Author: Chemical Heritage Foundation
Publisher: Chemical Heritage Foundation
ISBN: 9780941901383
Category : Biography & Autobiography
Languages : en
Pages : 76
Book Description
Joseph Priestly, Radical Thinker offers a unique look into the achievements of this scientific giant, whose work helped provide the foundation for chemistry research. The book is the catalog that accompanies an exhibit of historical images and artifacts that commemorated the 200th anniversary of the death of Priestly and includes essays by historian Robert Anderson and Marjorie Gapp, curator of art and images at Chemical Heritage Foundation. Gapp and Mary Ellen Bowden, with Lisa Rosner, also examine the historical significance of the many objects and artifacts found in this fascinating collection.
Joseph Priestley, Radical Thinker
Author: Chemical Heritage Foundation
Publisher: Chemical Heritage Foundation
ISBN: 9780941901383
Category : Biography & Autobiography
Languages : en
Pages : 76
Book Description
Joseph Priestly, Radical Thinker offers a unique look into the achievements of this scientific giant, whose work helped provide the foundation for chemistry research. The book is the catalog that accompanies an exhibit of historical images and artifacts that commemorated the 200th anniversary of the death of Priestly and includes essays by historian Robert Anderson and Marjorie Gapp, curator of art and images at Chemical Heritage Foundation. Gapp and Mary Ellen Bowden, with Lisa Rosner, also examine the historical significance of the many objects and artifacts found in this fascinating collection.
Publisher: Chemical Heritage Foundation
ISBN: 9780941901383
Category : Biography & Autobiography
Languages : en
Pages : 76
Book Description
Joseph Priestly, Radical Thinker offers a unique look into the achievements of this scientific giant, whose work helped provide the foundation for chemistry research. The book is the catalog that accompanies an exhibit of historical images and artifacts that commemorated the 200th anniversary of the death of Priestly and includes essays by historian Robert Anderson and Marjorie Gapp, curator of art and images at Chemical Heritage Foundation. Gapp and Mary Ellen Bowden, with Lisa Rosner, also examine the historical significance of the many objects and artifacts found in this fascinating collection.
The World of fashion and continental feuilletons [afterw.] The Ladies' monthly magazine, The World of fashion [afterw.] Le Monde élégant; or The World of fashion
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 452
Book Description
Edmund Burke
Author: Nicholas K. Robinson
Publisher: Yale University Press
ISBN: 0300068018
Category : Biography & Autobiography
Languages : en
Pages : 233
Book Description
For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.
Publisher: Yale University Press
ISBN: 0300068018
Category : Biography & Autobiography
Languages : en
Pages : 233
Book Description
For more than thirty years until his death in 1797, the statesman and writer Edmund Burke was a powerful and passionate voice on the great political issues of late eighteenth-century Britain. The broad range of his interests, as well as his Irish origins and his Catholic connections, made Burke a favorite target of such vitriolic and sometimes scurrilous caricaturists as Gillray, Rowlandson, Dent, and Sayers. This book follows and sheds new light on Burke's political, literary, and personal life by examining a wide selection of the caricatures in which he was featured. Nicholas Robinson puts the caricatures in context by reconstructing the day-to-day episodes of social and parliamentary activity and by reviewing the debates that took place about such issues as the influence of the Crown, relations with America, the governance of India, and the French Revolution. He shows how caricature was forged into a formidable political weapon, unravels the caricaturists' devices in representing the mannerisms and characteristics of Burke and his contemporaries, and investigates how Burke and other political figures, including Charles James Fox, William Pitt, George III, Lord North, and the Prince of Wales, fared as the subjects of the satirical prints. Robinson demonstrates that Catholic entryism, party politics, economic reform, aesthetics, good governance, the constitutional role of the monarch, the role and conduct of his heir, radicalism, and dissent were all treated pungently, facetiously, and often savagely in the prints. And from them emerges a fresh portrait of Burke as a person, statesman, intellectual, and man of honor.
