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Author: J. Hoberman
Publisher: Verso Books
ISBN: 1781681430
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.
Author: J. Hoberman
Publisher: Verso Books
ISBN: 1781681430
Category : Performing Arts
Languages : en
Pages : 305
Get Book
Book Description
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.
Author: J. Hoberman
Publisher: Verso Books
ISBN: 1844677516
Category : Performing Arts
Languages : en
Pages : 305
Get Book
Book Description
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.
Author: Peter F. Parshall
Publisher: Scarecrow Press
ISBN: 0810885077
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines. In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.
Author: Wheeler W. Dixon
Publisher:
ISBN:
Category : History
Languages : en
Pages : 280
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Book Description
Twelve distinguished scholars and critics discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how movies have changed to reflect the new world climate.
Author: Greg Singh
Publisher: Routledge
ISBN: 1317723945
Category : Psychology
Languages : en
Pages : 244
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Book Description
Popular film as a medium of communication, expression and storytelling has proved one of the most durable and fascinating cultural forms to emerge during the twentieth century, and has long been the object of debate, discussion and interpretation. Film After Jung provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience. This book includes: an introduction to film scholarship discussions of key Jungian concepts Post-Jungian film studies beyond film. It also considers the potential for post-Jungian contributions to film studies, and the ways in which these can help to enrich the lives of those undergoing clinical analysis. Film After Jung encourages students of film and psychology to explore the insights and experiences of everyday life that film has to offer by applying Post-Jungian concepts to film, image construction, narrative, and issues in cultural theory. It will enhance the film student’s knowledge of film engagement as well as introducing the Jungian analyst to previously unexplored traditions in film theory.
Author: Anna Todd
Publisher: Simon and Schuster
ISBN: 1476792488
Category : Fiction
Languages : en
Pages : 592
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Book Description
"Book one of the After series--the Internet sensation with millions of readers. Tessa didn't plan on meeting Hardin during her freshman year of college. But now that she has, her life will never be the same"--
Author: Zentrum für Kunst und Medientechnologie Karlsruhe
Publisher: MIT Press (MA)
ISBN:
Category : Design
Languages : en
Pages : 652
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Book Description
This book, which accompanies an exhibition organized by the ZKM Institute for Visual Media, explores the history and significance of pre-cinema and of early experimental cinema, as well as the development of the unique theaters in which "immersion" evolved. 1,000 illustrations.
Author: Julie MacLusky
Publisher: Continuum
ISBN: 9780826419118
Category : Social Science
Languages : en
Pages : 0
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Book Description
The lucky students who get into film school (and then get through it without dropping out) have to compete for a small number of prestigious jobs once they graduate. Despite the enormous odds stacked against them, most students leave film school still hoping to become the next Spielberg or Scorsese. The mismatch between their dreams and the reality of working in the industry itself is considerable. Is There Life After Film School? shows that there are more options available to students than they might think. Through a series of in-depth, candid, and entertaining interviews with film industry insiders, the book reveals a range of career paths taken by scriptwriters, production designers, producers, and marketers. All of hte interviewees share with the reader the specific qualities and crucial insider information that distinguish successful film graduates from the rest of the pack. The resulting book is inspiring and realisitc in equal measures: and for those who really want to make it in the film industry (whether in Hollywood, Europe or elsewhere), it's an invaluable source of information and ideas. The lucky students who get into film school (and then get through it without dropping out) have to compete for a small number of prestigious jobs once they graduate. Despite the enormous odds stacked against them, most students leave film school still hoping to become the next Spielberg or Scorsese. The mismatch between their dreams and the reality of working in the industry itself is considerable. Is There Life After Film School? shows that there are more options available to students than they might think. Through a series of in-depth, candid, and entertaining interviews with film industry insiders, the book reveals a range of career paths taken by scriptwriters, production designers, producers, and marketers. All of hte interviewees share with the reader the specific qualities and crucial insider information that distinguish successful film graduates from the rest of the pack. The resulting book is inspiring and realisitc in equal measures: and for those who really want to make it in the film industry (whether in Hollywood, Europe or elsewhere), it's an invaluable source of information and ideas.
Author: Nora M. Alter
Publisher: Columbia University Press
ISBN: 0231545983
Category : Performing Arts
Languages : en
Pages : 602
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Book Description
Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre’s origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work.
Author: David Bordwell
Publisher: Harvard University Press
ISBN: 9780674634299
Category : History
Languages : en
Pages : 338
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Book Description
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
