Author: Robert M. Overstreet
Publisher: House of Collectibles
ISBN: 9780876378205
Category : Antiques & Collectibles
Languages : en
Pages : 812
Book Description
The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.
The Official Overstreet
Author: Robert M. Overstreet
Publisher: House of Collectibles
ISBN: 9780876378205
Category : Antiques & Collectibles
Languages : en
Pages : 812
Book Description
The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.
Publisher: House of Collectibles
ISBN: 9780876378205
Category : Antiques & Collectibles
Languages : en
Pages : 812
Book Description
The bible of the comic book industry is updated for 2002 with Web site information, tips about grading and caring for comics, and more than 1,500 black-and-white photos.
Comic Book-17ed
Author: Robert M. Overstreet
Publisher: House of Collectibles
ISBN: 9780876377468
Category : Comic books, strips, etc
Languages : en
Pages : 748
Book Description
The recognized authority in this field and an established bestseller, this eagerly awaited 17th edition features a 40-page color section.
Publisher: House of Collectibles
ISBN: 9780876377468
Category : Comic books, strips, etc
Languages : en
Pages : 748
Book Description
The recognized authority in this field and an established bestseller, this eagerly awaited 17th edition features a 40-page color section.
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1184
Book Description
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1184
Book Description
Understanding Genres in Comics
Author: Nicolas Labarre
Publisher: Springer Nature
ISBN: 3030435547
Category : Comics & Graphic Novels
Languages : en
Pages : 162
Book Description
This book offers a theoretical framework and numerous cases studies – from early comic books to contemporary graphic novels – to understand the uses of genres in comics. It begins with the assumption that genre is both frequently used and undertheorized in the medium. Drawing from existing genre theories, particularly in film studies, the book pays close attention to the cultural, commercial, and technological specificities of comics in order to ground its account of the dynamics of genre in the medium. While chronicling historical developments, including the way public discourses shaped the horror genre in comics in the 1950s and the genre-defining function of crossovers, the book also examines contemporary practices, such as the use of hashtags and their relations to genres in self-published online comics.
Publisher: Springer Nature
ISBN: 3030435547
Category : Comics & Graphic Novels
Languages : en
Pages : 162
Book Description
This book offers a theoretical framework and numerous cases studies – from early comic books to contemporary graphic novels – to understand the uses of genres in comics. It begins with the assumption that genre is both frequently used and undertheorized in the medium. Drawing from existing genre theories, particularly in film studies, the book pays close attention to the cultural, commercial, and technological specificities of comics in order to ground its account of the dynamics of genre in the medium. While chronicling historical developments, including the way public discourses shaped the horror genre in comics in the 1950s and the genre-defining function of crossovers, the book also examines contemporary practices, such as the use of hashtags and their relations to genres in self-published online comics.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 532
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 532
Book Description
Comic Bks Overs 18
Author: Robert M. Overstreet
Publisher: House of Collectibles
ISBN: 9780876377611
Category : Antiques & Collectibles
Languages : en
Pages : 708
Book Description
Written by the ultimate authority on comic book values, this expanded and updated guide lists over 80,000 prices for all mainstream comic books published in America--from 1901 to the present day. Includes photos, a listing of comic book shops, marketing tips and publication dates. Illustrated. (Antiques/Collectibles)
Publisher: House of Collectibles
ISBN: 9780876377611
Category : Antiques & Collectibles
Languages : en
Pages : 708
Book Description
Written by the ultimate authority on comic book values, this expanded and updated guide lists over 80,000 prices for all mainstream comic books published in America--from 1901 to the present day. Includes photos, a listing of comic book shops, marketing tips and publication dates. Illustrated. (Antiques/Collectibles)
Captain Marvel and the Art of Nostalgia
Author: Brian Cremins
Publisher: Univ. Press of Mississippi
ISBN: 1496808797
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Billy Batson discovers a secret in a forgotten subway tunnel. There the young man meets a wizard who offers a precious gift: a magic word that will transform the newsboy into a hero. When Billy says, "Shazam!," he becomes Captain Marvel, the World's Mightiest Mortal, one of the most popular comic book characters of the 1940s. This book tells the story of that hero and the writers and artists who created his magical adventures. The saga of Captain Marvel is also that of artist C. C. Beck and writer Otto Binder, one of the most innovative and prolific creative teams working during the Golden Age of comics in the United States. While Beck was the technician and meticulous craftsman, Binder contributed the still, human voice at the heart of Billy's adventures. Later in his career, Beck, like his friend and colleague Will Eisner, developed a theory of comic art expressed in numerous articles, essays, and interviews. A decade after Fawcett Publications settled a copyright infringement lawsuit with Superman's publisher, Beck and Binder became legendary, celebrated figures in comic book fandom of the 1960s. What Beck, Binder, and their readers share in common is a fascination with nostalgia, which has shaped the history of comics and comics scholarship in the United States. Billy Batson's America, with its cartoon villains and talking tigers, remains a living archive of childhood memories, so precious but elusive, as strange and mysterious as the boy's first visit to the subway tunnel. Taking cues from Beck's theories of art and from the growing field of memory studies, Captain Marvel and the Art of Nostalgia explains why we read comics and, more significantly, how we remember them and the America that dreamed them up in the first place.
