Film After Film

Film After Film PDF Author: J. Hoberman
Publisher: Verso Books
ISBN: 1781681430
Category : Performing Arts
Languages : en
Pages : 305

Get Book Here

Book Description
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.

Film After Film

Film After Film PDF Author: J. Hoberman
Publisher: Verso Books
ISBN: 1781681430
Category : Performing Arts
Languages : en
Pages : 305

Get Book Here

Book Description
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.

German Film After Germany

German Film After Germany PDF Author: Randall Halle
Publisher: University of Illinois Press
ISBN: 0252033299
Category : History
Languages : en
Pages : 258

Get Book Here

Book Description
A focused examination of German film's transformation from a national to transnational industry

Film and Television After 9/11

Film and Television After 9/11 PDF Author: Wheeler W. Dixon
Publisher: SIU Press
ISBN: 9780809325566
Category : History
Languages : en
Pages : 274

Get Book Here

Book Description
Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.

Altman and After

Altman and After PDF Author: Peter F. Parshall
Publisher: Scarecrow Press
ISBN: 0810885077
Category : Performing Arts
Languages : en
Pages : 264

Get Book Here

Book Description
In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines. In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.

The Essay Film After Fact and Fiction

The Essay Film After Fact and Fiction PDF Author: Nora M. Alter
Publisher: Columbia University Press
ISBN: 0231545983
Category : Performing Arts
Languages : en
Pages : 602

Get Book Here

Book Description
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre’s origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work.

Future Cinema

Future Cinema PDF Author: Zentrum für Kunst und Medientechnologie Karlsruhe
Publisher: MIT Press (MA)
ISBN:
Category : Design
Languages : en
Pages : 652

Get Book Here

Book Description
This book, which accompanies an exhibition organized by the ZKM Institute for Visual Media, explores the history and significance of pre-cinema and of early experimental cinema, as well as the development of the unique theaters in which "immersion" evolved. 1,000 illustrations.

After the Avant-garde

After the Avant-garde PDF Author: Randall Halle
Publisher: Camden House
ISBN: 9781571133656
Category : Art
Languages : en
Pages : 376

Get Book Here

Book Description
Filmmaking in Germany and Austria has changed dramatically with digitalization and the use of video and the Internet. Introducing the work of filmmakers, this volume offers an assessments of the intent and effect of their productions, and describes overall trends.

Film After Jung

Film After Jung PDF Author: Greg Singh
Publisher: Routledge
ISBN: 1317723945
Category : Psychology
Languages : en
Pages : 244

Get Book Here

Book Description
Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. Film After Jung provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience. This book includes: an introduction to film scholarship discussions of key Jungian concepts Post-Jungian film studies beyond film. It also considers the potential for post-Jungian contributions to film studies, and the ways in which these can help to enrich the lives of those undergoing clinical analysis. Film After Jung encourages students of film and psychology to explore the insights and experiences of everyday life that film has to offer by applying Post-Jungian concepts to film, image construction, narrative, and issues in cultural theory. It will enhance the film student’s knowledge of film engagement as well as introducing the Jungian analyst to previously unexplored traditions in film theory.

Film Rhythm After Sound

Film Rhythm After Sound PDF Author: Lea Jacobs
Publisher: Univ of California Press
ISBN: 0520279654
Category : Music
Languages : en
Pages : 280

Get Book Here

Book Description
The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney’s Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian, and the impeccably timed dialogue in Hawks’s films. Jacobs argues that the new range of sound technologies made possible a much tighter synchronization of music, speech, and movement than had been the norm with the live accompaniment of silent films. Filmmakers in the early years of the transition to sound experimented with different technical means of achieving synchronization and employed a variety of formal strategies for creating rhythmically unified scenes and sequences. Music often served as a blueprint for rhythm and pacing, as was the case in mickey mousing, the close integration of music and movement in animation. However, by the mid-1930s, filmmakers had also gained enough control over dialogue recording and editing to utilize dialogue to pace scenes independently of the music track. Jacobs’s highly original study of early sound-film practices provides significant new contributions to the fields of film music and sound studies.

Film and Television After DVD

Film and Television After DVD PDF Author: James Bennett
Publisher: Routledge
ISBN: 1135896720
Category : History
Languages : en
Pages : 212

Get Book Here

Book Description
Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.