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Author: Peter Stephan Jungk
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 315
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Book Description
Czech-born playwright, novelist and poet Franz Werfel (1890-1945) became internationally famous(and a special target of the Nazis) after he wrote The Forty Days of Musa Dagh, the first novel about the Armenian Genocide. He later published the Catholic classic The Song of Bernadette, written after a deeply religious experience in Lourdes, a stop on his escape route to the United States through occupied France. Born into a wealthy family of Prague Jews, Werfel was torn between his Jewish identity and his attraction to Catholicism, between high art and popular success. He was friends with Franz Kafka and Max Brod in his youth and later and part of a larger Central European intellectual circle that included Sigmund Freud and Martin Buber. He married Alma Schindler-Mahler-Gropius (widow of composer Gustav Mahler and ex-wife of Bauhaus architect Walter Gropius). The couple fled Nazi-occupied Vienna in 1938 and became part of the German exile community of California. They lived in Beverly Hills where Werfel died, a successful Hollywood screenwriter. “This lovely book is more than a biography — a meditation on art, history and human life.” — John Simon, New York Times Book Review “An exemplary biography.” Edward Timms, The Times Literary Supplement “Jungk’s description of how he researched his subject is highly suspenseful and reads like a detective story.” — Der Spiegel “This exemplary biography recalls Werfel’s career and its vanished settings as part of the cultural history of the West. Mr. Jungk also provides a searing picture of Werfel’s wife, the famous Alma Mahler Gropius Werfel...” — The New Yorker “This biography, ostensibly the story of a life, is really a broad panorama of culture and history... It is Jungk’s genius to seduce us into following him into Werfel’s world, and to keep us there, completely enthralled.” — Die Welt
Author: Peter Stephan Jungk
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 315
Get Book Here
Book Description
Czech-born playwright, novelist and poet Franz Werfel (1890-1945) became internationally famous(and a special target of the Nazis) after he wrote The Forty Days of Musa Dagh, the first novel about the Armenian Genocide. He later published the Catholic classic The Song of Bernadette, written after a deeply religious experience in Lourdes, a stop on his escape route to the United States through occupied France. Born into a wealthy family of Prague Jews, Werfel was torn between his Jewish identity and his attraction to Catholicism, between high art and popular success. He was friends with Franz Kafka and Max Brod in his youth and later and part of a larger Central European intellectual circle that included Sigmund Freud and Martin Buber. He married Alma Schindler-Mahler-Gropius (widow of composer Gustav Mahler and ex-wife of Bauhaus architect Walter Gropius). The couple fled Nazi-occupied Vienna in 1938 and became part of the German exile community of California. They lived in Beverly Hills where Werfel died, a successful Hollywood screenwriter. “This lovely book is more than a biography — a meditation on art, history and human life.” — John Simon, New York Times Book Review “An exemplary biography.” Edward Timms, The Times Literary Supplement “Jungk’s description of how he researched his subject is highly suspenseful and reads like a detective story.” — Der Spiegel “This exemplary biography recalls Werfel’s career and its vanished settings as part of the cultural history of the West. Mr. Jungk also provides a searing picture of Werfel’s wife, the famous Alma Mahler Gropius Werfel...” — The New Yorker “This biography, ostensibly the story of a life, is really a broad panorama of culture and history... It is Jungk’s genius to seduce us into following him into Werfel’s world, and to keep us there, completely enthralled.” — Die Welt
Author: Hans Wagener
Publisher: Univ of South Carolina Press
ISBN: 9780872498839
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Describes the life & work of the Austrian poet & novelist who heralded the German Expressionist movement in 1911, wrote some of Europe's most widely read novels in the 1930s, & enjoyed popular success in the 1940s with the film adaptations of his best-selling novels.
