Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C.

Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C. PDF Author: Mary Washington College
Publisher:
ISBN:
Category : Engraving, Renaissance
Languages : en
Pages : 84

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Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C.

Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C. PDF Author: Mary Washington College
Publisher:
ISBN:
Category : Engraving, Renaissance
Languages : en
Pages : 84

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Book Description


Imperial Augsburg

Imperial Augsburg PDF Author: Gregory Jecmen
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781848221222
Category : Art
Languages : en
Pages : 124

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Book Description
With a storied past and a strong imperial presence, the southern German city of Augsburg enjoyed a golden age in the late 15th and early 16th centuries - fostering artists such as Hans Burgkmair, Erhard Ratdolt, Daniel Hopfer, Jörg Breu and Hans Weiditz. Focusing on the drawings, prints and illustrated books Augsburg's artists created as well as the innovative printing techniques they used, this volume - the first of its kind in English - serves as an introduction to Augsburg, its artists and its cultural history, during this period.

A Catalog of the Gifts of Lessing J. Rosenwald to the Library of Congress, 1943 to 1975

A Catalog of the Gifts of Lessing J. Rosenwald to the Library of Congress, 1943 to 1975 PDF Author: Library of Congress
Publisher: Washington : Library of Congress
ISBN: 9780844402376
Category : Library catalogs
Languages : en
Pages : 0

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The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries

The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries PDF Author: Grażyna Jurkowlaniec
Publisher: Routledge
ISBN: 1000173127
Category : Art
Languages : en
Pages : 421

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Book Description
This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda

Lessing J. Rosenwald

Lessing J. Rosenwald PDF Author: Ruth Fine
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272

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Origins of European Printmaking

Origins of European Printmaking PDF Author: Peter W. Parshall
Publisher: Yale University Press
ISBN: 0300113390
Category : Art
Languages : en
Pages : 396

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Book Description
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture

Renaissance Impressions

Renaissance Impressions PDF Author: Bernard Barryte
Publisher: Silvana Editoriale
ISBN: 9788836647033
Category :
Languages : en
Pages : 256

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Book Description
A rich compendium of masterworks from the golden age of printmaking In the 1500s, the printed image functioned as a tool for storytelling. In addition to being vehicles for Christian subjects, engravings, etchings and woodcuts introduced many Europeans to the myths and aesthetics of Greco-Roman antiquity. These innovative printmaking technologies ensured the widespread distribution of figural motifs that fueled the development of Mannerism, which became the dominant style of the Late Renaissance. Mannerism privileged theatrical effects, a unique ideal of beauty and a collapsed perspective, characteristics that especially lent themselves to print reproduction. Renaissance Impressions offers a rich survey of this golden age of printmaking through a selection of works from the Kirk Edward Long Collection, one of the world's most extensive private collections of 16th-century prints, with pieces by Michelangelo, Raphael and others.

The Birds of America

The Birds of America PDF Author: John James Audubon
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 476

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Book Description
This edition has 65 new images, making a total of 500. The original configurations were altered so that there is only one species per plate. The text is a revision of the Ornithological Biography, rearranged according to Audubon's Synopsis of the Birds of North America (1839).

Early Illustrated Books

Early Illustrated Books PDF Author: Alfred William Pollard
Publisher:
ISBN:
Category : Early printed books
Languages : en
Pages : 292

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Book Description


Jan Brueghel the Elder

Jan Brueghel the Elder PDF Author: Arianne Faber Kolb
Publisher: Getty Publications
ISBN: 0892367709
Category : Art
Languages : en
Pages : 106

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Book Description
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.