Franz Werfel PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Franz Werfel PDF full book. Access full book title Franz Werfel by Peter Stephan Jungk. Download full books in PDF and EPUB format.
Author: Peter Stephan Jungk
Publisher: Grove Press
ISBN: 9780802110978
Category : Biography & Autobiography
Languages : en
Pages : 318
Get Book Here
Book Description
Traces the life of the Czech author and looks at his relationships with influential writers and intellectuals of the period
Author: Peter Stephan Jungk
Publisher: Grove Press
ISBN: 9780802110978
Category : Biography & Autobiography
Languages : en
Pages : 318
Get Book Here
Book Description
Traces the life of the Czech author and looks at his relationships with influential writers and intellectuals of the period
Author: Peter Stephan Jungk
Publisher: Fromm International
ISBN: 9780880641302
Category : Biography & Autobiography
Languages : en
Pages : 318
Get Book Here
Book Description
Author: Sorrel Kerbel
Publisher: Routledge
ISBN: 1135456070
Category : History
Languages : en
Pages : 1394
Get Book Here
Book Description
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Author: Michael Brim Beckerman
Publisher: Princeton University Press
ISBN: 0691116768
Category : Biography & Autobiography
Languages : en
Pages : 330
Get Book Here
Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Author: Foster Hirsch
Publisher: Knopf
ISBN: 0307489213
Category : Biography & Autobiography
Languages : en
Pages : 592
Get Book Here
Book Description
The first full-scale life of the controversial, greatly admired yet often underrated director/producer who was known as “Otto the Terrible.” Nothing about Otto Preminger was small, trivial, or self-denying, from his privileged upbringing in Vienna as the son of an improbably successful Jewish lawyer to his work in film and theater in Europe and, later, in America. His range as a director was remarkable: romantic comedies (The Moon Is Blue); musicals (Carmen Jones; Porgy and Bess); courtroom dramas (The Court-Martial of Billy Mitchell; Anatomy of a Murder); adaptations of classic plays (Shaw's Saint Joan, screenplay by Graham Greene); political melodrama (Advise and Consent); war films (In Harm's Way); film noir (Laura; Angel Face; Bunny Lake Is Missing). He directed sweeping sagas (from The Cardinal and Exodus to Hurry Sundown) and small-scale pictures, adapting Françoise Sagan's Bonjour Tristesse with Arthur Laurents and Nelson Algren's The Man with the Golden Arm. Foster Hirsch shows us Preminger battling studio head Darryl F. Zanuck; defying and undermining the Production Code of the Motion Picture Association of America and the Catholic Legion of Decency, first in 1953 by refusing to remove the words "virgin" and "pregnant" from the dialogue of The Moon Is Blue (he released the film without a Production Code Seal of Approval) and then, two yeras later, when he dared to make The Man with the Golden Arm, about the then-taboo subject of drug addiction. When he made Anatomy of a Murder in 1959, the censors objected to the use of the words "rape," "sperm," "sexual climax," and "penetration." Preminger made one concession (substituting "violation" for "penetration"); the picture was released with the seal, and marked the beginning of the end of the Code. Hirsch writes about how Preminger was a master of the "invisible" studio-bred approach to filmmaking, the so-called classical Hollywood style (lengthy takes; deep focus; long shots of groups of characters rather than close-ups and reaction shots). He shows us Preminger, in the 1950s, becoming the industry's leading employer of black performers—his all-black Carmen Jones and Porgy and Bess remain landmarks in the history of racial representation on the American screen—and breaking another barrier by shooting a scene in a gay bar for Advise and Consent, a first in American film. Hirsch tells how Preminger broke the Hollywood blacklist when, in 1960, he credited the screenplay of Exodus to Dalton Trumbo, the most renowed of the Hollywood Ten, and hired more blacklisted talent than anyone else. We see Preminger's balanced style and steadfast belief in his actors' underacting set against his own hot-tempered personality, and finally we see this European-born director making his magnificent films about the American criminal justice system, Anatomy of a Murder, and about the American political system, Advise and Consent. Foster Hirsch shows us the man—enraging and endearing—and his brilliant work.
Author: Stefan Zweig
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 312
Get Book Here
Book Description
Written in the 1920s, Zweig's work of literary criticism and biography might today be titled Masters of Memoir. In it, Stefan Zweig – one of the 20th century’s most widely-published writers – describes the creative process and work of authors for whom no subject is as compelling as the material of their own lives. Adepts in Self-Portraiture examines the lives and work of three men who represent, in Zweig's view, three levels of development in autobiographical writing. The first and most basic level is evinced by Giacomo Casanova, the Venetian womanizer who records his sexual and social conquests, adventures and escapes, without attempting to analyze or even reflect on them. The second level of self-portraiture is exemplified by Stendhal, the French pioneer of psychological fiction, who kept voluminous notebooks on his own experience of life and on whom no nuance of feeling seems to have been lost. Russian master Leo Tolstoy represents the third and highest level of autobiographical writing in which the psychological is imbued with the spiritual and ethical. In Adepts in Self-Portraiture, Stefan Zweig examines the impulses that give rise to life writing and anticipates the current popularity of the memoir form.
