Author: Romain Rolland
Publisher: Prabhat Prakashan
ISBN:
Category : Fiction
Languages : en
Pages : 444
Book Description
Musicians of To-Day by Romain Rolland: Embark on a musical journey through the lives and works of celebrated musicians with "Musicians of To-Day" by Romain Rolland. This engaging book profiles a diverse array of contemporary musicians, offering insights into their artistic inspirations, musical innovations, and contributions to the world of music. Rolland's vivid portrayals allow readers to discover the passions and talents that drive these musicians to create timeless melodies. Key Aspects of the Book "Musicians of Today": Musical Portraits: The book features captivating portraits of contemporary musicians, providing a glimpse into their creative processes and the emotions behind their compositions. Musical Diversity: "Musicians of To-Day" highlights the diverse range of musical genres and styles represented by the featured artists, showcasing the richness of modern music. Artistic Influences: Rolland explores the sources of inspiration and formative experiences that have shaped the musical journeys of the musicians, enriching their artistic expressions. Romain Rolland was a renowned French writer, musicologist, and Nobel laureate known for his contributions to literature and music studies. Born in the 19th century, Rolland's works encompassed various genres, from historical novels to biographies. In "Musicians of To-Day," Rolland's passion for music and artistry is evident as he introduces readers to a diverse group of contemporary musicians. His literary legacy continues to resonate with music enthusiasts and scholars, celebrating the enduring impact of music on human culture.
Musicians of To-Day
Author: Romain Rolland
Publisher: Prabhat Prakashan
ISBN:
Category : Fiction
Languages : en
Pages : 444
Book Description
Musicians of To-Day by Romain Rolland: Embark on a musical journey through the lives and works of celebrated musicians with "Musicians of To-Day" by Romain Rolland. This engaging book profiles a diverse array of contemporary musicians, offering insights into their artistic inspirations, musical innovations, and contributions to the world of music. Rolland's vivid portrayals allow readers to discover the passions and talents that drive these musicians to create timeless melodies. Key Aspects of the Book "Musicians of Today": Musical Portraits: The book features captivating portraits of contemporary musicians, providing a glimpse into their creative processes and the emotions behind their compositions. Musical Diversity: "Musicians of To-Day" highlights the diverse range of musical genres and styles represented by the featured artists, showcasing the richness of modern music. Artistic Influences: Rolland explores the sources of inspiration and formative experiences that have shaped the musical journeys of the musicians, enriching their artistic expressions. Romain Rolland was a renowned French writer, musicologist, and Nobel laureate known for his contributions to literature and music studies. Born in the 19th century, Rolland's works encompassed various genres, from historical novels to biographies. In "Musicians of To-Day," Rolland's passion for music and artistry is evident as he introduces readers to a diverse group of contemporary musicians. His literary legacy continues to resonate with music enthusiasts and scholars, celebrating the enduring impact of music on human culture.
Publisher: Prabhat Prakashan
ISBN:
Category : Fiction
Languages : en
Pages : 444
Book Description
Musicians of To-Day by Romain Rolland: Embark on a musical journey through the lives and works of celebrated musicians with "Musicians of To-Day" by Romain Rolland. This engaging book profiles a diverse array of contemporary musicians, offering insights into their artistic inspirations, musical innovations, and contributions to the world of music. Rolland's vivid portrayals allow readers to discover the passions and talents that drive these musicians to create timeless melodies. Key Aspects of the Book "Musicians of Today": Musical Portraits: The book features captivating portraits of contemporary musicians, providing a glimpse into their creative processes and the emotions behind their compositions. Musical Diversity: "Musicians of To-Day" highlights the diverse range of musical genres and styles represented by the featured artists, showcasing the richness of modern music. Artistic Influences: Rolland explores the sources of inspiration and formative experiences that have shaped the musical journeys of the musicians, enriching their artistic expressions. Romain Rolland was a renowned French writer, musicologist, and Nobel laureate known for his contributions to literature and music studies. Born in the 19th century, Rolland's works encompassed various genres, from historical novels to biographies. In "Musicians of To-Day," Rolland's passion for music and artistry is evident as he introduces readers to a diverse group of contemporary musicians. His literary legacy continues to resonate with music enthusiasts and scholars, celebrating the enduring impact of music on human culture.
French Musical Life
Author: Katharine Ellis
Publisher: Oxford University Press
ISBN: 0197600166
Category : Music
Languages : en
Pages : 445
Book Description
Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.
Publisher: Oxford University Press
ISBN: 0197600166
Category : Music
Languages : en
Pages : 445
Book Description
Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.
French Musical Culture and the Coming of Sound Cinema
Author: Hannah Lewis
Publisher: Oxford University Press
ISBN: 0190635991
Category : Music
Languages : en
Pages : 265
Book Description
The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
Publisher: Oxford University Press
ISBN: 0190635991
Category : Music
Languages : en
Pages : 265
Book Description
The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
The Independent
Author: Leonard Bacon
Publisher:
ISBN:
Category :
Languages : en
Pages : 962
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 962
Book Description
The Musician
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 936
Book Description
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
Book Description
Grove's Dictionary of Music and Musicians
Author: J. A. Fuller Maitland
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 898
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 898
Book Description
Musical Observer
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 956
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 956
Book Description
Grove's Dictionary of Music and Musicians
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 880
Book Description
The International Cyclopedia of Music and Musicians
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description