Staging Creolization PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Staging Creolization PDF full book. Access full book title Staging Creolization by Emily Sahakian. Download full books in PDF and EPUB format.
Author: Emily Sahakian
Publisher: University of Virginia Press
ISBN: 0813940095
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
In Staging Creolization, Emily Sahakian examines seven plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization—the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism. Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women’s plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
Author: Emily Sahakian
Publisher: University of Virginia Press
ISBN: 0813940095
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
In Staging Creolization, Emily Sahakian examines seven plays by Ina Césaire, Maryse Condé, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolization—the process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism. Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean women’s plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.
Author: Emily Sahakian
Publisher:
ISBN:
Category :
Languages : en
Pages : 576
Get Book Here
Book Description
This dissertation examines the cultural work done by French Caribbean women's theatre of the 1980s and 1990s. Through a focus on traumatic memories of slavery, l study three French Caribbean women dramatists, investigating three noteworthy plays and the staging and reception of those plays at Ubu Repertory Theater of New York. The study begins with a theoretical introduction, followed by a second chapter on slavery and its remembrance in metropolitan France and the overseas departments. The three central chapters investigate the theatres of Ina Césaire, Maryse Condé, and Gerty Dambury, as well as the production and reception of their plays at Ubu. In a first section of each chapter, l deploy textual analysis to illuminate how the plays portray links between the past and the present in order to establish and transform French Caribbean women's memory of slavery, which was largely unconscious and secret at the end of the twentieth century. In a second part of each chapter, l investigate the translation of trauma realized by Ubu artists and spectators and the conflicts generated by transcultural performances of French Caribbean women's trauma.
Author: Vanessa Lee
Publisher: Springer Nature
ISBN: 303083364X
Category : Performing Arts
Languages : en
Pages : 192
Get Book Here
Book Description
Four Caribbean Women Playwrights aims to expand Caribbean and postcolonial studies beyond fiction and poetry by bringing to the fore innovative women playwrights from the French Caribbean: Ina Césaire, Maryse Condé, Gerty Dambury, Suzanne Dracius. Focussing on the significance of these women writers to the French and French Caribbean cultural scenes, the author illustrates how their work participates in global trends within postcolonial theatre. The playwrights discussed here all address socio-political issues, gender stereotypes, and the traumatic slave and colonial pasts of the Caribbean people. Investigating a range of plays from the 1980s to the early 2010s, including some works that have not yet featured in academic studies of Caribbean theatre, and applying theories of postcolonial theatre and local Caribbean theatre criticism, Four Caribbean Women Playwrights should appeal to scholars and students in the Humanities, and to all those interested in the postcolonial, the Caribbean, and contemporary theatre.
Author: Stephanie Berard
Publisher: Caribbean Studies Press
ISBN: 9781626321762
Category : Caribbean drama (French)
Languages : en
Pages : 332
Get Book Here
Book Description
Author: Bridget Jones
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 136
Get Book Here
Book Description
Author: Adele Bardazzi
Publisher: Springer Nature
ISBN: 3030451607
Category : Social Science
Languages : en
Pages : 367
Get Book Here
Book Description
This edited collection investigates the relationship between gender and authority across geographical contexts, periods and fields. Who is recognized as a legitimate voice in debate and decision-making, and how is that legitimization produced? Through a variety of methodological approaches, the chapters address some of the most pressing and controversial themes under scrutiny in current feminist scholarship and activism, such as pornography, political representation, LGBTI struggles, female genital mutilation, the #MeToo movement, abortion, divorce and consent. Organized into three sections, “Politics,” “Law and Religion,” and “Imaginaries,” the contributors highlight formal and informal aspects of authority, its gendered and racialized configurations, and practices of solidarity, resistance and subversion by traditionally disempowered subjects. In dialogue with feminist scholarship on power and agency, the notion of authority as elaborated here offers a distinctive lens to critique political and epistemic foundations of inequality and oppression, and will be of use to scholars and students across gender studies, sociology, politics, linguistics, theology, history, law, film, and literature.
Author:
Publisher: BRILL
ISBN: 9004388087
Category : Drama
Languages : en
Pages : 268
Get Book Here
Book Description
A Haitian woman whose talent and intellect led to worldwide fame, Marie Vieux Chauvet, like many free-minded Caribbean women of the African diaspora, was banned from the public sphere. Theatre, Performance, and Global South Studies are the book’s focus.
Author: Sita Elaine Dickson Littlewood
Publisher:
ISBN:
Category : Feminism and literature
Languages : en
Pages : 158
Get Book Here
Book Description
Author: Julia Prest
Publisher: Liverpool University Press
ISBN: 1837644810
Category : Performing Arts
Languages : en
Pages : 280
Get Book Here
Book Description
Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people on theatre in Saint-Domingue. Specifically, we ask what particular methodological challenges we as scholars of colonial-era Caribbean theatre face and what methodological solutions we can find to meet those challenges. Areas addressed include our linguistic limitations in the face of Caribbean multilingualism; issues raised by national, geographical or imperial approaches to the field; the vexed relationship between metropole and colony; and, crucially, gaps in the archive. We also ask what implications our findings have for theatre performance today – a question that has led to the creation of a new work set in a colonial theatre and outlined in the volume’s concluding chapter.
Author: Susan A. Glenn
Publisher: Harvard University Press
ISBN: 0674037669
Category : Performing Arts
Languages : en
Pages : 336
Get Book Here
Book Description
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