Author: Stefan Zweig
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 221
Get Book Here
Book Description
In these early 20th century literary essays, Stefan Zweig offers a Central European view of the writers he believed to be the “three greatest novelists” of the 19th century: Balzac, Dickens, and Dostoevsky. In Zweig’s view, Balzac set out to emulate his childhood hero Napoleon. Writing 20 hours a day, Balzac’s literary ambition was “tantamount to monomania in its persistence, its intensity, and its concentration.” His characters, each similarly driven by one desperate urge, were more vital to Balzac than people in his daily life. In Zweig’s reading, Dickens embodied Victorian England and its “bourgeois smugness”. His characters aspire to “A few hundred pounds a year, an amiable wife, a dozen children, a well-appointed table and succulent meats to entertain their friends with, a cottage not too far from London, the windows giving a view over the green countryside, a pretty little garden, and a modicum of happiness.” The ideal of middle-class respectability suffuses Dickens’ fiction. Dostoevsky drew on the struggles of his own life to illuminate the contradictions of the human soul. In Zweig’s view, his heroes had no desire to be citizens or ordinary human beings. While Balzac’s heroes “would gladly have subjugated the world, Dostoevsky’s heroes wished to transcend it.”
Author: Stefan Zweig
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 522
Get Book Here
Book Description
Originally published in 1932 and for decades since one of Stefan Zweig’s most popular biographies, this “portrait of an average woman,” betrothed at fourteen, crowned queen at nineteen, and beheaded at thirty-seven, aimed “not to deify, but to humanize.” Supplementing library and archival research with psychological insight,Marie Antoinette: The Portrait of an Average Woman is a vivid narrative of France’s most famous queen, her relations with her mother Empress Maria Theresa, her husband Louis XVI, and her lover Swedish Count von Fersen, set against the backdrop of the French and Austrian courts of the ancien régime, the French Revolution and the Terror. “... the biography to end all biographies on Marie Antoinette ... [Zweig's book] possesses all the qualities of the excellent biography — directness, frankness, full exposition, picturesqueness, characterization, color and delectable readableness.” —The New York Times “Powerful, magnificent, poignant…” — The New Republic “A stupendous and superb piece of work.” — Chicago Daily Tribune
Author: Stefan Zweig
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 175
Get Book Here
Book Description
This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Castellio is a book against zealots of every kind: against anything engendering “the destruction of this world’s divine manifoldness” and injuring the humane spirit. [...] Why could Castellio not maintain himself against Calvin? Stefan Zweig’s answers to these questions have permanent and tragic validity: it was because the masses pay tribute not only to the power of love, but also to that of hatred. Followers could always be found for political slogans that established “enmity and divisions, casting sinister flames of hatred against another religion, race or class.” [...] Those who sacrificed themselves for a future reconciliation of men, wrote Stefan Zweig in 1933, could not escape the fact that a torrent of fanaticism, “rising from the shoals of human instinct,” would burst all dams and inundate all. [...] Castellio, “a fly against an elephant,” rose in opposition to Calvin who had condemned Miguel Servet — better known as Servetus — a true fighter for spiritual freedom, to die at the stake. “To burn a man alive does not defend a doctrine, but kills a man,” said Castellio. It was an ever-recurring curse that ideologies degenerated into tyranny and brute force. Fanaticism, indifferent to the material from which it was ignited, wanted only to let the accumulated forces of hatred flame forth. And Zweig utters these words, six years before the outbreak of the Second World War: “At such apocalyptic turning points, when mass delusions determine universal destinies, the demon of war, bursting the chains of reason, hurls itself greedily and joyfully into the world.” [...] In describing a tragic contest — here that of conscience against force — Zweig is in his element. He illuminates the interesting figure of Servetus who had fought in his own fanatical-hysterical manner already as a youth. It is characteristic that Servetus was dubbed by his enemies “Jew,” “Turk,” and wicked “Spaniard.” [...] Zweig stressed the self-sacrificing way in which [Castellio] defended freedom of thought against Calvin, becoming the symbol of “Conscience against Force.” And he describes most touchingly the sorrow this genuine hero had to suffer. He shows, too, how free spirits may be endangered by the carelessness with which they choose their fellow-wanderers; whereas the one-sided totalitarians, protected by their rigidity, always hold a stone ready to fling at their enemies. (from Married to Stefan Zweigby Friderike Zweig) “One cannot but admire the ardent spirit with which Stefan Zweig has set out to annihilate the doctrines of exclusiveness and restriction in religion and in politics... the most spirited [book] and, in certain scholarly respects, the most important that Stefan Zweig has yet produced... From Stefan Zweig’s new book there emerges a new hero for a modern reading public: a true historic character rescued from near oblivion, and the first modern man who fought the good fight for humanity’s right to think its own thoughts and to say them. The battle has not yet been decided.” — Lloyd Eshleman,The New York Times, November 16, 1936
Author: Amos Elon
Publisher: Plunkett Lake Press
ISBN:
Category : History
Languages : en
Pages : 382
Get Book Here
Book Description
“Superb… The first critical analysis of Israel written from within... It's a deliberate act of self-awareness, exploring how a people got where they are.” — Time “The most illuminating, even-handed, candid appraisal of the contemporary Jewish condition yet to appear” — Newsweek “[A] penetrating, profound, explosive essay-analysis of the Israelis and the Jews... Elon is that very rare writer of contemporary history who can sincerely and honestly see and sympathize with the irreconcilable forces of so suicidal a death-embrace as the Israeli-Arab struggle... a moving, enlightening, stimulating book... this book is a beacon.” — David Schoenbrun, The New York Times “Amos Elon should be praised... he has written the most acute, even-handed portrait yet of the perennially controversial Israelis... he has created a portrait that is as complex as it is palpable.” — Roger Jellinek, The New York Times “An instant bestseller in Hebrew, and in English from 1971, it became required reading in schools and mirrored the lives of Israelis.” — The Guardian “[A] superb book” — The Nation “Amos Elon’s The Israelis stands out as a uniquely valuable book” — Commentary Magazine
