Author: Laurie Finke
Publisher: Cornell University Press
ISBN: 1501726250
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
No detailed description available for "Feminist Theory, Women's Writing".
Feminist Theory, Women's Writing
Author: Laurie Finke
Publisher: Cornell University Press
ISBN: 1501726250
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
No detailed description available for "Feminist Theory, Women's Writing".
Publisher: Cornell University Press
ISBN: 1501726250
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
No detailed description available for "Feminist Theory, Women's Writing".
Female Subjectivity in Women's Writing
Author: Hatice Yurttaş
Publisher: Cambridge Scholars Publishing
ISBN: 152752891X
Category : Juvenile Nonfiction
Languages : en
Pages : 138
Book Description
This volume discusses how Angela Carter’s Nights at the Circus, Margaret Atwood's The Blind Assassin, and A.S. Byatt’s “Morpho Eugenia” approach the question of female subjectivity and how they relate this question to language and literature. It shows that the conscious intertextuality and genre transgressions in these writings reflect the authors’ awareness of the woman writer’s problematic position in the literary tradition which does not allow woman a subject position. In this discussion, Luce Irigaray’s criticism of language and theory as the producer and ally of the patriarchal order is used as the main reference point. The book reads these in the light of Irigaray’s analyses of how language creates the category of woman. It highlights that Atwood and Carter are more in accord with Irigaray’s insistence on a language that can produce a female subjectivity by acknowledging, representing and symbolizing the desire of, and for, the mother, while Byatt, on the other hand, suffices with deconstructing the male subject without devising a subjective identity for women.
Publisher: Cambridge Scholars Publishing
ISBN: 152752891X
Category : Juvenile Nonfiction
Languages : en
Pages : 138
Book Description
This volume discusses how Angela Carter’s Nights at the Circus, Margaret Atwood's The Blind Assassin, and A.S. Byatt’s “Morpho Eugenia” approach the question of female subjectivity and how they relate this question to language and literature. It shows that the conscious intertextuality and genre transgressions in these writings reflect the authors’ awareness of the woman writer’s problematic position in the literary tradition which does not allow woman a subject position. In this discussion, Luce Irigaray’s criticism of language and theory as the producer and ally of the patriarchal order is used as the main reference point. The book reads these in the light of Irigaray’s analyses of how language creates the category of woman. It highlights that Atwood and Carter are more in accord with Irigaray’s insistence on a language that can produce a female subjectivity by acknowledging, representing and symbolizing the desire of, and for, the mother, while Byatt, on the other hand, suffices with deconstructing the male subject without devising a subjective identity for women.
The Female as Subject
Author: P.F. Kornicki
Publisher: University of Michigan Press
ISBN: 1929280653
Category : History
Languages : en
Pages : 291
Book Description
Reveals the rich and lively world of literate women in Japan from 1600 through the early 20th century
Publisher: University of Michigan Press
ISBN: 1929280653
Category : History
Languages : en
Pages : 291
Book Description
Reveals the rich and lively world of literate women in Japan from 1600 through the early 20th century
Women, Autobiography, Theory
Author: Sidonie Smith
Publisher: Univ of Wisconsin Press
ISBN: 9780299158446
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.
Publisher: Univ of Wisconsin Press
ISBN: 9780299158446
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
The first comprehensive guide to the burgeoning field of women's autobiography. Essays from 39 prominent critics and writers explore narratives across the centuries and from around the globe. A list of more than 200 women's autobiographies and a comprehensive bibliography provide invaluable information for scholars, teachers, and readers.
Feminine Singularity
Author: Ronjaunee Chatterjee
Publisher: Stanford University Press
ISBN: 1503632318
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
What happens if we read nineteenth-century and Victorian texts not for the autonomous liberal subject, but for singularity—for what is partial, contingent, and in relation, rather than what is merely "alone"? Feminine Singularity offers a powerful feminist theory of the subject—and shows us paths to thinking subjectivity, race, and gender anew in literature and in our wider social world. Through fresh, sophisticated readings of Lewis Carroll, Christina Rossetti, Charles Baudelaire, and Wilkie Collins in conversation with psychoanalysis, Black feminist and queer-of-color theory, and continental philosophy, Ronjaunee Chatterjee uncovers a lexicon of feminine singularity that manifests across poetry and prose through likeness and minimal difference, rather than individuality and identity. Reading for singularity shows us the ways femininity is fundamentally entangled with racial difference in the nineteenth century and well into the contemporary, as well as how rigid categories can be unsettled and upended. Grappling with the ongoing violence embedded in the Western liberal imaginary, Feminine Singularity invites readers to commune with the subversive potentials in nineteenth-century literature for thinking subjectivity today.
Publisher: Stanford University Press
ISBN: 1503632318
Category : Literary Criticism
Languages : en
Pages : 243
Book Description
What happens if we read nineteenth-century and Victorian texts not for the autonomous liberal subject, but for singularity—for what is partial, contingent, and in relation, rather than what is merely "alone"? Feminine Singularity offers a powerful feminist theory of the subject—and shows us paths to thinking subjectivity, race, and gender anew in literature and in our wider social world. Through fresh, sophisticated readings of Lewis Carroll, Christina Rossetti, Charles Baudelaire, and Wilkie Collins in conversation with psychoanalysis, Black feminist and queer-of-color theory, and continental philosophy, Ronjaunee Chatterjee uncovers a lexicon of feminine singularity that manifests across poetry and prose through likeness and minimal difference, rather than individuality and identity. Reading for singularity shows us the ways femininity is fundamentally entangled with racial difference in the nineteenth century and well into the contemporary, as well as how rigid categories can be unsettled and upended. Grappling with the ongoing violence embedded in the Western liberal imaginary, Feminine Singularity invites readers to commune with the subversive potentials in nineteenth-century literature for thinking subjectivity today.