Author: Peter Stephan Jungk
Publisher: Fromm International
ISBN: 9780880641302
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
Author: Shmuel Katz
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 884
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Book Description
Shmuel Katz’s detailed and comprehensive biography of Vladimir Jabotinsky (1880–1940) is an unabashedly partisan defense of one of the most complex Zionists of the early 20th century. Jabotinsky was a Russian poet, playwright, journalist, and novelist as well as the founder of Revisionist Zionism and of Betar. His oratory in many languages was legendary. Katz first heard him speak in South Africa in the early part of the 20th century and was so impressed that he dropped out of university to work for Revisionist Zionism. Katz recounts Jabotinsky’s efforts to create the Jewish Legion during World War I, traces the history of Jewish relations with the British during the time of the Palestine Mandate, describes Jabotinsky’s role in the defense of the Jewish Yishuv and in organizing the Af-Al-Pi “illegal” Jewish immigration to Palestine before World War II. He paints a vivid mural of competing Jewish personalities, factions and ideologies in the decades before the establishment of Israel. “Shmuel Katz has written an intelligent, journalistic account of Jabotinsky’s life […] and was able to use a substantial amount of previously unavailable material, particularly British archival documents. Although Katz clearly has tremendous respect and affection for Jabotinsky, he does not hesitate to criticize him, for example, for his ineffectiveness as a fundraiser [...] Lone Wolf’s greatest strength is its comprehensive breadth. Every major event and many minor incidents are extensively covered. Furthermore, Katz has taken the rather unorthodox move of including verbatim large sections of Jabotinsky’s original speeches and writings.” — Paul Radensky, H-Net “[S]cholarly and yet totally gripping... we must be everlastingly grateful [...] to Shmuel Katz for so masterfully giving [Jabotinsky’s] memory fresh life... this [book] — quiet, calm, and, while certainly partisan, without a single shrill note — may one day help to direct the course of Israel’s seemingly endless argument with itself.” — Midge Decter, Commentary Magazine “Dr. Katz's monumental and superb biography is a balanced, detailed story of a lion and not a wolf. (Ze'ev in Hebrew means a wolf and this is the reason why the title isLone Wolf)” — Jewish Post
Author: Michael Beckerman
Publisher: Princeton University Press
ISBN: 1400832098
Category : Music
Languages : en
Pages : 329
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Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Author: Michael Brim Beckerman
Publisher: Princeton University Press
ISBN: 0691116768
Category : Biography & Autobiography
Languages : en
Pages : 330
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Book Description
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Author: Ian R. Boyd
Publisher: Peter Lang
ISBN: 9783039101474
Category : Art
Languages : en
Pages : 356
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Book Description
In the second decade of the twentieth century the cultural life of Germany was transformed by the emergence of Expressionism, a series of vigorous, youthful artistic movements which were to exert a lasting influence on modern culture. In the same decade a young Swiss pastor called Karl Barth began a theological revolution, laying the foundations for probably the most influential body of Christian theology in the modern age. Some relationship between these two revolutions has long been assumed by scholars; yet it has never been examined in detail. The first part of this study addresses this omission, offering the most detailed analysis to date of the important relationship between Barth and Expressionism. The second part of the book takes a broader look at both Barth's theology and Expressionist culture, considering the relevance of the Enlightenment as a context for both. The key to this is a detailed discussion of Barth's own analysis of the Enlightenment in his neglected book Protestant Theology in the Nineteenth Century. Barth's view is also compared with Alasdair MacIntyre's treatment of the Enlightenment in After Virtue. The examination of these two contexts, German Expressionism and the Enlightenment, yields valuable insights into Barth's entire theological project.
Author: Annette Becker
Publisher: University of Wisconsin Pres
ISBN: 0299333205
Category : History
Languages : en
Pages : 272
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Book Description
Leading up to World War II, two Polish men witnessed the targeted extermination of Jews under Adolf Hitler and the German Reich before the reality of the Holocaust was widely known. Raphael Lemkin, a Jewish lawyer who coined the term "genocide," and Jan Karski, a Catholic member of the Polish resistance, independently shared this knowledge with Winston Churchill and Franklin D. Roosevelt. Having heard false rumors of wartime atrocities before, the leaders met the messengers with disbelief and inaction, leading to the eventual murder of more than six million people. Messengers of Disaster draws upon little-known texts from an array of archives, including the International Committee of the Red Cross in Geneva and the International Tracing Service in Bad Arolsen. Carrying the knowledge of disaster took a toll on Lemkin and Karski, but their work prepared the way for the United Nations to unanimously adopt the first human rights convention in 1948 and influenced the language we use to talk about genocide today. Annette Becker's detailed study of these two important figures illuminates how distortions of fact can lead people to deny knowledge of what is happening in front of their own eyes.
