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Author: Sohail Daulatzai
Publisher: U of Minnesota Press
ISBN: 1452954453
Category : Performing Arts
Languages : en
Pages : 111
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Book Description
The Battle of Algiers, a 1966 film that poetically captures Algerian resistance to French colonial occupation, is widely considered one of the greatest political films of all time. With an artistic defiance that matched the boldness of the anticolonial struggles of the time, it was embraced across the political spectrum—from leftist groups like the Black Panther Party and the Palestine Liberation Organization to right-wing juntas in the 1970s and later, the Pentagon in 2003. With a philosophical nod to Frantz Fanon, Sohail Daulatzai demonstrates that tracing the film’s afterlife reveals a larger story about how dreams of freedom were shared and crushed in the fifty years since its release. As the War on Terror expands and the “threat” of the Muslim looms, The Battle of Algiers is more than an artifact of the past—it’s a prophetic testament to the present and a cautionary tale of an imperial future, as perpetual war has been declared on permanent unrest. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Author: Sohail Daulatzai
Publisher: U of Minnesota Press
ISBN: 1452954453
Category : Performing Arts
Languages : en
Pages : 111
Get Book Here
Book Description
The Battle of Algiers, a 1966 film that poetically captures Algerian resistance to French colonial occupation, is widely considered one of the greatest political films of all time. With an artistic defiance that matched the boldness of the anticolonial struggles of the time, it was embraced across the political spectrum—from leftist groups like the Black Panther Party and the Palestine Liberation Organization to right-wing juntas in the 1970s and later, the Pentagon in 2003. With a philosophical nod to Frantz Fanon, Sohail Daulatzai demonstrates that tracing the film’s afterlife reveals a larger story about how dreams of freedom were shared and crushed in the fifty years since its release. As the War on Terror expands and the “threat” of the Muslim looms, The Battle of Algiers is more than an artifact of the past—it’s a prophetic testament to the present and a cautionary tale of an imperial future, as perpetual war has been declared on permanent unrest. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Author: Ted Morgan
Publisher: Harper Collins
ISBN: 0061205761
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
In My Battle of Algiers, eminent historian and biographer Ted Morgan recounts his experiences in the savage Algerian War. In 1956, Morgan was drafted into the French Army and was sent thousands of miles overseas to help quell the Algerian uprising. Once there, he witnessed—and became involved in—unimaginable barbarism that would haunt him for the rest of his life.
Author: Suzanne Gauch
Publisher: Oxford University Press
ISBN: 0190262575
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Exploring films made in Tunisia, Morocco, and Algeria from 1985 to 2009, Suzanne Gauch illustrates how late post-independence and early twenty-first century North African cinema prefigured many of the transformations in perception and relation that stunned both participants and onlookers during the remarkable uprisings of the 2011 Arab Spring. Through multifaceted examinations of key films by nine filmmakers--Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Ly s Salem, Nadia El Fani, Tariq Teguia, Faouzi Bensa di, and Nejib Belkadhi--Gauch delineates the shifting relation of politics to film in the era of neoliberal globalization. Each work, she argues, taps the power inherent in cinema to destabilize patterns of perception and judgment while taking film's role as popular entertainment in new directions. Highlighting how each film taps into the mobility at the core of cinema to break through the boundaries that have long circumscribed filmmaking from North Africa, Gauch shows how this cinema continues to forge and reflect unexpected trajectories for itself and its audiences.
Author: Alan O'Leary
Publisher:
ISBN: 9788869770791
Category : History
Languages : en
Pages : 120
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Book Description
Commissioned by Algerians and made by Italians, with dialogue in Arabic and French, The Battle of Algiers (Gillo Pontecorvo, 1966) is a classic of political cinema, equally influential to art-house and popular cinema. The film's complex consideration of the efficacy of torture and terrorism means it is a key text for thinking about the ethics of conflict, and it is studied not only by scholars of cinema but also by political scientists and historians, not to mention by military and revolutionary groups. If The Battle of Algiers is a 'birth of a nation' film in a melodramatic mode (something regularly disavowed in favour of its supposedly 'documentary' realism), it is also an 'end of empire' film. It ambivalently pictures the failure of a Utopian project imposed by the French colonizer and looks forward in time to circumstances in postcolonial Europe even as it celebrates the achievement of an African nation.
