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Author: Martie Wing Young
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Author: Martie Wing Young
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Author: Margarita Aleksandrovna Kirʹi︠a︡k
Publisher: National Park Service Division of Publications
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Author: Eliza Ruhamah Scidmore
Publisher:
ISBN:
Category : China
Languages : en
Pages : 96
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1562
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Book Description
Including an international directory of museum permanent collection catalogs.
Author: United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1174
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Book Description
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
Catalog of the following works in the National Gallery of Art's collection of decorative arts : Chinese porcelains from the Qing dynasty, Persian and Indian rugs and carpets from the Peter A.B. Widener collection, two Chinese paintings from the 19th century and a 17th century Coromandel lacquer screen
Author:
Publisher:
ISBN:
Category : Asia
Languages : en
Pages : 140
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Book Description
Author: David Carrier
Publisher: Penn State Press
ISBN: 0271036060
Category : Art
Languages : en
Pages : 200
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Book Description
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Author: Sherman E. Lee
Publisher:
ISBN: 9780500237342
Category : Art, Asian
Languages : en
Pages : 576
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Book Description
This is an account of the visual arts of Asia, from the Indus River to Japan and Java, between the fifth millennium BC and AD 1850. This comprehensive fifth edition includes astonishing recent archaeological discoveries. Each chapter begins with a concise historical introduction providing a political and social setting for artistic process and development. The discussions are chronologically structured and cover various mediums, including sculpture and architecture in India and Southeast Asia, painting and ceramics in China and Korea, painting and decorative arts in Japan, and sculpture in religious art everywhere. A general bibliography lists all major works and periodicals in the field, followed by expanded and specialized bibliographies for each chapter. Revised chronologies, maps, a detailed index and a pronunciation guide for the Indian, Japanese, and Chinese names and terms assist the reader. This is an integrated general introduction to its field, and a basic reference work for students.
Author: Alexia Bloch
Publisher: University of Pennsylvania Press
ISBN: 0812293665
Category : Social Science
Languages : en
Pages : 252
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Book Description
A little over a century ago the American Museum of Natural History launched its ambitious Jesup North Pacific Expedition to learn more about the peoples inhabiting the remote easternmost extension of Siberia and the northwest coast of North America. In The Museum at the End of the World: Encounters in the Russian Far East, anthropologists Alexia Bloch and Laurel Kendall tell the story of their journey through this same part of the world in 1998, retracing the old expedition as they link the expedition legacy of artifacts, photographs, and archival material from the museum in New York to the present-day descendants of its subjects. Contrasting the time of the Jesup expedition with their own travel, the authors reveal a physical and cultural landscape that was profoundly shaken over the past century, first by Soviet control and then by that empire's unraveling. The Museum at the End of the World is not the story of a heroic adventure but rather a series of conversations about Siberian culture with museum workers, native scholars, performers and artisans, and a great variety of ordinary people. They reveal a strong concern about past legacies, cultural preservation, and their uncertain future as they struggle to reinvent themselves. The authors' combination of travelers' curiosity and professional inquiry provide a compelling portrait of life in the Russian Far East and a meditation on the fate of culture and tradition in the face of hard economic times and sudden autonomy after decades of state control.