The Broadview Anthology of Romantic Poetry
Author: Joseph Black
Publisher: Broadview Press
ISBN: 1554811317
Category : Literary Collections
Languages : en
Pages : 1170
Book Description
Intended for courses with a major focus on poetry during the Romantic period, this volume includes all the poetry selections from Volume 4 of The Broadview Anthology of British Literature, along with a number of works newly edited for this volume. The Broadview Anthology of Romantic Poetry maintains the Broadview Anthology of British Literature’s characteristic balance of canonical favorites and lesser-known gems, featuring a breadth of poetry from William Blake to Phillis Wheatley, from Ebenezer Elliott to Felicia Hemans. To give a sense of the full sweep of the Romantic period, the anthology incorporates important early figures from William Collins to Phillis Wheatley, as well as works by Victorians—such as Elizabeth Barrett Browning and Alfred, Lord Tennyson—for whom Romanticism was a formative force. “Contexts” sections provide valuable background on cultural matters such as “The Natural and the Sublime” and “The Abolition of Slavery,” while the companion website offers a wealth of additional resources and primary works. Longer works newly prepared for the bound book include Byron’s Manfred and The Giaour, Keats’s Hyperion, and substantial selections from Wordsworth’s fourteen-book Prelude; authors newly added for this volume include Hannah Cowley, Hannah More, Ann Yearsley, Robert Southey, and Thomas Moore.
Publisher: Broadview Press
ISBN: 1554811317
Category : Literary Collections
Languages : en
Pages : 1170
Book Description
Intended for courses with a major focus on poetry during the Romantic period, this volume includes all the poetry selections from Volume 4 of The Broadview Anthology of British Literature, along with a number of works newly edited for this volume. The Broadview Anthology of Romantic Poetry maintains the Broadview Anthology of British Literature’s characteristic balance of canonical favorites and lesser-known gems, featuring a breadth of poetry from William Blake to Phillis Wheatley, from Ebenezer Elliott to Felicia Hemans. To give a sense of the full sweep of the Romantic period, the anthology incorporates important early figures from William Collins to Phillis Wheatley, as well as works by Victorians—such as Elizabeth Barrett Browning and Alfred, Lord Tennyson—for whom Romanticism was a formative force. “Contexts” sections provide valuable background on cultural matters such as “The Natural and the Sublime” and “The Abolition of Slavery,” while the companion website offers a wealth of additional resources and primary works. Longer works newly prepared for the bound book include Byron’s Manfred and The Giaour, Keats’s Hyperion, and substantial selections from Wordsworth’s fourteen-book Prelude; authors newly added for this volume include Hannah Cowley, Hannah More, Ann Yearsley, Robert Southey, and Thomas Moore.
Devilry, Deviance, and Public Sphere
Author: Christopher Hamerton
Publisher: Springer Nature
ISBN: 3031148835
Category : Social Science
Languages : en
Pages : 295
Book Description
Devilry, Deviance, and Public Sphere draws on criminology and social theory to explore and expand social historical themes in the analysis of perceptions of deviance and crime in the eighteenth century. Developing the theoretical device of Folk Devils and Moral Panics, instigated by Stanley Cohen and developed by Erich Goode and Nachman Ben-Yehuda, the book explores the social discovery of, and public response to, crime and deviance in that period. Detailed contemporary case studies of youth violence, sexual deviance, and substance abuse are used to argue that Hanoverian London and its novel media can be identified as the initiating historical site for what might now be termed public order moral panics. In doing so, Hamerton provides a vivid historical lineage of moral panic which traverses much of the long eighteenth century. The book considers social change, allowing for points of theoretical convergence and divergence to be observed, whilst exploring historical models of public opinion, media, deviance and crime alongside the unique character and power located within the burgeoning Metropolis. Devilry, Deviance, and Public Sphere seeks to make an important contribution to the understanding of both moral panic theory and the historiography of crime and deviance, and posits that the current discourse on folk devils and moral panics can be extended and enriched via the exploration of the moral crises of earlier centuries.
