Origins of European Printmaking PDF Download
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Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396
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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author: National Gallery of Art (U.S.)
Publisher: Washington : Publications Department, National Gallery of Art
ISBN:
Category : Engraving
Languages : en
Pages : 334
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Book Description
Author: Bodleian Library
Publisher:
ISBN: 9780199519057
Category : Reference
Languages : en
Pages : 450
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Book Description
Author: DavidS. Areford
Publisher: Routledge
ISBN: 135153968X
Category : Art
Languages : en
Pages : 347
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Book Description
Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Author: Mary Washington College
Publisher:
ISBN:
Category : Engraving, Renaissance
Languages : en
Pages : 84
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Book Description
Author: Susan Dackerman
Publisher: Penn State Press
ISBN: 9780271022352
Category : Art
Languages : en
Pages : 324
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Book Description
Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994662
Category : Art, German
Languages : en
Pages : 501
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Book Description
Author:
Publisher:
ISBN:
Category : Executive departments
Languages : en
Pages : 892
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Book Description
Author:
Publisher:
ISBN:
Category : Administrative agencies
Languages : en
Pages : 820
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Book Description
Author: Craig Harbison
Publisher: Reaktion Books
ISBN: 9780948462795
Category : Art
Languages : en
Pages : 236
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Book Description
Jan van Eyck's surviving work comprises a series of painstakingly detailed oil paintings of astonishing verisimilitude. In a fascinating recovery of the neglected human dimension that is clearly present in these works, Craig Harbison interrogates the personal histories of the worldly participants of such masterpieces as the Virgin and Child with George van der Paele, the Arnolfini Double Portrait and the Virgin and Child with Nicolas Rolin. With the aid of abundant visual evidence in color and in black and white, Harbison reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life. "I found this an enthralling study" The Sunday Telegraph "A fascinating investigation into the nature of the great pioneer's clients ... some fine photo details" Art Review"
