First Presentation of the Charles Lang Freer Medal PDF Download
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Author: Freer Gallery of Art
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 54
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Book Description
Author: Freer Gallery of Art
Publisher:
ISBN:
Category : Art, Asian
Languages : en
Pages : 54
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Book Description
Author: Freer Gallery of Art
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 62
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Book Description
Author: National Collection of Fine Arts (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 302
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Book Description
Author: Minna Törmä
Publisher: Hong Kong University Press
ISBN: 9888139843
Category : Art
Languages : en
Pages : 244
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Book Description
Finnish-Swedish art historian Osvald Sirén (1879–1966) was one of the pioneers of Chinese art scholarship in the West. This biography focuses on his four major voyages to East Asia: 1918, 1921–23, 1929–30 and 1935. This was a pivotal period in Chinese archaeology, art studies and formation of Western collections of Chinese art. Sirén gained international renown as a scholar of Italian art, particularly with his books on Leonardo da Vinci and Giotto. But when he was almost 40 years old, he was captivated by Chinese art (paintings of Lohans in the Museum of Fine Arts in Boston) to such an extent that he decided to start his career anew, in a way. He has left his mark in several fi elds in Chinese art studies: architecture, sculpture, painting and garden art. The study charts Sirén’s itineraries during his travels in Japan, Korea and China; it introduces the various people in those countries as well as in Europe and North America who defined the field in its early stages and were influential as collectors and dealers. It also explores the impact of theosophical ideas in his work.
Author: Smithsonian Institution
Publisher:
ISBN:
Category : Discoveries in science
Languages : en
Pages : 706
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Book Description
Author: Dong Wang
Publisher: Rowman & Littlefield
ISBN: 1538141124
Category : History
Languages : en
Pages : 315
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Book Description
This thoroughly researched book provides the first comprehensive history of how a UNESCO World Heritage site on the Central China Plain, Longmen’s caves and the Buddhist statuary of Luoyang, was rediscovered in the twentieth and twenty-first centuries. Drawing on original research and archival sources in Chinese, English, French, German, Japanese, and Swedish, as well as extensive fieldwork, Dong Wang traces the ties between cultural heritage and modernity, detailing how this historical monument has been understood from antiquity to the present. She highlights the manifold traffic and expanded contact between China and other countries as these nations were reorienting themselves in order to adapt their own cultural traditions to newly industrialized and industrializing societies. Unknown to much of the world, Longmen and its mesmerizing modern history takes readers to the heartland of China, known as “Chinese Babylon” a century ago. With remarkable depth and breadth, this book unravels both a bygone and a continuing human pursuit of artefacts—shared, spiritual, modern, and above all beautiful that have linked so many lives, Chinese and foreign.
Author: Smithsonian Institution
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
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Book Description
Author: Smithsonian Institution
Publisher:
ISBN:
Category :
Languages : en
Pages : 940
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Book Description
Author: Smithsonian Institution. Board of Regents
Publisher:
ISBN:
Category : Discoveries in science
Languages : en
Pages : 706
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Book Description
Author: Robert Hillenbrand
Publisher: Pindar Press
ISBN: 1915837154
Category : Art
Languages : en
Pages : 531
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Book Description
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
