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Author: Alain Silver
Publisher:
ISBN: 9781935247258
Category : Performing Arts
Languages : en
Pages :
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Book Description
"Film Noir Fatal Women" focuses on a single aspect of film noir-America's only film movement. Its 400 illustrations reveal the graphic and sensory core of the femme fatale in noir's classic period. As both visual icon and dramatic persona, the Fatal Woman underlies countless doomed narratives of film noir. From torch singers to gun molls, secretaries to sociopaths, black widows to B-girls, both blondes and brunettes, abused and empowered, the entire catalogue is up for discussion"--
Author: Alain Silver
Publisher:
ISBN: 9781935247258
Category : Performing Arts
Languages : en
Pages :
Get Book Here
Book Description
"Film Noir Fatal Women" focuses on a single aspect of film noir-America's only film movement. Its 400 illustrations reveal the graphic and sensory core of the femme fatale in noir's classic period. As both visual icon and dramatic persona, the Fatal Woman underlies countless doomed narratives of film noir. From torch singers to gun molls, secretaries to sociopaths, black widows to B-girls, both blondes and brunettes, abused and empowered, the entire catalogue is up for discussion"--
Author: James F. Maxfield
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Alfred Hitchcock's 1956 film Vertigo serves as a transition to a different understanding of the role of the fatal woman. Although Judy/Madeleine has been used by Elster in a plot to murder his wife, her degree of complicity in the crime is never made explicit. The film emphasizes not her role in the murder of the real Madeleine, but rather her devastating effect on the psyche of the male protagonist of the film, Scottie Ferguson.
Author: J. Grossman
Publisher: Springer
ISBN: 0230274986
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
Author: Karen Burroughs Hannsberry
Publisher: McFarland
ISBN: 0786491590
Category : Performing Arts
Languages : en
Pages : 1298
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Book Description
Though often thought of as primarily a male vehicle, the film noir offered some of the most complex female roles of any movies of the 1940s and 1950s. Stars such as Barbara Stanwyck, Gene Tierney and Joan Crawford produced some of their finest performances in noir movies, while such lesser known actresses as Peggie Castle, Hope Emerson and Helen Walker made a lasting impression with their roles in the genre. These six women and 43 others who were most frequently featured in films noirs are profiled here, focusing primarily on their work in the genre and its impact on their careers. A filmography of all noir appearances is provided for each actress.
Author: Helen Hanson
Publisher: Springer
ISBN: 0230282016
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
These essays trace the femme fatale across literature, visual culture and cinema, exploring the ways in which fatal femininity has been imagined in different cultural contexts and historical epochs, and moving from mythical women such as Eve, Medusa and the Sirens via historical figures such as Mata Hari to fatal women in contemporary cinema.
Author: Julie Grossman
Publisher: Rutgers University Press
ISBN: 0813598265
Category : Performing Arts
Languages : en
Pages : 175
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Book Description
Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural attitudes toward female independence and sexuality? This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen. Starting with ethnically exoticized silent film vamps like Theda Bara and Pola Negri, it examines classic film noir femmes fatales like Barbara Stanwyck in Double Indemnity, as well as postmodern revisions of the archetype in films like Basic Instinct and Memento. Finally, it explores how contemporary film and television creators like Fleabag and Killing Eve’s Phoebe Waller-Bridge have appropriated the femme fatale in sympathetic and surprising ways. Analyzing not only the films themselves, but also studio press kits and reviews, The Femme Fatale considers how discourses about the pleasures and dangers of female performance are projected onto the figure of the femme fatale. Ultimately, it is a celebration of how “bad girl” roles have provided some of Hollywood’s most talented actresses opportunities to fully express their on-screen charisma.
Author: E. Ann Kaplan
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
For this expanded edition, Kaplan has brought together further essays which reflect the renewed interest in Film Noir which is apparent today.
Author: Lee Server
Publisher: Macmillan
ISBN: 9780312285432
Category : Biography & Autobiography
Languages : en
Pages : 628
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Book Description
Traces the life and career of actor Robert Mitchum in a biography of one of Hollywood's biggest and most colorful stars.
Author: Samantha Lindop
Publisher: Springer
ISBN: 1137503599
Category : Social Science
Languages : en
Pages : 180
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Book Description
This book is a thought-provoking study that expands on film scholarship on noir and feminist scholarship on postfeminism, subjectivity, and representation to provide an inclusive, sophisticated, and up-to-date analysis of the femme fatale , fille fatale , and homme fatal from the classic era through to recent postmillennial neo-noir .
Author: Jans B. Wager
Publisher: University of Texas Press
ISBN: 0292773870
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
With its focus on dangerous, determined femmes fatales, hardboiled detectives, and crimes that almost-but-never-quite succeed, film noir has long been popular with moviegoers and film critics alike. Film noir was a staple of classical Hollywood filmmaking during the years 1941-1958 and has enjoyed a resurgence in popularity since the 1990s. Dames in the Driver's Seat offers new views of both classical-era and contemporary noirs through the lenses of gender, class, and race. Jans Wager analyzes how changes in film noir's representation of women's and men's roles, class status, and racial identities mirror changes in a culture that is now often referred to as postmodern and postfeminist. Following introductory chapters that establish the theoretical basis of her arguments, Wager engages in close readings of the classic noirs The Killers, Out of the Past, and Kiss Me Deadly and the contemporary noirs L. A. Confidential, Mulholland Falls, Fight Club, Twilight, Fargo, and Jackie Brown. Wager divides recent films into retro-noirs (made in the present, but set in the 1940s and 1950s) and neo-noirs (made and set in the present but referring to classic noir narratively or stylistically). Going beyond previous studies of noir, her perceptive readings of these films reveal that retro-noirs fulfill a reactionary social function, looking back nostalgically to outdated gender roles and racial relations, while neo-noirs often offer more revisionary representations of women, though not necessarily of people of color.
