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Author: Niccolò Machiavelli
Publisher:
ISBN:
Category : Florence
Languages : en
Pages : 322
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Book Description
Author: Niccolò Machiavelli
Publisher:
ISBN:
Category : Florence
Languages : en
Pages : 322
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Book Description
Author: Niccolò Machiavelli
Publisher:
ISBN:
Category : Florence (History)
Languages : en
Pages : 236
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Book Description
Author: John M. Najemy
Publisher: John Wiley & Sons
ISBN: 1405178469
Category : History
Languages : en
Pages : 528
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Book Description
In this history of Florence, distinguished historian John Najemy discusses all the major developments in Florentine history from 1200 to 1575. Captures Florence's transformation from a medieval commune into an aristocratic republic, territorial state, and monarchy Weaves together intellectual, cultural, social, economic, religious, and political developments Academically rigorous yet accessible and appealing to the general reader Likely to become the standard work on Renaissance Florence for years to come
Author: Leonardo Bruni
Publisher: Harvard University Press
ISBN: 9780674005068
Category : History
Languages : la
Pages : 556
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Book Description
Leonardo Bruni was famous in his day as a translator, orator, and historian, and was one of the best-selling authors of the 15th century. Bruni's History of the Florentine People is generally considered the first modern work of history.
Author: Henry Edward Napier
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 688
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Book Description
Author: Niccolò Machiavelli
Publisher:
ISBN:
Category : Florence (Italy)
Languages : en
Pages : 396
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Book Description
Author: Paul Strathern
Publisher: Simon and Schuster
ISBN: 1643137336
Category : History
Languages : en
Pages : 400
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Book Description
A sweeping and magisterial four-hundred-year history of both the city and the people who gave birth to the Renaissance. Between the birth of Dante in 1265 and the death of Galileo in 1642, something happened that transformed the entire culture of western civilization. Painting, sculpture, and architecture would all visibly change in such a striking fashion that there could be no going back on what had taken place. Likewise, the thought and self-conception of humanity would take on a completely new aspect. Sciences would be born—or emerge in an entirely new guise. The ideas that broke this mold began, and continued to flourish, in the city of Florence in northern central Italy. These ideas, which placed an increasing emphasis on the development of our common humanity—rather than other-worldly spirituality—coalesced in what came to be known as humanism. This philosophy and its new ideas would eventually spread across Italy, yet wherever they took hold they would retain an element essential to their origin. And as they spread further across Europe, this element would remain. Transformations of human culture throughout western history have remained indelibly stamped by their origins. The Reformation would always retain something of central and northern Germany. The Industrial Revolution soon outgrew its British origins, yet also retained something of its original template. Closer to the present, the IT revolution that began in Silicon Valley remains indelibly colored by its Californian origins. Paul Strathern shows how Florence, and the Florentines themselves, played a similarly unique and transformative role in the Renaissance.
Author: Niccolo Machiavelli
Publisher: Library of Alexandria
ISBN: 1465527443
Category : History
Languages : en
Pages : 595
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Book Description
Niccolo Machiavelli, the first great Italian historian, and one of the most eminent political writers of any age or country, was born at Florence, May 3, 1469. He was of an old though not wealthy Tuscan family, his father, who was a jurist, dying when Niccolo was sixteen years old. We know nothing of Machiavelli's youth and little about his studies. He does not seem to have received the usual humanistic education of his time, as he knew no Greek. The first notice of Machiavelli is in 1498 when we find him holding the office of Secretary in the second Chancery of the Signoria, which office he retained till the downfall of the Florentine Republic in 1512. His unusual ability was soon recognized, and in 1500 he was sent on a mission to Louis XII. of France, and afterward on an embassy to Cæsar Borgia, the lord of Romagna, at Urbino. Machiavelli's report and description of this and subsequent embassies to this prince, shows his undisguised admiration for the courage and cunning of Cæsar, who was a master in the application of the principles afterwards exposed in such a skillful and uncompromising manner by Machiavelli in his Prince. The limits of this introduction will not permit us to follow with any detail the many important duties with which he was charged by his native state, all of which he fulfilled with the utmost fidelity and with consummate skill. When, after the battle of Ravenna in 1512 the holy league determined upon the downfall of Pier Soderini, Gonfaloniere of the Florentine Republic, and the restoration of the Medici, the efforts of Machiavelli, who was an ardent republican, were in vain; the troops he had helped to organize fled before the Spaniards and the Medici were returned to power. Machiavelli attempted to conciliate his new masters, but he was deprived of his office, and being accused in the following year of participation in the conspiracy of Boccoli and Capponi, he was imprisoned and tortured, though afterward set at liberty by Pope Leo X. He now retired to a small estate near San Casciano, seven miles from Florence. Here he devoted himself to political and historical studies, and though apparently retired from public life, his letters show the deep and passionate interest he took in the political vicissitudes through which Italy was then passing, and in all of which the singleness of purpose with which he continued to advance his native Florence, is clearly manifested. It was during his retirement upon his little estate at San Casciano that Machiavelli wrote The Prince, the most famous of all his writings, and here also he had begun a much more extensive work, his Discourses on the Decades of Livy, which continued to occupy him for several years. These Discourses, which do not form a continuous commentary on Livy, give Machiavelli an opportunity to express his own views on the government of the state, a task for which his long and varied political experience, and an assiduous study of the ancients rendered him eminently qualified. The Discourses and The Prince, written at the same time, supplement each other and are really one work. Indeed, the treatise, The Art of War, though not written till 1520 should be mentioned here because of its intimate connection with these two treatises, it being, in fact, a further development of some of the thoughts expressed in the Discorsi. The Prince, a short work, divided into twenty-six books, is the best known of all Machiavelli's writings. Herein he expresses in his own masterly way his views on the founding of a new state, taking for his type and model Cæsar Borgia, although the latter had failed in his schemes for the consolidation of his power in the Romagna. The principles here laid down were the natural outgrowth of the confused political conditions of his time.
Author: Henry Edward Napier
Publisher:
ISBN:
Category :
Languages : en
Pages : 688
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Book Description
Author: John T. Paoletti
Publisher: Cambridge University Press
ISBN: 1316240134
Category : Art
Languages : en
Pages : 780
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Book Description
This book takes a new look at the interpretations of, and the historical information surrounding, Michelangelo's David. New documentary materials discovered by Rolf Bagemihl add to the early history of the stone block that became the David and provide an identity for the painted terracotta colossus that stood on the cathedral buttresses for which Michelangelo's statue was to be a companion. The David, with its placement at the Palazzo della Signoria, was deeply implicated in the civic history of Florence, where public nakedness played a ritual role in the military and in the political lives of its people. This book, then, places the David not only within the artistic history of Florence and its monuments but also within the popular culture of the period as well.
