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Author: Timothy O. Benson
Publisher: Prestel Pub
ISBN: 9783791353401
Category : Art
Languages : en
Pages : 295
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Book Description
This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists' exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cezanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage."
Author: Timothy O. Benson
Publisher: Prestel Pub
ISBN: 9783791353401
Category : Art
Languages : en
Pages : 295
Get Book Here
Book Description
This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists' exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cezanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage."
Author: Brill Olaf Brill
Publisher: Edinburgh University Press
ISBN: 1474411193
Category : Performing Arts
Languages : en
Pages : 424
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Book Description
One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
Author: Ian Roberts
Publisher: Columbia University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Covering classic films such as 'The Cabinet of Doctor Caligari' and 'Nosferatu' as well as under-appreciated examples such as 'Asphalt', this volume forms an essential introduction to one of cinema's most historically important movements.
Author: Dietrich Scheunemann
Publisher: Boydell & Brewer
ISBN: 1571130683
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
New essays by leading scholars giving a new picture of the variety of German expressionist cinema.
Author: Dietmar Elger
Publisher: Taschen
ISBN: 9783822820421
Category : Art, European
Languages : en
Pages : 264
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Book Description
Author: Volker Adolphs
Publisher:
ISBN: 9783775738835
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"[August Macke and Franz Marc] conducted many long and involved discussions about the goals of art, coming to both similar and different conclusions. These dialogues enabled each of them to stake out his own position and provided the impetus driving their exchange. While Macke's art referred directly to the world he saw around him, his images deriving their authenticity from the sensual presence of that world, Marc sought to arrive at a spiritual understanding of the world and strove to develop art forms that would render visible the unity of being in his pictures. Divided into several sections, the exhibition traces the development of both artists from 1910 onward : from their first encounters in Tegernsee, Sindelsdorf, and later Bonn, to their early preoccupation with the theory of color, their work within the Blue Rider, and their participation in important exhibitions, such as those staged by the Cologne Sonderbund and the Erster Deutscher Herbstsalon. In its portrayal of the journeys they undertook together, their reciprocal visits and gifts, and the execution of arts and crafts works, the exhibition also attests to the key role played in their deepening friendship by the two artists' wives, Elisabeth Macke and Maria Marc. Their bond culminated in 1912 in the mural Paradise, jointly painted in Macke's Bonne studio. The exhibition also shows in some detail how Macke and Marc incorporated the ideas of Fauvism, Cubism, Futurism, and Orphism in their work as well as the positions they adopted on the notion of non-representative art. Out of these influences and ideas each evolved an art of his own, a trajectory that the exhibition documents right up to the final pictures produced in 1914, when the catastrophe of war brought an abrupt end to their lives and work."--Foreword.
Author: Jill Lloyd
Publisher:
ISBN: 9780300043730
Category : Art
Languages : en
Pages : 267
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Book Description
Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.
Author: Siegfried Kracauer
Publisher: Princeton University Press
ISBN: 0691191344
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer’s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
Author: Peter Selz
Publisher: Univ of California Press
ISBN: 0520341503
Category : Art
Languages : en
Pages : 550
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Book Description
Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
Author: Kathleen G. Chapman
Publisher: BRILL
ISBN: 900438099X
Category : Art
Languages : en
Pages : 383
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Book Description
In Expressionism and Poster Design in Germany 1905–1925, Kathleen Chapman re-defines Expressionism by situating it in relation to the most common type of picture in public space during the Wilhelmine twentieth century, the commercial poster. Focusing equally on visual material and contemporaneous debates surrounding art, posters, and the image in general, this study reveals that conceptions of a “modern” image were characterized not so much by style or mode of production and distribution, but by a visual rhetoric designed to communicate more directly than words. As instances of such rhetoric, Expressionist art and posters emerge as equally significant examples of this modern image, demonstrating the interconnectedness of the aesthetic, the utilitarian, and the commercial in European modernism.
