Francesca Servello. June 4 (legislative Day, May 28), 1953. -- Ordered to be Printed PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Francesca Servello. June 4 (legislative Day, May 28), 1953. -- Ordered to be Printed PDF full book. Access full book title Francesca Servello. June 4 (legislative Day, May 28), 1953. -- Ordered to be Printed by . Download full books in PDF and EPUB format.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: United States. Congress Senate
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2478
Get Book Here
Book Description
Author: D. John Doyle
Publisher: Springer
ISBN: 3319949500
Category : Philosophy
Languages : en
Pages : 225
Get Book Here
Book Description
This book is a critical examination of the philosophical and moral issues in relation to human enhancement and the various related medical developments that are now rapidly moving from the laboratory into the clinical realm. In the book, the author critically examines technologies such as genetic engineering, neural implants, pharmacologic enhancement, and cryonic suspension from transhumanist and bioconservative positions, focusing primarily on moral issues and what it means to be a human in a setting where technological interventions sometimes impact strongly on our humanity. The author also introduces the notion that death is a process rather than an event, as well as identifies philosophical and clinical limitations in the contemporary determination of brain death as a precursor to organ procurement for transplantation. The discussion on what exactly it means to be dead is later applied to explore philosophical and clinical issues germane to the cryonics movement. Written by a physician/ scientist and heavily referenced to the peer-reviewed medical and scientific literature, the book is aimed at advanced students and academics but should be readable by any intelligent reader willing to carry out some side-reading. No prior knowledge of moral philosophy is assumed, as the various key approaches to moral philosophy are outlined early in the book.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Get Book Here
Book Description
Author: Jeffrey S. Smith
Publisher: Humana Press
ISBN: 9781493913640
Category : Science
Languages : en
Pages : 378
Get Book Here
Book Description
Yeast Genetics: Methods and Protocols is a collection of methods to best study and manipulate Saccharomyces cerevisiae, a truly genetic powerhouse. The simple nature of a single cell eukaryotic organism, the relative ease of manipulating its genome and the ability to interchangeably exist in both haploid and diploid states have always made it an attractive model organism. Genes can be deleted, mutated, engineered and tagged at will. Saccharomyces cerevisiae has played a major role in the elucidation of multiple conserved cellular processes including MAP kinase signaling, splicing, transcription and many others. Written in the successful Methods in Molecular Biology series format, chapters include introductions to their respective topics, lists of the necessary materials and reagents, step-by-step, readily reproducible protocols and notes on troubleshooting and avoiding known pitfalls. Authoritative and easily accessible, Yeast Genetics: Methods and Protocols will provide a balanced blend of classic and more modern genetic methods relevant to a wide range of research areas and should be widely used as a reference in yeast labs.
Author: Gianfranco de Turris
Publisher: Simon and Schuster
ISBN: 1620558076
Category : Biography & Autobiography
Languages : en
Pages : 320
Get Book Here
Book Description
An intimate portrait of Evola and his wartime activities that rebuts many of the Fascist pseudo-myths about him • Traces the Baron’s activities in Italy, Germany, and Austria during World War II • Clarifies Evola’s relations with Nazism and Fascism and reveals how he passionately rejected both ideologies because they were totalitarian • Draws on personal conversations with those who knew Evola, new documentation never before made public, and letters from the Hakl and Scaligero archives Baron Giulio Cesare Andrea Evola, known to the English-speaking world as Julius Evola (1898–1974), was an Italian philosopher, magician, painter, occultist, Orientalist, linguist, and champion mountain climber. Often considered a pillar of Neo-Fascist thought, Evola opposed Fascism and called himself a “radical traditionalist.” In this exploration of Evola’s inner and outer life from World War II into the early 1950s, Gianfranco de Turris, who knew Evola when he was alive and is the executor of his estate, offers a new portrait of Julius Evola and debunks many of the pseudo-myths about his activities during the war. Drawing on personal conversations with those who knew him and new documentation never before made public, including letters from the Hakl and Scaligero archives, the author traces Evola’s activities--including his time on the run and living under assumed names--in Italy, Germany, and Austria from 1943 into the mid-1950s. He shares a thorough account of the Baron’s sojourn at Hitler’s headquarters in Rastenburg, his work for the German secret military services, and his passionate rejection of the racial theories that were the core of Nazi ideology. The author outlines Evola’s critiques of Fascism and Nazism and also explores Evola’s disapproval of the Italian Social Republic because it was destroying traditional values in favor of modernity. Detailing the Baron’s occult and magical work during the war, de Turris shows that the only thing Evola took with him when he escaped Italy was the UR Group papers, material that would later become the three-volume work Introduction to Magic. Sharing details from Evola’s long hospital stays during and after the war, the author proves that the injury that led to Evola’s paralysis was caused by an Allied bombing raid in Vienna and not, as rumor has it, by a sex magic act gone horribly wrong. The author shares photographs from the time period and the Baron’s correspondence with René Guenon on the possibility of restoring the spiritual and magical power of an authentic Freemasonry. Offering conclusive evidence that Evola was not part of the Nazi regime, de Turris sheds light on the inner workings of this legendary occult figure and what Evola believed was the best approach for the magus to take in the modern world.
Author: Frans Laurentius
Publisher: BRILL
ISBN: 9004310622
Category : History
Languages : en
Pages : 181
Get Book Here
Book Description
The knowledge of papermaking spread slowly over Italy from the start of the thirteenth century. Scholarly interest in the history of Italian paper manufacture has concentrated especially on the earliest period. Research into paper from the seventeenth, eighteenth, and nineteenth centuries has lagged somewhat behind. Watermarks are extremely important for investigating the origins of paper. This book offers high quality x-rays and descriptions of ca. three hundred Italian watermarks. A selection of paper produced in different areas of Italy is presented with an identification.
Author: Joseph von Karabacek
Publisher: Archetype Publications
ISBN: 9781873132029
Category : Arabs
Languages : en
Pages : 0
Get Book Here
Book Description
Bibliophiles in Europe at the end of the nineteenth century began to take a serious interest in the manuscripts of the Middle East and the paper on which they were written. Perhaps the most important of these men were C.-M. Briquet working in Geneva, and J. Wiesner and J. von Karabacek working in Vienna. All three were concerned with the burning topic of the moment: Was oriental paper made of cotton? Within the space of two years these three writers published seminal articles for the European study of Arab paper. Das Arabische Papier is one of those articles. The late Don Baker's inspiration to set about the translation and interpretation of this work was 'simply the desire to know the contents of this much quoted article'. Students, historians, curators, collectors, conservators and all those interested in the historical development and spread of papermaking will realise why Don Baker wished to make this important text available to English readers. This Archetype edition is a revised edition of the volume, which Don Baker produced in 1991.
Author: Dard Hunter
Publisher:
ISBN:
Category : Art, Primitive
Languages : en
Pages : 47
Get Book Here
Book Description
The specimens are rare bark papers, some several hundred years old, gathered by Hunter over a ten year period. Included are samples from Java, Otimi Indians of Mexico, watermarked examples from Hawaii, Fiji, Tonga Islands, Samoa, etc.
Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
Get Book Here
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
