Author: Elsie Wilhelmina Stahl
Publisher:
ISBN:
Category :
Languages : en
Pages : 138

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Author: Heinrich von Kleist
Publisher: Melville House
ISBN: 161219074X
Category : Fiction
Languages : en
Pages : 66

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About This Book "No amount of wisdom could possibly make sense of the mysterious verdict which God intended through this duel." A new translation of a key work by one of European literature’s most important early writers. One of the few novellas written by the master German playwright, The Duel was considered by Thomas Mann and others to be one of the great works of German literature. The story of a virtuous woman slandered by a nobleman, it is a precise study of a subject that fascinated von Kleist: That people are sometimes seemingly punished for their very innocence. This Is An Enhanced eBook This eBook contains Illuminations—additional curated material that expand the world of Kleist’s novella through text and illustrations—at no additional charge. "Illuminations" contains writings by Paul the Deacon - J.G. Millingen - Sir Walter Scott - Johann Ludwig Uhland - Miguel de Cervantes - Andrew Lang - John Carl Blankenagel - Louis and Regis Senac - Alfred Hutton - Fiore de Liberi and a collection of the twelve laws of chivalry. Illustrations include: Gerhard von Kugelgen - Johannes Gehrts - Jörg Breu Jüngere and Pauls Hector Mair - Achilles Emperaire - George Muhlberg and others. Also included is The Duelist’s Supplement – “The Art of Dueling: How To Shoot and Slash Your Way To Satisfaction” which includes an entire facsimile scan of Fior de Liberi's Flower of Battle.

Author: Bernd Fischer
Publisher: Camden House
ISBN: 9781571131775
Category : History
Languages : en
Pages : 276

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Book Description
For over 150 years, Heinrich von Kleist (1777-1811) has been one of the most widely read and performed German authors. His status in the literary canon is firmly established, but he has always been one of Germany's most contentiously discussed authors. Today's critical debate on his unique prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of late nineteenth- and early twentieth-century modernism. Yet there can be no question that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. During the last thirty years, the scholarship on Kleist's work and life has departed from the existentialist wave of the 1950s and early 1960s and opened up new avenues for coming to terms with his unusual talent. The present volume brings together the most important and innovative of these newer scholarly approaches: the essays include critically informed, up-to-date interpretations of Kleist's most-discussed stories and dramas. Other contributions analyze Kleist's literary means and styles and their theoretical underpinnings. They include articles on Kleist's narrative and theatrical technique, poetic and aesthetic theory, philosophical and political thought, and insights from new biographical research. Contributors: Jeffrey L. Sammons, Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Seán Allan. Bernd Fischer is Professor of German and Head of the Department of German at Ohio State University.

Author: Heinrich von Kleist
Publisher: Königshausen & Neumann
ISBN: 3826035232
Category :
Languages : en
Pages : 205

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Author: Heinrich von Kleist
Publisher: New Directions Publishing
ISBN: 0811228355
Category : Fiction
Languages : en
Pages : 103

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An extraordinary masterpiece of German literature, now in a gripping new English translation Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an indomitable figure that you can’t help rooting for from start to finish. Knotty, darkly comical, magnificent in its weirdness, and one of the greatest and most influential tales in German literature, this short novel, first published in German in 1810, is now available in award-winning Michael Hofmann’s sparkling new English translation.

Author: Robert E. Helbling
Publisher: New Directions Publishing
ISBN: 9780811205634
Category : Literary Collections
Languages : en
Pages : 304

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Book Description
Nightmare--a politically explosive murder trial in the middle of the Vietnam War.

Author: Heinrich von Kleist
Publisher: Manchester University Press
ISBN: 9780719006678
Category : Drama
Languages : en
Pages : 100

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Comedy that mocks the failings of human nature and the judicial system in a forgiving way.

Author: Lucia Ruprecht
Publisher: Routledge
ISBN: 1351946455
Category : Literary Criticism
Languages : en
Pages : 279

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Book Description
Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.

Author: Kim Fordham
Publisher: Peter Lang
ISBN: 9783039110391
Category : Drama
Languages : en
Pages : 164

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Book Description
What makes the trial so appealing as dramatic form? Why do we watch? Is it simply the quest for truth and justice? Or is it much more than that? From the time of Sophocles, the court has fascinated audiences and dramatists alike. Kleist is no exception, as each of his dramas and many of his stories and anecdotes contain a trial of some sort from its most primitive form of hand-to-hand combat in the duel to more conventional legal proceedings in secular, military and ecclesiastical courts. At trial, we desire, whether consciously or unconsciously, to have our own system of beliefs and behaviours affirmed rather than to attempt to achieve justice: self-interest prevails at the expense of truth and equity. The focus of this book is the tension between the restoration of dikê, the balance of natural order, and the pursuit of truth and justice as impetus behind the trial. With recourse to the concept of legal instrumentalism, which underscores this preference for order over justice in both the law and literature, the author examines Kleist's dramas to determine the extent to which those individuals in positions of power are able to manipulate the proceedings, seeking not justice and truth, but rather the validation of their own particular version of order. The trial, a tool generally thought to be designed to discover truth and to mete out justice, is used instead, in the hands of the powerful, as an instrument of control and degradation.

Author: Bernd Fischer
Publisher: Camden House
ISBN: 1571135065
Category : Biography & Autobiography
Languages : en
Pages : 316

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Book Description
New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity. Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today. This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity? Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider. Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.