Author: Alistair Horne
Publisher: Penguin Group
ISBN:
Category : History
Languages : en
Pages : 628
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Book Description
The Algerian war was at once the last of the old-style "colonial wars" and the archetype of horribly savage new conflicts - undeclared wars between old and new worlds - waged successfully by urban terrorists and country-based guerrillas against crack modern armies. In eight years, more than a million Algerians died and an equal number of Europeans lost their homes. It was a tragedy rife with lessons Americans had to learn all over again in Vietnam. As the Third World continues to make its aspirations felt, and established political powers continue to maintain an order they must struggle to impose, the story of Algeria's fight for independence stands as model and prophecy. A SAVAGE WAR OF PEACE is the definitive history of that prophetic war.
Author: Martin Evans
Publisher: Yale University Press
ISBN: 0300177224
Category : History
Languages : en
Pages : 534
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Book Description
After liberating itself from French colonial rule in one of the twentieth century's most brutal wars of independence, Algeria became a standard-bearer for the non-aligned movement. By the 1990s, however, its revolutionary political model had collapsed, degenerating into a savage conflict between the military and Islamist guerillas that killed some 200,000 citizens. In this lucid and gripping account, Martin Evans and John Phillips explore Algeria's recent and very bloody history, demonstrating how the high hopes of independence turned into anger as young Algerians grew increasingly alienated. Unemployed, frustrated by the corrupt military regime, and excluded by the West, the post-independence generation needed new heroes, and some found them in Osama bin Laden and the rising Islamist movement. Evans and Phillips trace the complex roots of this alienation, arguing that Algeria's predicament-political instability, pressing economic and social problems, bad governance, a disenfranchised youth-is emblematic of an arc of insecurity stretching from Morocco to Indonesia. Looking back at the pre-colonial and colonial periods, they place Algeria's complex present into historical context, demonstrating how successive governments have manipulated the past for their own ends. The result is a fractured society with a complicated and bitter relationship with the Western powers-and an increasing tendency to export terrorism to France, America, and beyond.
Author: Albert Camus
Publisher: Belknap Press
ISBN: 9780674416758
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation. “Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form. In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.
Author: Guy Austin
Publisher: Manchester University Press
ISBN: 1526141175
Category : Art
Languages : en
Pages : 209
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Book Description
This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the ‘black decade’ of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.
Author: Anne Donadey
Publisher: Rowman & Littlefield
ISBN: 1793626650
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
The Algerian War in Film Fifty Years Later, 2004–2012 examines the cultural, political, and aesthetic significance of narrative films made during the fiftieth-anniversary period of the war, between 2004 and 2012. This period was a fruitful one, in which film became a central medium generating varied representations of the war, and Anne Donadey argues that the fiftieth-anniversary film production contributed to France’s move from a period of the return of the repressed to one of difficult anamnesis. Donadey provides a close analysis of twenty narrative films made during this period on both side of the Mediterranean, observing that while some films continue to center on the point of view of only one stake-holding group, a number of films open up new opportunities for multicultural French audiences to envision the war through the eyes of Algerian characters on-screen, and other films bring memories from various groups together in thoughtful synthesis that represent the complexity of the situation. Donadey takes this analysis a step further to analyze what types of gendered representations emerge in these films, given the important participation of Algerian women in the revolutionary war. Scholars of Francophone studies, film, women’s studies, and history will find this book particularly useful.
Author: Roger Trinquier
Publisher: DIANE Publishing
ISBN: 142891689X
Category : France
Languages : en
Pages : 131
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Book Description
