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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1158
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1158
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Book Description
Author: Jeff Codori
Publisher: McFarland
ISBN: 1476638292
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
The period in film history between the regimentation of the Edison Trust and the vertical integration of the Studio System--roughly 1916 through 1920--was a time of structural and artistic experimentation for the American film industry. As the nature of the industry was evolving, society around it was changing as well; arts, politics and society were in a state of flux between old and new. Before the major studios dominated the industry, droves of smaller companies competed for the attention of the independent exhibitor, their gateway to the movie-goer. Their arena was in the pages of the trade press, and their weapons were their advertisements, often bold and eye-catching. The reporting of the trade journals, as they witnessed the evolution of the industry from its infancy towards the future, is the basis of this history. Pulled from the pages of the journals themselves as archived by the Media History Digital Library, the observations of the trade press writers are accompanied by cleaned and restored advertisements used in the battle among the young film companies. They offer a unique and vital look at this formative period of film history.
Author: Gary D. Rhodes
Publisher: McFarland
ISBN: 1476604916
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
The 1932 horror film White Zombie starring Bela Lugosi has received controversial attention from film reviewers and scholars—but it is unarguably a cult classic worthy of study. This book analyzes the film text from nearly every possible viewpoint, using both academic and popular film theories. Also supplied is an extensive intellectual history of the predecessor works to White Zombie, as well as information on the significance it carried for subsequent books and films, its theatrical release around the country, its modern cultural influence, and the attempts to restore the film to its original state. Other noteworthy features of this work include an in-depth biography of White Zombie director Victor Halperin, the first complete study of his life and career, and 244 images and photographs.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 720
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1630
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Author: Gary D. Rhodes
Publisher: A&C Black
ISBN: 144113610X
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Recaptures the lost history of the physical and moral perils that faced audiences at American movie theatres during the first fifty years of the cinema.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 796
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Author: Eric Hoyt
Publisher: Univ of California Press
ISBN: 0520383702
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. For the first half of the twentieth century, no American industry boasted a more motley and prolific trade press than the movie business—a cutthroat landscape that set the stage for battle by ink. In 1930, Martin Quigley, publisher of Exhibitors Herald, conspired with Hollywood studios to eliminate all competing trade papers, yet this attempt and each one thereafter collapsed. Exploring the communities of exhibitors and creative workers that constituted key subscribers, Ink-Stained Hollywood tells the story of how a heterogeneous trade press triumphed by appealing to the foundational aspects of industry culture—taste, vanity, partisanship, and exclusivity. In captivating detail, Eric Hoyt chronicles the histories of well-known trade papers (Variety, Motion Picture Herald) alongside important yet forgotten publications (Film Spectator, Film Mercury, and Camera!), and challenges the canon of film periodicals, offering new interpretative frameworks for understanding print journalism’s relationship with the motion picture industry and its continued impact on creative industries today.
Author: Richard B. Jewell
Publisher: Univ of California Press
ISBN: 0520271785
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
"Enjoying exclusive access to RKO archives before they were dispersed to the winds, Rick Jewell has crafted a powerful and unprecedented company history that is rich in detail and sharp in insight. Pinpointing both industry ambitions and corporate shenanigans, Jewell offers a tale both gripping and instructive. A major contribution to Hollywood studio history in the classic era." —Dana Polan, author of Scenes of Instruction: The Beginnings of the U.S. Study of Film “Richard Jewell has written a definitive portrait of a major Hollywood studio during the heyday of the movies. Enriched by a lode of archival material, Jewell’s RKO story reconstructs the dynamics of the studio system; its stresses and strains; its logistical challenges; and its in-house rivalries. Some big names are vividly brought to life: David Sarnoff, Pandro Berman, Fred Astaire, Katharine Hepburn, Orson Welles, to name a few. Jewell interweaves RKO’s corporate maneuverings and production agenda with great skill. A more compelling history of a Hollywood major is hard to imagine.” —Tino Balio, author of The Foreign Film Renaissance on American Screens, 1946–1973 “A painstakingly researched and lucidly written business history of RKO Studios from its founding through 1942, Richard Jewell’s RKO Studios: A Titan is Born not only traces the shifting economic fortunes of the studio that gave us King Kong, the Astaire-Rogers musicals, and Citizen Kane but also fills an important gap in our understanding of how the studio system survived and at times even thrived during the Golden Age of Hollywood.” —Charles Maland, author of Chaplin and American Culture
Author: Esther M. Morgan-Ellis
Publisher: University of Georgia Press
ISBN: 0820352039
Category : Music
Languages : en
Pages : 312
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Book Description
During the 1920s, a visit to the movie theater almost always included a sing-along. Patrons joined together to render old favorites and recent hits, usually accompanied by the strains of a mighty Wurlitzer organ. The organist was responsible for choosing the repertoire and presentation style that would appeal to his or her patrons, so each theater offered a unique experience. When sound technology drove both musicians and participatory culture out of the theater in the early 1930s, the practice faded and was eventually forgotten. Despite the popularity and ubiquity of community singing—it was practiced in every state, in theaters large and small—there has been scant research on the topic. This volume is the first dedicated account of community singing in the picture palace and includes nearly one hundred images, such as photographs of the movie houses’ opulent interiors, reproductions of sing-along slides, and stills from the original Screen Songs “follow the bouncing ball” cartoons. Esther M. Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the basic components of a sing-along, explores the unique presentation styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children’s matinees of the 1930s.