Publisher: Springer Nature
ISBN: 3031148835
Category : Social Science
Languages : en
Pages : 295
Book Description
Devilry, Deviance, and Public Sphere draws on criminology and social theory to explore and expand social historical themes in the analysis of perceptions of deviance and crime in the eighteenth century. Developing the theoretical device of Folk Devils and Moral Panics, instigated by Stanley Cohen and developed by Erich Goode and Nachman Ben-Yehuda, the book explores the social discovery of, and public response to, crime and deviance in that period. Detailed contemporary case studies of youth violence, sexual deviance, and substance abuse are used to argue that Hanoverian London and its novel media can be identified as the initiating historical site for what might now be termed public order moral panics. In doing so, Hamerton provides a vivid historical lineage of moral panic which traverses much of the long eighteenth century. The book considers social change, allowing for points of theoretical convergence and divergence to be observed, whilst exploring historical models of public opinion, media, deviance and crime alongside the unique character and power located within the burgeoning Metropolis. Devilry, Deviance, and Public Sphere seeks to make an important contribution to the understanding of both moral panic theory and the historiography of crime and deviance, and posits that the current discourse on folk devils and moral panics can be extended and enriched via the exploration of the moral crises of earlier centuries.
English Literature in History, 1780-1830
Author: Roger Sales
Publisher: Taylor & Francis
ISBN: 1000831558
Category : Literary Criticism
Languages : en
Pages : 142
Book Description
First published in 1983, English Literature in History, 1780-1830 is an original and provocative study of the literature of the Romantic period with an introduction by Raymond Williams. Roger Sales concentrates his analysis on two related themes. The first, the politics of pastoral, analyses the use of this genre by both established writers and poets who were enormously popular in their time, but who are now less well known. The author argues that all literary treatments of rural society in this period make political statements, particularly when they displace or disguise the economic facts of life. His second theme, the theatre of politics, introduces the reader to some of the main political events of the period, and demonstrates how their form and presentation can illuminate some of the literature of the period. This book will be of interest to students and teachers of English literature.
Publisher: Taylor & Francis
ISBN: 1000831558
Category : Literary Criticism
Languages : en
Pages : 142
Book Description
First published in 1983, English Literature in History, 1780-1830 is an original and provocative study of the literature of the Romantic period with an introduction by Raymond Williams. Roger Sales concentrates his analysis on two related themes. The first, the politics of pastoral, analyses the use of this genre by both established writers and poets who were enormously popular in their time, but who are now less well known. The author argues that all literary treatments of rural society in this period make political statements, particularly when they displace or disguise the economic facts of life. His second theme, the theatre of politics, introduces the reader to some of the main political events of the period, and demonstrates how their form and presentation can illuminate some of the literature of the period. This book will be of interest to students and teachers of English literature.
The Satirical Gaze
Author: Cindy McCreery
Publisher: Oxford University Press
ISBN: 9780199267569
Category : Art
Languages : en
Pages : 316
Book Description
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
Publisher: Oxford University Press
ISBN: 9780199267569
Category : Art
Languages : en
Pages : 316
Book Description
This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.
The Making of Victorian Values
Author: Ben Wilson
Publisher: Penguin
ISBN: 1101218088
Category : History
Languages : en
Pages : 482
Book Description
Ben Wilson's The Making of Victorian Values is the history of an era rather like our own-a time when dissenters and rebels were hemmed in by conformists and hardheaded authoritarians, a time when a nation on the eve of global domination fretted about its future. It was, however, a period when those who argued that a British empire would be a disaster for liberty were eventually squashed by imperialists, just as those who railed against mindless materialism were in the end rolled over by industrialists and the promoters of luxury goods. The Making of Victorian Values reveals an era when people were obsessed with the need to appear authentic, and yet forever had doubts about who was and who wasn't-concerns familiar to the "me" age we know so well. Wilson begins with the libertine spirit inspired by Byron, Shelley, and the Romantics; he ends with the rise and eventual victory of stolid middle-class values. The result is a radical tour de force, a brilliant reworking of the pre-Victorian age. Once portrayed by Paul Johnson in his bestselling The Birth of the Modern as the years when virtue finally trumped corruption, Wilson reveals a far more compelling story-and a more engrossing and scandalous one, too. It is a story about hypochondriacs and cranks, killjoys and dandies, rakes and priests, advocates of free-speech and those against it-people who were made awe struck by Britain's emerging role as the economic and political powerhouse of the world, but who were also deeply anxious about the responsibilities a vast empire might require. Wilson is heir to the great radical historians of the twentieth century, E. J. Hobsbawm and E. P. Thompson, among them. He brushes aside scholarly politesse and refuses to join in unnecessary academic point-settling, and his invigorating literary abilities will win many admirers who would otherwise know this history only through the works of nineteenth-century fiction.
