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Author:
Publisher: Edicions Universitat Barcelona
ISBN: 9788447527403
Category : Aragon (Spain)
Languages : es
Pages : 936
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Book Description
Author:
Publisher: Edicions Universitat Barcelona
ISBN: 9788447527403
Category : Aragon (Spain)
Languages : es
Pages : 936
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Book Description
Author: Nicolás Rangel
Publisher:
ISBN:
Category : Bullfights
Languages : en
Pages : 400
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Book Description
Author: Francisco Schulte
Publisher: Rowman & Littlefield
ISBN: 9780742513556
Category : Religion
Languages : en
Pages : 262
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Book Description
This book celebrates a number of Guadalupan sermons that serve as the fundamental source of the Mexican people's unique spiritual devotion and identity. These sermons were preached, published, and circulated among the populace of Mexico in the seventeenth and eighteenth centuries. They proclaim an unshakable conviction that the peoples of the American continent are the uniquely blessed recipients of God's, and especially Mary's, favor. In their modern sense, these sermons provide a wealth of information on Mexican theology, spirituality, and religious self-understanding at a pivotal time in a people's culture.
Author: Saint Junípero Serra
Publisher:
ISBN:
Category : California
Languages : en
Pages : 496
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Book Description
Author: Geoffrey Baker
Publisher: Cambridge University Press
ISBN: 0521766869
Category : History
Languages : en
Pages : 393
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Book Description
Representing pioneering research, essays in this collection investigate musical developments in the urban context of colonial Latin America.
Author: D. R. M. Irving
Publisher: Oxford University Press
ISBN: 0195378261
Category : History
Languages : en
Pages : 409
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Book Description
In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition.Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.
Author: Saint Junípero Serra
Publisher:
ISBN:
Category : California
Languages : en
Pages : 492
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Book Description
Author: Nicholas R. Jones
Publisher: Penn State Press
ISBN: 0271083921
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
In this volume, Nicholas R. Jones analyzes white appropriations of black African voices in Spanish theater from the 1500s through the 1700s, when the performance of Africanized Castilian, commonly referred to as habla de negros (black speech), was in vogue. Focusing on Spanish Golden Age theater and performative poetry from authors such as Calderón de la Barca, Lope de Rueda, and Rodrigo de Reinosa, Jones makes a strong case for revising the belief, long held by literary critics and linguists, that white appropriations and representations of habla de negros language are “racist buffoonery” or stereotype. Instead, Jones shows black characters who laugh, sing, and shout, ultimately combating the violent desire of white supremacy. By placing early modern Iberia in conversation with discourses on African diaspora studies, Jones showcases how black Africans and their descendants who built communities in early modern Spain were rendered legible in performative literary texts. Accessibly written and theoretically sophisticated, Jones’s groundbreaking study elucidates the ways that habla de negros animated black Africans’ agency, empowered their resistance, and highlighted their African cultural retentions. This must-read book on identity building, performance, and race will captivate audiences across disciplines.
Author: Marcelino Menéndez y Pelayo
Publisher:
ISBN:
Category : Latin American poetry
Languages : en
Pages : 816
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Book Description
Author: Dinko Fabris
Publisher: Routledge
ISBN: 1351557351
Category : Music
Languages : en
Pages : 331
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Book Description
The most important figure of seventeenth-century Neapolitan music, Francesco Provenzale (1624-1704) spent his long life in the service of a number of Neapolitan conservatories and churches, culminating in his appointment as maestro of the Tesoro di S. Gennaro and the Real Cappella. Provenzale was successful in generating significant profit from a range of musical activities promoted by him with the participation of his pupils and trusted collaborators. Dinko Fabris draws on newly discovered archival documents to reconstruct the career of a musician who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries (Raimo Di Bartolo, Sabino, Salvatore and Caresana) and pupils (Fago, Greco, Veneziano and many others), revealing both stylistic similarities and differences, particularly in terms of new harmonic practices and the use of Neapolitan language in opera. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century which so clearly laid the groundwork for Naples' later status as one of the great musical capitals of Europe.
