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Author: Richard R. Brettell
Publisher: University of Texas Press
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
"Five Hundred Years of French Art, as represented by the paintings, sculpture, drawings, and prints assembled in the exhibition, incorporates two very important components of the French mystique -- the allure of the senses and the appeal of the intellect."--Introduction.
Author: Richard R. Brettell
Publisher: University of Texas Press
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
"Five Hundred Years of French Art, as represented by the paintings, sculpture, drawings, and prints assembled in the exhibition, incorporates two very important components of the French mystique -- the allure of the senses and the appeal of the intellect."--Introduction.
Author: Ljudmila Brylenko
Publisher:
ISBN: 9785730001589
Category : Painting
Languages : en
Pages : 288
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Book Description
Author: Gosudarstvennyj Ėrmitaž
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 340
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Book Description
Author: Gosudarstvennyj Ėrmitaž
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 228
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Book Description
Author: Erik Inglis
Publisher:
ISBN: 9780300134438
Category : ART
Languages : en
Pages : 0
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Book Description
"Jean Fouquet was France's most important 15th-century artist, painting for the courts of Charles VII and Louis XI. His art synthesized the realistic style of Flemish arts like van Eyck with the monumentality of Florentines like Masaccio. Fouquet's work had a powerful appeal, shaping the next two generations of painters and introducing to the French a taste for Italian art. The first survey of Fouquet's work in English in nearly sixty years, this captivating book offers a major advance in scholarship about the artist and his far-reaching impact. Erik Inglis links Fouquet's style, iconography, and audience to explain how his art helped define French identity, a project of great importance for anxious courtiers in the wake of the Hundred Years War. Jean Fouquet and the Invention of France provides a new lens for looking at the century that saw the greatest changes in French art prior to Impressionism"--Provided by publisher.
Author: Margaret Werth
Publisher: Univ of California Press
ISBN: 9780520221826
Category : Art
Languages : en
Pages : 374
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Book Description
"Werth weaves together complex analyses of these paintings and others by Manet, Gauguin, Seurat, Cezanne, and less well known artists with a consideration of their critical reception, literary parallels, and the social and cultural milieu. She moves from artistic concerns with tradition and avant-gardism, decoration and social art, composition and figuration to contemporary debates over human origins and social organization."--BOOK JACKET.
Author: R. Jay Magill Jr.
Publisher: W. W. Norton & Company
ISBN: 0393084191
Category : Philosophy
Languages : en
Pages : 268
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Book Description
“A serious and engaging cultural history painted on an admirably large canvas.”—Laura Kipnis, New York Times Book Review What do John Calvin, Sarah Palin, Jean-Jacques Rosseau, and Bon Iver have in common? A preoccupation with sincerity. With deep historical perspective and a brilliant contemporary spin, R. Jay Magill Jr. tells the beguiling tale of sincerity’s theological past, its current emotional resonance, and the deep impact it has had on the Western soul. At a time when politicians are scrutinized less for the truth of what they say than for how much they really mean it, Sincerity provides a wide-ranging examination of a moral ideal that remains a strange magnetic north in our secular moral compass.
Author: R Jay Magill
Publisher: W. W. Norton & Company
ISBN: 0393080986
Category : Philosophy
Languages : en
Pages : 273
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Book Description
Explores the history, religion, art, and politics behind the history of sincerity, spanning a timeline dotted with Protestant theology, paintings by the insane, French satire, and the anti-hipster movement.
Author: Natalie Adamson
Publisher: Cambridge Scholars Publishing
ISBN: 1527554732
Category : Art
Languages : en
Pages : 255
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Book Description
Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modernity? What was the role of an artist’s institutional positioning in determining expectations for his or her art? What light is thrown on the structure of the French art world by considering artists from abroad who worked in Paris? How did the war alter modernist and avant-garde paradigms and force crucial changes upon art production in the postwar period to 1960? Particular attention is paid to the terms academic, pompier, official, and arrière-garde, originally used to situate the more conservative artists and works as second-rate or as the negative foil to the assumed radicalism of the avant-garde. By re-evaluating the work of artists pushed to the historical margins by such polemical descriptors, and by proposing alternative understandings of the aesthetic, economic, institutional and political factors that drive our ideas of avant-gardism and the modernist narrative in France, this collection of essays offers new routes to explore the terrain of twentieth-century art in France.
Author: Alan Bartram
Publisher:
ISBN:
Category : Book design
Languages : en
Pages : 200
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Book Description
This study of five centuries of book designs looks at the successes and failures, and examines some classics of layout and production from Western Europe and America.
