Author: Rosalind Furness
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 550
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Book Description
"An indispensible publication for anyone interested in contempoarary visual art, the Yearbook introduces over 300 emerging and established artists from around the world with a critical text and a colour reproduction of their work. The book also contains insightful interviews with artists from the fair's critically acclaimed programme of commissions. It provides a wealth of information including details of all the galleries participating in Frieze Art Fair and an index listing over 2,000 artists."--BOOK JACKET.
Author: Rosalind Furness
Publisher:
ISBN: 9780955320149
Category : Art
Languages : en
Pages : 548
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Book Description
An essential publication for anyone interested in contemporary visual art, the Frieze Art Yearbook 200910 profiles almost 300 emerging and established artists from around the world with a critical text and a colour image of their work. The book also contains thoughtful interviews with artists from Frieze Projects, Frieze Art Fairs critically acclaimed programme of commissions. The Yearbook provides a wealth of information comprising details for all the galleries participating at Frieze Art Fair and a global directory of over 2,000 leading contemporary artists.
Author: Gilda Williams
Publisher: Thames & Hudson
ISBN: 0500772177
Category : Art
Languages : en
Pages : 228
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Book Description
An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
Author: Grant Pooke
Publisher: Routledge
ISBN: 1135654832
Category : Art
Languages : en
Pages : 299
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Book Description
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices – painting; sculpture and installation; and film, video and performance. The first chapter explores aspects of the contemporary art market and some of the contexts within which art is made, supported and exhibited. The chapters that discuss various genres of art practice also mention books that may be useful to support further reading. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.
Author: Morgan Fisher
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
For Morgan Fisher a form of appropriation, transformation, irony and lightness are also part of a reflection on the history and the techniques of seeing.This way of reading (art) history and autobiographical traits are characteristic of Morgan Fisher's long awaited writings. In it, Fisher has interwoven each of his works in a cosmos of intellectual figures, autobiographical and historical references.This 'autobiographical part' is complemented by articles on Carl Andre, Blinky Palermo and many more.
Author: Laura Owens
Publisher:
ISBN: 9781905397013
Category : Art, Modern
Languages : en
Pages : 48
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Book Description
Edited by Beatrix Ruf. Text by Rod Mangham, Beatrix Ruf, Gloria Sutton. Interviews by Alex Katz, Elizabeth Peyton, Mary Heilmann, Scott Rothkopf.
Author: Museum of Contemporary Art (Los Angeles, Calif.)
Publisher: Museum of Contemporary Art, San Diego
ISBN: 9781933751078
Category : Art
Languages : en
Pages : 0
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Book Description
Text by Paul Schimmel, Ann Goldstein, Rebecca Morse.
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 760
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Book Description
Author: Angela Bulloch
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 106
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Book Description
New work by the Spanish sculptor and installation artist known for her large-scale systems of enclosed passageways made from interconnected and organic-feeling metal lattices. Represented in New York by Marion Goodman Gallery, Iglesias has had one-person shows at such major international venues as the Guggenheim Museum, New York.
Author: Elizabeth Rankin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110668785
Category : Art
Languages : en
Pages : 522
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Book Description
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa’s history. François van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers.
