A Listener's Guide to Free Improvisation PDF Download
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Author: John Corbett
Publisher: University of Chicago Press
ISBN: 022635380X
Category : Music
Languages : en
Pages : 191
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Book Description
In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.
Author: John Corbett
Publisher: University of Chicago Press
ISBN: 022635380X
Category : Music
Languages : en
Pages : 191
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Book Description
In the first book of its kind, John Corbett's A Listener's Guide to Free Improvisation provides a how-to manual for the most extreme example of spontaneous improvising: music with no pre-planned material at all. Drawing on over three decades of writing about, presenting, playing, teaching, and studying freely improvised music, Corbett offers an enriching set of tools that show any curious listener how to really listen, and he encourages them to enjoy the human impulse-- found all around the world-- to make up music on the spot.
Author: Tom Hall
Publisher: Tom Hall
ISBN: 9780615328621
Category : Improvisation (Music)
Languages : en
Pages : 101
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Book Description
Author: Ben Watson
Publisher: Verso
ISBN: 9781844670031
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
Lifts the lid on an artistic ferment which has defied every known law of the music business.
![Free Jazz and Free Improvisation [2 Volumes] PDF](https://books.google.com/books/content/images/frontcover/CQvFEAAAQBAJ?fife=w80-h100)
Author: Todd S. Jenkins
Publisher: Greenwood
ISBN: 0313298815
Category : Music
Languages : en
Pages : 0
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Book Description
The free jazz revolution that began in the 1950s has had a profound influence on both jazz & rock music. Widely misunderstood & even reviled by critics, free jazz represented an artistic & sociopolitical response to the economic, racial, & musical climate of America.
Author: Jack Wright (Musician)
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537777245
Category : Free jazz
Languages : en
Pages : 0
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Book Description
This book has been provocative, since it views the situation playersfind themselves in and ignores the perspective of consumers, the media,and academics. It explores their assumptions and practices--their musicalapproach, relations to the music world, to each other, and to the socialorder. It traces the changes in these conditions since the origins ofthese musics. The response to it from musicians has been very strong,many saying it puts their own thoughts into words."--Résumé du site web de l'éditeur.
Author: Todd S. Jenkins
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 288
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Book Description
The free jazz revolution that began in the mid-1950s represented an artistic and sociopolitical response to the economic, racial, and musical climate of jazz and the nation. In parallel with the American civil rights movement, free jazz exemplified an escape from the restrictive rules of musical performance with an emphasis on individual expression and musical democracy. A handful of major individual artists opened the gateway to intense personalization of performances through astonishing new techniques, and inner-city collectives were formed to support artistic experimentation and community education. Reviled by most critics and jazz fans in its nascence, and still highly misunderstood today, free jazz eventually had a profound influence on subsequent developments in jazz and rock, forever changing the musical landscape. Todd S. Jenkins' handy encyclopedia of free music reflects upon the personalities, styles, organizations, philosophy and politics of a musical form to which too little prior attention has been devoted. Directing readers to outstanding recorded performances, it serves as an essential introduction to this difficult but rewarding music, offering a scholarly historical and cultural overview that provides a critical assessment of one of the most misunderstood periods in American music. Filling many gaps left in previously published literature on the subject, Jenkins's work is a necessary addition to the shelves of music libraries and the collections of jazz aficionados alike.
Author: Iain Anderson
Publisher: University of Pennsylvania Press
ISBN: 0812201124
Category : History
Languages : en
Pages : 262
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Book Description
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.
Author: Stephen Rush
Publisher: Routledge
ISBN: 1317303245
Category : Music
Languages : en
Pages : 252
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Book Description
Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman’s musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman’s position as the developer of a logical—and historically significant—system of jazz improvisation. Included here are detailed musical analyses of improvisations, accompanied by full transcriptions. Intimate interviews between the author and Coleman explore the deeper issues at work in Harmolodics, issues of race, class, sex, and poverty. The principle of human equality quickly emerges as a central tenet of Coleman’s life and music. Harmolodics is best understood when viewed in its essential form, both as a theory of improvisation and as an artistic expression of racial and human equality.
Author: Joe Morris
Publisher:
ISBN: 9780985981006
Category : Improvisation (Music)
Languages : en
Pages : 180
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Book Description
Author: Robert Hodson
Publisher: Routledge
ISBN: 1135869421
Category : Music
Languages : en
Pages : 208
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Book Description
Interaction, Improvisation, and Interplay in Jazz Performance offers a new and exciting way to listen to and understand jazz. When describing a performance, most jazz writers focus on the improvised lines of the soloist and their underlying harmonic progressions. This approach overlooks the basic fact that when you listen to jazz, you almost never hear a single line, but rather a musical fabric woven by several musicians in real time. While it is often pragmatic to single out an individual solo line, it is important to remember that an improvised solo is but one thread in that fabric; and it is a thread supported by, responded to, and responsive of the parts being played by the other musicians in the group. Interaction, Improvisation, and Interplay in Jazz Performance explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music, including: jazz improvisation through theory and analysis musical roles, behaviours and relationships harmony, interaction and performance Interaction, Improvisation, and Interplay in Jazz Performance will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience.
