn's music (Leon Botstein); his relationship to the Berlin Singakademie (William A. Little); the role of his sister Fanny Hensel, herself a child prodigy and accomplished composer (Nancy Reich); Mendelssohn's compositional craft in the Italian Symphony and selected concert overtures (Claudio Spies); his oratorio Elijah (Martin Staehelin); his incidental music to Sophocles' Antigone (Michael P. Steinberg); his anthem "Why, O Lord, delay forever?" (David Brodbeck); and an unfinished piano sonata (R. Larry Todd). Part II presents little-known memoirs by such contemporaries as J. C. Lobe, A. B. Marx, Julius Schubring, C. E. Horsley, Max Mller, and Betty Pistor. Mendelssohn's letters are represented in Part III by his correspondence with Wilhelm von Boguslawski and Aloys Fuchs, here translated for the first time. Part IV contains late nineteenth-century critical reviews by Heinrich Heine, Franz Brendel, Friedrich Niecks, Otto Jahn, and Hans von Blow.

Author: Christian Thielemann
Publisher: Simon and Schuster
ISBN: 168177173X
Category : Biography & Autobiography
Languages : en
Pages : 258

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Book Description
Over the course of a distinguished career conducting some of the world's finest orchestras, Christian Thielemann has emerged as the leading modern interpreter of Richard Wagner. My Life with Wagner chronicles his ardent personal and professional engagement with the composer whose work has shaped his thinking and feeling from early childhood. Thielemann retraces his journey around the world—from Berlin to Bayreuth via Venice, Hamburg and Chicago—and combines analysis with revealing insights drawn from Thielemann's many years of experience as a Wagner conductor. Thielemann takes on each of Wagner's opera in turn, and his appraisal is illuminated by a deep affinity for the music, an intimate knowledge of the scores, and the inside perspective of a world-class practitioner. And yet for all the adulation Wagner's art inspires, Thielemann does not shy away from unpalatable truths about the man himself, explaining why today Wagner is venerated and reviled in equal measure. A richly rewarding read for admirers of a composer who continues to fascinate long after his death.

Author: Peter Morgan Barnes
Publisher: Manchester University Press
ISBN: 1526165171
Category : Music
Languages : en
Pages : 303

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Book Description
This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.

Author: Dudley Buck
Publisher: DigiCat
ISBN:
Category : History
Languages : en
Pages : 100

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Book Description
DigiCat Publishing presents to you this special edition of "The Influence of the Organ in History" (Inaugural Lecture of the Department of the Organ in the College of Music of Boston University) by Dudley Buck. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Author: Fitchburg Public Library
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 110

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Book Description

Author: Ernest Newman
Publisher: Knopf
ISBN: 0804152365
Category : Music
Languages : en
Pages : 697

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Book Description
In the vast literature on Richard Wagner, Ernest Newman's classic four-volume Life remains unsurpassed. Volume II carries the story from 1848 to 1860. It describes the important, formative years in Wagner's life and reconstructs his role in the Dresden rising of 1849. Newman also discusses the changes that the Ring poem underwent during this period and illuminates Wagner's relations with his wife Minna, his mentor Liszt, and his circle in Zürich.

Author: Mercantile Library Association (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 418

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Book Description

Author: Rosemary Golding
Publisher: Taylor & Francis
ISBN: 1000564304
Category : History
Languages : en
Pages : 513

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Book Description
This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Author: Rosemary Golding
Publisher: Routledge
ISBN: 1317092619
Category : Music
Languages : en
Pages : 263

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Book Description
Until the nineteenth century, music occupied a marginal place in British universities. Degrees were awarded by Oxford and Cambridge, but students (and often professors) were not resident, and there were few formal lectures. It was not until a benefaction initiated the creation of a professorship of music at the University of Edinburgh, in the early nineteenth century, that the idea of music as a university discipline commanded serious consideration. The debates that ensued considered not only music’s identity as art and science, but also the broader function of the university within education and society. Rosemary Golding traces the responses of some of the key players in musical and academic culture to the problems surrounding the establishment of music as an academic discipline. The focus is on four universities: Edinburgh, Oxford, Cambridge and London. The different institutional contexts, and the approaches taken to music in each university, showcase the various issues surrounding music’s academic identity, as well as wider problems of status and professionalism. In examining the way music challenged conceptions of education and professional identity in the nineteenth century, the book also sheds light on the way the academic study of music continues to challenge modern approaches to music and university education.