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Author: Samuel Beckett
Publisher:
ISBN: 9780802150240
Category : Drama
Languages : en
Pages : 91
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Book Description
Four characters play a game of life, concluding with the exit of one character and the immobility of the remaining three, in a study of man's relationship to his fellows
Author: Samuel Beckett
Publisher:
ISBN: 9780802150240
Category : Drama
Languages : en
Pages : 91
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Book Description
Four characters play a game of life, concluding with the exit of one character and the immobility of the remaining three, in a study of man's relationship to his fellows
Author: Raina Levesque
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Dirk Van Hulle
Publisher: Bloomsbury Academic
ISBN: 9781472527486
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Originally written in French and first performed at the Royal Court Theatre in 1957, Samuel Beckett's Endgame is widely regarded as one of his most important works. The Making of Samuel Beckett's 'Endgame'/'Fin de partie' is a comprehensive reference guide to the history of the text. The book includes: A complete descriptive catalogue of available relevant manuscripts, including French and English texts, alternative drafts and notebook pages A critical reconstruction of the history of the text, from its genesis through the process of composition to its full publication history A detailed guide to exploring the manuscripts online at the Beckett Digital Manuscripts Project at www.beckettarchive.org This volume is part of the Beckett Digital Manuscript Project (BDMP), a collaboration between the Centre for Manuscript Genetics (University of Antwerp, Belgium), the Beckett International Foundation (University of Reading, UK) and the Harry Ransom Humanities Research Centre (University of Texas at Austin, USA), with the support of the Estate of Samuel Beckett.
Author: Samuel Beckett
Publisher: Faber & Faber
ISBN: 0571297021
Category : Performing Arts
Languages : en
Pages : 84
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Book Description
Originally written in French and translated into English by Beckett, Endgame was given its first London performance at the Royal Court Theatre in 1957. HAMM: Clov! CLOV: Yes. HAMM: Nature has forgotten us. CLOV: There's no more nature. HAMM: No more nature! You exaggerate. CLOV: In the vicinity. HAMM: But we breathe, we change! We lose our hair our teeth! Our bloom! Our ideals! CLOV: Then she hasn't forgotten us.
Author: Mark S. Byron
Publisher: Rodopi
ISBN: 9042022884
Category : Art
Languages : en
Pages : 305
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Book Description
This collection of essays the first volume in the Dialogue series brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett s play Endgame. These essays broach a broad range of topics, many of which are inherently controversial and have generated significant levels of debate in the past. Critical readings of the play in relation to music, metaphysics, intertextuality, and time are counterpointed by essays that consider the nature of performance, the history of the theater and the music hall, Beckett s attitudes to directing his play, and his responses to other directors. This collection will be of special interest to Beckett scholars, to students of literature and drama, and to drama theorists and practitioners.
Author: Anita Rakoczy
Publisher: Editions L'Harmattan
ISBN: 2140245652
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
The focus of this book is twofold: first, Samuel Beckett's Endgame, its genesis and post-publication development, and second, the reception of his dramas in Hungary. There are, of course, overlaps between the two topics, for example, György Kurtág's Fin de partie opera, István Paál's first stage direction of Endgame in Hungary, or Gábor Zsámbéki's TV-recording of the play, which preceded the stage premiere. However, the real bonding agent of the book is the dramaturgy and theatricality of Beckett's work, whether it be unpublished manuscript fragment, full length play or Beckett-staging in scope. This book intends to present Beckett-productions that were the first in one way or another, either the most productive Hungarian-language Beckett-director's oeuvre, a Hungarian premiere, the first Godot-staging after 1989, the first Beckett shows in a theatre's entire programme since its foundation, or the very first Fin de partie opera. All of these involved a certain amount of risk taking, just as one would expect from opening gambits in a game of chess. This is the first time that a selection of Hungarian Endgames and other Beckett-stagings has entered the international platform of Beckett scholarship, to engage in a broader dialogue with artists, scholars, and students around the globe. ANITA RÁKÓCZY is dramaturge, theatre critic, and Lecturer at Károli Gáspár University of The Reformed Church in Hungary. She has conducted research on Samuel Beckett's Fin de partie at CUNY Graduate Centre New York as a Fulbright Scholar, and also in the University of Reading's Samuel Beckett Collection. She has worked for the Hungarian Theatre Museum and Institute and the International Theatre Institute (ITI) Hungarian Centre. She has published in Samuel Beckett Today / Aujourd'hui and the Journal of Beckett Studies. With Mariko Hori Tanaka and Nicholas Johnson, she co-edited Influencing Beckett / Beckett Influencing (Collection Károli – L'Harmattan, 2020).
Author: Dirk Van Hulle
Publisher:
ISBN: 9789057187018
Category :
Languages : de
Pages : 371
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Book Description
"This volume of the BDMP analyses the genesis of Fin de partie / Endgame. Described by Samuel Beckett as more 'inhuman' than Waiting for Godot and as possessing an ability to 'claw', it was his favourite among all his plays and yet also a work the genesis of which was particularly arduous. It took Beckett many years to complete the French version, and about the translation process he complained in 1957: 'what a losing battle it is always'. This book explores that genesis through an analysis of all the surviving manuscripts and typescripts, retracing Beckett's difficulty to begin, to continue and, eventually, to end the play. It also brings to light some hidden treasures, such as the dramatic fragment 'Louis & Blanc' and the Lord Chamberlain's copy of the English translation, in which the censor's pen excises a number of key passages, including the celebrated reference to God: 'The bastard! He doesn't exist!"--Back cover.
Author: Samuel Beckett
Publisher: Atlantic Monthly Press
ISBN: 9780802110893
Category :
Languages : en
Pages : 276
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Book Description
Author: Samuel Beckett
Publisher: Grove/Atlantic, Inc.
ISBN: 0802198449
Category : Poetry
Languages : en
Pages : 161
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Book Description
This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.
Author: Sarah Brulmans
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