Publisher: Penguin
ISBN: 1101218088
Category : History
Languages : en
Pages : 482
Book Description
Ben Wilson's The Making of Victorian Values is the history of an era rather like our own-a time when dissenters and rebels were hemmed in by conformists and hardheaded authoritarians, a time when a nation on the eve of global domination fretted about its future. It was, however, a period when those who argued that a British empire would be a disaster for liberty were eventually squashed by imperialists, just as those who railed against mindless materialism were in the end rolled over by industrialists and the promoters of luxury goods. The Making of Victorian Values reveals an era when people were obsessed with the need to appear authentic, and yet forever had doubts about who was and who wasn't-concerns familiar to the "me" age we know so well. Wilson begins with the libertine spirit inspired by Byron, Shelley, and the Romantics; he ends with the rise and eventual victory of stolid middle-class values. The result is a radical tour de force, a brilliant reworking of the pre-Victorian age. Once portrayed by Paul Johnson in his bestselling The Birth of the Modern as the years when virtue finally trumped corruption, Wilson reveals a far more compelling story-and a more engrossing and scandalous one, too. It is a story about hypochondriacs and cranks, killjoys and dandies, rakes and priests, advocates of free-speech and those against it-people who were made awe struck by Britain's emerging role as the economic and political powerhouse of the world, but who were also deeply anxious about the responsibilities a vast empire might require. Wilson is heir to the great radical historians of the twentieth century, E. J. Hobsbawm and E. P. Thompson, among them. He brushes aside scholarly politesse and refuses to join in unnecessary academic point-settling, and his invigorating literary abilities will win many admirers who would otherwise know this history only through the works of nineteenth-century fiction.
The Seven Deadly Sins and Seven Heavenly Virtues
Author: Ed Simon
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 997
Book Description
A captivating artistic and philosophic exploration of humankind’s complex moral codes A companion piece to Pandemonium: A Visual History of Demonology and Elysium: A Visual History of Angelology, Seven Sins and Seven Virtues will complete this moral trilogy and finally consider God’s most enigmatic of creations: None of the conundrums of metaphysics are as baroque as the motivations of the human soul. Unlike the devils condemned to perdition and the angels compelled to paradise, humans are divine creatures that house within them warring impulses. Seven Sins and Seven Virtues will examine the literary, philosophical, theological, and most of all artistic expressions of the seven deadly sins and their respective seven cardinal virtues, drawing upon millennia of history to gather a compendium of humanity at its best and its worst. As a volume, the book will explore the Manichean nature of the human animal in all of its grandeur and canker, motivated by the faith that tales of damnation and salvation are the only stories that are ultimately worth telling.
Publisher: Abrams
ISBN:
Category : Art
Languages : en
Pages : 997
Book Description
A captivating artistic and philosophic exploration of humankind’s complex moral codes A companion piece to Pandemonium: A Visual History of Demonology and Elysium: A Visual History of Angelology, Seven Sins and Seven Virtues will complete this moral trilogy and finally consider God’s most enigmatic of creations: None of the conundrums of metaphysics are as baroque as the motivations of the human soul. Unlike the devils condemned to perdition and the angels compelled to paradise, humans are divine creatures that house within them warring impulses. Seven Sins and Seven Virtues will examine the literary, philosophical, theological, and most of all artistic expressions of the seven deadly sins and their respective seven cardinal virtues, drawing upon millennia of history to gather a compendium of humanity at its best and its worst. As a volume, the book will explore the Manichean nature of the human animal in all of its grandeur and canker, motivated by the faith that tales of damnation and salvation are the only stories that are ultimately worth telling.
Protest!
Author: Liz McQuiston
Publisher: Princeton University Press
ISBN: 0691197318
Category : Art
Languages : en
Pages : 289
Book Description
An authoritative, richly illustrated history of six centuries of global protest art Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
Publisher: Princeton University Press
ISBN: 0691197318
Category : Art
Languages : en
Pages : 289
Book Description
An authoritative, richly illustrated history of six centuries of global protest art Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.