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Author: KIRSTEEN. MCSWEIN
Publisher:
ISBN: 9781849769075
Category :
Languages : en
Pages : 0
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Author: KIRSTEEN. MCSWEIN
Publisher:
ISBN: 9781849769075
Category :
Languages : en
Pages : 0
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Book Description
Author: Kirsteen McSwein
Publisher: Tate Publishing
ISBN: 9781849767057
Category :
Languages : en
Pages : 128
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Book Description
A lavishly illustrated, beautiful collection of highlights from the Tate collection over the past 500 years Tate Britain is the home of British art from 1500 to the present day. This guide to the collection provides an essential introduction to the extraordinary development of British art over the centuries. British art is notable for genres unique to itself: group portraits, known as "conversation pieces," focusing on social relations between friends, family, and allies; themes from British literature, particularly Shakespeare, Milton, and Tennyson; and topical subjects in the late 18th and early 19th centuries reflecting the wars with France and the scientific innovations of the Industrial Revolution. The art from Britain in Tate's collection is rich with imaginative invention and reinvention, and this panoramic book celebrates this aesthetic ingenuity as an ongoing story, revealing how 500 years of art can act as a fascinating lens through which to deepen our understanding of ourselves and society, past and present, in both Britain and in the rest of the world.
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
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Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Author: Andrew Wilton
Publisher:
ISBN: 9780500203491
Category : Art
Languages : en
Pages : 256
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Book Description
"Britain has played a key part in the history of the last five centuries, and its art reflects this in absorbing and complex ways. Andrew Wilton, Keeper and Senior Research Fellow at Tate Britain, traces the story of British painting from its hesitant beginnings under the influence of Holbein through its maturity in the time of Hogarth and Reynolds, when it reflected a prosperous society with growing imperial influence. He then explores the pioneering role of Constable and Turner in the revolutions of the Romantic period, and the enigmatic position of artists in Victorian England, when a stiff moral code came into conflict with the uncertainties of the age of Darwin. A consistent undercurrent has been Britain's preference for the real world (landscape, portraiture) as against 'high' art and abstraction. Andrew Wilton offers new insights into the great personalities of British painting, and assesses afresh the latest flowering, in which many threads of modern art come together in sometimes startling guises."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: T. J. Barringer
Publisher: Yc British Art
ISBN: 9780300246414
Category : Art criticism
Languages : en
Pages : 0
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Book Description
An innovative and lavishly illustrated account of the art, writings, and global influence of one of the 19th century's most influential thinkers This book presents an innovative portrait of John Ruskin (1819-1900) as artist, art critic, social theorist, educator, and ecological campaigner. Ruskin's juvenilia reveal an early embrace of his lifelong interests in geology and botany, art, poetry, and mythology. His early admiration of Turner led him to identify the moral power of close looking. In The Stones of Venice, illustrated with his own drawings, he argued that the development of architectural style revealed the moral condition of society. Later, Ruskin pioneered new approaches to teaching and museum practice. Influential worldwide, Ruskin's work inspired William Morris, founders of the Labour Party, and Mahatma Gandhi. Through thematic essays and detailed discussions of his works, this book argues that, complex and contradictory, Ruskin's ideas are of urgent importance today. Distributed for the Yale Center for British Art Exhibition Schedule: Yale Center for British Art (September 5-December 8, 2019)
Author: Penelope Curtis
Publisher: Tate
ISBN: 9781849760331
Category : Art
Languages : en
Pages : 0
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Book Description
Providing a concise accessible introduction to British art, this is published to coincide with the new chronological re-hanging of the Tate Collection at Tate Britain. With entries of on over 170 artworks, representing the unrivalled collection at Tate Britain, this is the story of British art over the last five hundred years.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 16
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Book Description
Author: Arthur I. Miller
Publisher: MIT Press
ISBN: 0262539624
Category : Computers
Languages : en
Pages : 429
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Book Description
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans. Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends. But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.
Author: Clare Barlow
Publisher: Tate Publishing
ISBN: 9781849764520
Category :
Languages : en
Pages : 192
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Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Author: David Peters Corbett
Publisher: John Wiley & Sons
ISBN: 1119170117
Category : Art
Languages : en
Pages : 599
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Book Description
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