Author: Stefan Zweig
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 269
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Book Description
Mary, Queen of Scots (1542–1587), also known as Mary Stuart or Mary I of Scotland, reigned over Scotland from 14 December 1542 to 24 July 1567. Mary, the only surviving legitimate child of James V of Scotland, was six days old when her father died and she acceded to the throne. She spent most of her childhood in France while Scotland was ruled by regents, and in 1558, she married the Dauphin of France, Francis. He ascended the French throne as King Francis II in 1559, and Mary briefly became queen consort of France, until his death in December 1560. Widowed, Mary returned to Scotland, arriving in Leith on 19 August 1561. Four years later, she married her first cousin, Henry Stuart, Lord Darnley, but their union was unhappy. In February 1567, his residence was destroyed by an explosion, and Darnley was found murdered in the garden. James Hepburn, 4th Earl of Bothwell, was generally believed to have orchestrated Darnley’s death, but he was acquitted of the charge in April 1567, and the following month he married Mary. Following an uprising against the couple, Mary was imprisoned in Lochleven Castle. On 24 July 1567, she was forced to abdicate in favour of James VI, her one-year-old son by Darnley. After an unsuccessful attempt to regain the throne, she fled southwards seeking the protection of her first cousin once removed, Queen Elizabeth I of England. Mary had previously claimed Elizabeth’s throne as her own and was considered the legitimate sovereign of England by many English Catholics, including participants in a rebellion known as the Rising of the North. Perceiving her as a threat, Elizabeth had her confined in various castles and manor houses in the interior of England. After eighteen and a half years in custody, Mary was found guilty of plotting to assassinate Elizabeth in 1586 and was beheaded the following year. “The story has all the emotional savor of a crime passionnel; it is adroitly worked up to a climax of violence and calamity, and it subsides as skillfully to an end of tragic pity... With his talent for simple exposition on a large scale, his sense of drama, his ready flow of emotion, his inventiveness in detail of the moments of his character’s life, his resources of metaphor, parallel and illustration, and his rich psychological adornment of human life, Herr Zweig has no difficulty in reducing his material into its essential drama... whatever Mary’s story, and we shall never know, Zweig’s book has every right to be set down as one of the most brilliant guesses at the truth, and it is an amazing piece of virtuosity to plunge her into the blackest of guilt, and then restore her to our sympathy and pity.” — Peter Munro Jack, The New York Times “Mr. Zweig... is not a historian but... a litterateur practising biography as a branch of letters. The distinction is not derogatory... It... is the clue to the strength and weakness of the book. The litterateur borrows from the craft and exercises some of the liberty of the novelist. He is interested in character and psychology and indulges in imaginative reconstruction more freely than the historian who is forever... haunted by the words, ‘We do not know.’... [Zweig] makes a real person of Mary, a convincing portrait, and there is sympathetic understanding even when he is presenting her as the accomplice of her lover, Bothwell, in the murder of Darnley. Needless to say the style is remarkably easy and readable... [C]riticism would be unjust to the brilliant qualities of Mr. Zweig’s book, and though I hope that all he says will not be taken for gospel truth, I am certain of the pleasure he will give to his readers. There are many descriptive passages to be scored and many sentences that one would give a great deal to have written. The whole book goes with the swing of a novel. The translation is beyond praise.” — J. E. Neale, The Saturday Review
Author: Aviel Roshwald
Publisher: Cambridge University Press
ISBN: 9780521013246
Category : History
Languages : en
Pages : 446
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Book Description
A comparative study of European cultural and social history during the First World War.
