Four Women in Mexican Art

Four Women in Mexican Art PDF Author: Mexican Cultural Institute (Washington, D.C.)
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 23

Get Book Here

Book Description

Four Women in Mexican Art

Four Women in Mexican Art PDF Author: Mexican Cultural Institute (Washington, D.C.)
Publisher:
ISBN:
Category : Art, Mexican
Languages : en
Pages : 23

Get Book Here

Book Description


Triumph of Our Communities

Triumph of Our Communities PDF Author: Gary D. Keller
Publisher: Bilingual Review Press (AZ)
ISBN:
Category : Art
Languages : en
Pages : 324

Get Book Here

Book Description
With more than 600 full-color images, this book celebrates the art organizations that have promoted Mexican American art and served as art education centers for their communities. Their efforts have produced a significant body of collectible works that inspire through their artistry. Vividly showcasing many of these works on generously sized pages, this coffee-table book is the fourth volume in the series that began with the award-winning Contemporary Chicana and Chicano Art: Artists, Works, Culture, and Education. A companion DVD is planned for release in 2006.

Prometheus 2017

Prometheus 2017 PDF Author: Rebecca McGrew
Publisher: Getty Publications
ISBN: 1606065440
Category : Art
Languages : en
Pages : 252

Get Book Here

Book Description
Published by Pomona College of Art in association with Getty Publications José Clemente Orozco’s 1930 mural Prometheus, created for the Pomona College campus, is a dramatic and gripping examination of heroism. This thoughtful exhibition catalogue examines the multiple ways Orozco’s vision resonates with four artists working in Mexico today. Isa Carrillo, Adela Goldbard, Rita Ponce de León, and Naomi Rincón- Gallardo share Orozco’s interest in history, justice, social protest, storytelling, and power yet approach these topics from their own twenty-first-century sensibilities. These artists activate Orozco’s mural by reinvigorating Prometheus for a contemporary audience. This gorgeous volume presents substantial new scholarship connecting Mexican muralism with contemporary art practices. Three new essays address different aspects of Orozco, Prometheus, and the connections between Los Angeles and Mexico. The contributors take on a broad range of topics, from murals as public art to how Orozco’s work fits into contemporary frameworks of aesthetic theory. The book also includes a chronology, vibrant reproductions, and critical essays focused on the con-temporary artists.

Women Made Visible

Women Made Visible PDF Author: Gabriela Aceves Sepúlveda
Publisher: U of Nebraska Press
ISBN: 1496202031
Category : History
Languages : en
Pages : 406

Get Book Here

Book Description
2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality. Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century. Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.

Revolutionary Women of Texas and Mexico

Revolutionary Women of Texas and Mexico PDF Author: Kathy Sosa
Publisher: Trinity University Press
ISBN: 159534926X
Category : Biography & Autobiography
Languages : en
Pages : 289

Get Book Here

Book Description
Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico, which celebrates the women of early Texas and Mexico who refused to walk a traditional path. The anthology embraces an expansive definition of the word revolutionary by looking at female role models from decades ago and subversives who continue to stand up for their visions and ideals. Eighteen portraits introduce readers to these rebels by providing glimpses into their lives and places in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)⁠—women like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers⁠ like the Virgin of Guadalupe and La Malinche whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from postrevolutionary Mexico into the present. Portraits include a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and other contributors bring their experience to bear in their pieces, and historian Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.

Revolutionary Women of Texas and Mexico Coloring Book

Revolutionary Women of Texas and Mexico Coloring Book PDF Author: Kathy Sosa
Publisher: Maverick Books
ISBN: 9781595349651
Category : Games & Activities
Languages : en
Pages :

Get Book Here

Book Description
The only coloring book celebrating revolutionary women of Texas and Mexico

María Izquierdo and Frida Kahlo

María Izquierdo and Frida Kahlo PDF Author: Nancy Deffebach
Publisher: University of Texas Press
ISBN: 0292772424
Category : Art
Languages : en
Pages : 252

Get Book Here

Book Description
María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors. In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo's and Izquierdo's oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist's oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.

Women in Mexican Folk Art

Women in Mexican Folk Art PDF Author: Eli Bartra
Publisher: University of Wales Press
ISBN: 1783160756
Category : Art
Languages : en
Pages : 233

Get Book Here

Book Description
The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.

Becoming Modern, Becoming Tradition

Becoming Modern, Becoming Tradition PDF Author: Adriana Zavala
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 420

Get Book Here

Book Description
Explores the imagery of woman in Mexican art and visual culture. Examines how woman signified a variety of concepts, from modernity to authenticity and revolutionary social transformation, both before and after the Mexican Revolution.

Women in Mexican Folk Art

Women in Mexican Folk Art PDF Author: Eli Bartra
Publisher: University of Wales Press
ISBN: 1783160748
Category : Art
Languages : en
Pages : 194

Get Book Here

Book Description
The aim of this book is to engender Mexican folk art and locate women at its centre by studying the processes of creation, distribution, and consumption, as well as examining iconographic aspects, and elements of class and ethnicity, from the perspective of gender. The author will demonstrate that the topic provides unique insights into Mexican culture, and has enormous relevance within and without the country, given the fact that much folk art is made for the United States and Europe, either in terms of the tourists who buy it on coming to Mexico, or that which is exported.