Publisher: Univ. Press of Mississippi
ISBN: 1496808797
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Billy Batson discovers a secret in a forgotten subway tunnel. There the young man meets a wizard who offers a precious gift: a magic word that will transform the newsboy into a hero. When Billy says, "Shazam!," he becomes Captain Marvel, the World's Mightiest Mortal, one of the most popular comic book characters of the 1940s. This book tells the story of that hero and the writers and artists who created his magical adventures. The saga of Captain Marvel is also that of artist C. C. Beck and writer Otto Binder, one of the most innovative and prolific creative teams working during the Golden Age of comics in the United States. While Beck was the technician and meticulous craftsman, Binder contributed the still, human voice at the heart of Billy's adventures. Later in his career, Beck, like his friend and colleague Will Eisner, developed a theory of comic art expressed in numerous articles, essays, and interviews. A decade after Fawcett Publications settled a copyright infringement lawsuit with Superman's publisher, Beck and Binder became legendary, celebrated figures in comic book fandom of the 1960s. What Beck, Binder, and their readers share in common is a fascination with nostalgia, which has shaped the history of comics and comics scholarship in the United States. Billy Batson's America, with its cartoon villains and talking tigers, remains a living archive of childhood memories, so precious but elusive, as strange and mysterious as the boy's first visit to the subway tunnel. Taking cues from Beck's theories of art and from the growing field of memory studies, Captain Marvel and the Art of Nostalgia explains why we read comics and, more significantly, how we remember them and the America that dreamed them up in the first place.
The 10 Cent War
Author: Trischa Goodnow
Publisher: Univ. Press of Mississippi
ISBN: 1496810317
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.
Publisher: Univ. Press of Mississippi
ISBN: 1496810317
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Contributions by Derek T. Buescher, Travis L. Cox, Trischa Goodnow, Jon Judy, John R. Katsion, James J. Kimble, Christina M. Knopf, Steven E. Martin, Brad Palmer, Elliott Sawyer, Deborah Clark Vance, David E. Wilt, and Zou Yizheng One of the most overlooked aspects of the Allied war effort involved a surprising initiative--comic book propaganda. Even before Pearl Harbor, the comic book industry enlisted its formidable army of artists, writers, and editors to dramatize the conflict for readers of every age and interest. Comic book superheroes and everyday characters modeled positive behaviors and encouraged readers to keep scrapping. Ultimately, those characters proved to be persuasive icons in the war's most colorful and indelible propaganda campaign. The 10 Cent War presents a riveting analysis of how different types of comic books and comic book characters supplied reasons and means to support the war. The contributors demonstrate that, free of government control, these appeals produced this overall imperative. The book discusses the role of such major characters as Superman, Wonder Woman, and Uncle Sam along with a host of such minor characters as kid gangs and superhero sidekicks. It even considers novelty and small presses, providing a well-rounded look at the many ways that comic books served as popular propaganda.
Comic Books and Juvenile Deliquency
Author: United States. Congress. Senate. Committee on the Judiciary
Publisher:
ISBN:
Category : Comic books and children
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Comic books and children
Languages : en
Pages : 690
Book Description
Hand of Fire
Author: Charles Hatfield
Publisher: Univ. Press of Mississippi
ISBN: 1628468998
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
Jack Kirby (1917–1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. Against the backdrop of Kirby's earlier work in various genres, Hand of Fire examines the peak of Kirby's career, when he introduced a new sense of scope and sublimity to comic book fantasy.
Publisher: Univ. Press of Mississippi
ISBN: 1628468998
Category : Literary Criticism
Languages : en
Pages : 492
Book Description
Jack Kirby (1917–1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive narrative drawing, use of bold abstraction, and creation of angst-ridden and morally flawed heroes mark him as one of the most influential mainstream creators in comics. In this book, Charles Hatfield examines the artistic legacy of one of America's true comic book giants. He analyzes the development of Kirby's cartooning technique, his use of dynamic composition, the recurring themes and moral ambiguities in his work, his eventual split from Lee, and his later work as a solo artist. Against the backdrop of Kirby's earlier work in various genres, Hand of Fire examines the peak of Kirby's career, when he introduced a new sense of scope and sublimity to comic book fantasy.