The Body and the Screen
Author: Kate Ince
Publisher: Bloomsbury Publishing USA
ISBN: 1623562929
Category : Performing Arts
Languages : en
Pages : 209
Book Description
Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the “Thinking Cinema” series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.
Publisher: Bloomsbury Publishing USA
ISBN: 1623562929
Category : Performing Arts
Languages : en
Pages : 209
Book Description
Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the “Thinking Cinema” series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.
The Cambridge Companion to Feminist Literary Theory
Author: Ellen Rooney
Publisher: Cambridge University Press
ISBN: 1139826638
Category : Literary Criticism
Languages : en
Pages : 44
Book Description
Feminism has dramatically influenced the way literary texts are read, taught and evaluated. Feminist literary theory has deliberately transgressed traditional boundaries between literature, philosophy and the social sciences in order to understand how gender has been constructed and represented through language. This lively and thought-provoking Companion presents a range of approaches to the field. Some of the essays demonstrate feminist critical principles at work in analysing texts, while others take a step back to trace the development of a particular feminist literary method. The essays draw on a range of primary material from the medieval period to postmodernism and from several countries, disciplines and genres. Each essay suggests further reading to explore this field further. This is the most accessible guide available both for students of literature new to this developing field, and for students of gender studies and readers interested in the interactions of feminism, literary criticism and literature.
Publisher: Cambridge University Press
ISBN: 1139826638
Category : Literary Criticism
Languages : en
Pages : 44
Book Description
Feminism has dramatically influenced the way literary texts are read, taught and evaluated. Feminist literary theory has deliberately transgressed traditional boundaries between literature, philosophy and the social sciences in order to understand how gender has been constructed and represented through language. This lively and thought-provoking Companion presents a range of approaches to the field. Some of the essays demonstrate feminist critical principles at work in analysing texts, while others take a step back to trace the development of a particular feminist literary method. The essays draw on a range of primary material from the medieval period to postmodernism and from several countries, disciplines and genres. Each essay suggests further reading to explore this field further. This is the most accessible guide available both for students of literature new to this developing field, and for students of gender studies and readers interested in the interactions of feminism, literary criticism and literature.
We Are Not Born Submissive
Author: Manon Garcia
Publisher: Princeton University Press
ISBN: 069120182X
Category : Philosophy
Languages : en
Pages : 248
Book Description
Submission : a philosophical taboo -- Is submission feminine? Is femininity a submission? -- Womanhood as a situation -- Elusive submission -- The experience of submission -- Submission is an alienation -- The objectified body of the submissive woman -- Delights or oppression : the ambiguity of submission -- Freedom and submission -- Conclusion: What now?
Publisher: Princeton University Press
ISBN: 069120182X
Category : Philosophy
Languages : en
Pages : 248
Book Description
Submission : a philosophical taboo -- Is submission feminine? Is femininity a submission? -- Womanhood as a situation -- Elusive submission -- The experience of submission -- Submission is an alienation -- The objectified body of the submissive woman -- Delights or oppression : the ambiguity of submission -- Freedom and submission -- Conclusion: What now?
The Politics of the Female Body
Author: Ketu Katrak
Publisher: Rutgers University Press
ISBN: 0813539307
Category : Social Science
Languages : en
Pages : 327
Book Description
Is it possible to simultaneously belong to and be exiled from a community? In Politics of the Female Body, Ketu H. Katrak argues that it is not only possible, but common, especially for women who have been subjects of colonial empires. Through her careful analysis of postcolonial literary texts, Katrak uncovers the ways that the female body becomes a site of both oppression and resistance. She examines writers working in the English language, including Anita Desai from India, Ama Ata Aidoo from Ghana, and Merle Hodge from Trinidad, among others. The writers share colonial histories, a sense of solidarity, and resistance strategies in the on-going struggles of decolonization that center on the body. Bringing together a rich selection of primary texts, Katrak examines published novels, poems, stories, and essays, as well as activist materials, oral histories, and pamphlets—forms that push against the boundaries of what is considered strictly literary. In these varied materials, she reveals common political and feminist alliances across geographic boundaries. A unique comparative look at women’s literary work and its relationship to the body in third world societies, this text will be of interest to literary scholars and to those working in the fields of postcolonial studies and women’s studies.
Publisher: Rutgers University Press
ISBN: 0813539307
Category : Social Science
Languages : en
Pages : 327
Book Description
Is it possible to simultaneously belong to and be exiled from a community? In Politics of the Female Body, Ketu H. Katrak argues that it is not only possible, but common, especially for women who have been subjects of colonial empires. Through her careful analysis of postcolonial literary texts, Katrak uncovers the ways that the female body becomes a site of both oppression and resistance. She examines writers working in the English language, including Anita Desai from India, Ama Ata Aidoo from Ghana, and Merle Hodge from Trinidad, among others. The writers share colonial histories, a sense of solidarity, and resistance strategies in the on-going struggles of decolonization that center on the body. Bringing together a rich selection of primary texts, Katrak examines published novels, poems, stories, and essays, as well as activist materials, oral histories, and pamphlets—forms that push against the boundaries of what is considered strictly literary. In these varied materials, she reveals common political and feminist alliances across geographic boundaries. A unique comparative look at women’s literary work and its relationship to the body in third world societies, this text will be of interest to literary scholars and to those working in the fields of postcolonial studies and women’s studies.
Women, Writing, and Travel in the Eighteenth Century
Author: Katrina O'Loughlin
Publisher: Cambridge University Press
ISBN: 1108676758
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.
Publisher: Cambridge University Press
ISBN: 1108676758
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.