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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 860
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Book Description
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 860
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Book Description
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 670
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Book Description
Some issues include separately paged sections: Better management, Physical theatre, extra profits; Review; Servisection.
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 710
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Book Description
Author: Roy Liebman
Publisher: McFarland
ISBN: 1476687250
Category : Biography & Autobiography
Languages : en
Pages : 219
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Book Description
Although a major star in the 1910s, Theda Bara--known as "The Vamp"--was largely neglected until the 1990s, when her fame began to resurface. Since then, there have been biographies, documentaries and other works that have brought the silent film actress back into the spotlight, including a painstaking stills reconstruction of her lost epic Cleopatra. This is a complete examination of Bara's more than 40 films, as well as her theater and radio appearances, down to the smallest detail. With the vast majority of Bara's films considered lost, it is a particularly valuable resource for fans and scholars, and includes information about each film's genesis, director, plot, censorship problems, and critical and public reactions. Also included is a biographical overview, with many illuminating anecdotes.
Author: American Film Institute
Publisher: Univ of California Press
ISBN: 9780520209695
Category : Performing Arts
Languages : en
Pages : 962
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Book Description
After more than fifteen years, this initial volume of the American Film Institute Catalog series is again in print. The 1920s set covers the important filmmaking period when "movies" became "talkies," and the careers of many influential directors and actors were launched. Films such as Wings, The Phantom of the Opera, All Quiet on the Western Front, and The Jazz Singer are included in this volume.
Author: Darl Larsen
Publisher: Rowman & Littlefield
ISBN: 1538160382
Category : Performing Arts
Languages : en
Pages : 335
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Book Description
Take a deep dive into the history of cinematic animation in the United States with the "remarkably thorough and detailed" (Choice) book that Publishers Weekly says is "a lively chronicle of a perennially evolving medium." Animated films started with simple sequential drawings photographed one at a time—little bits of comedic fluff to make amateur title scenes or surreal escapist sequences. Today, animation is a worldwide industry valued at nearly $300 billion and still growing in scope and popularity. In Moving Pictures, Darl Larsen playfully lays out the history of American animation as it transitioned from vaudeville sub-feature to craftsman-like artistry to industrial diversion and, ultimately, to theatrical regulars on par with blockbusters. Larsen identifies and discusses the major figures, movements, and studios across the nearly 120 years of animation in the United States. Progressing chronologically, the book follows animation from stage performance through to its use as wartime propaganda, its seven-minute heyday and decamp to television, and finally the years of struggle as cartoons became feature films. Covering everything from the generations preceding Mickey Mouse to recent releases such as Super Mario Bros., Moving Pictures is an essential read for movie fans and a nostalgic revisiting of some of America’s favorite films.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1798
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 850
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Book Description
Author: Rob Kozlowski
Publisher: Rowman & Littlefield
ISBN: 1493062867
Category : Performing Arts
Languages : en
Pages : 253
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Book Description
As Nick and Nora Charles in the six Thin Man movies from 1934 to 1947, the team of William Powell and Myrna Loy showed that marriage didn’t have to mean the end of the romantic comedy. From the comedic delight that was the initial The Thin Man through its five sequels as well as eight other films (including the Oscar-winning The Great Ziegfeld and Manhattan Melodrama), Powell and Loy were cemented in the public imagination as Hollywood’s happiest married couple. In Becoming Nick and Nora,comedy writer and Hollywood historian Rob Kozlowski follows the winding path that Powell and Loy’s screen personas took over their careers. Studios originally cultivated the two as villains in the silent era: Powell as a mustachioed, swashbuckling fiend and Loy as an “exotic” adversary. With the rise of talkies, the two managed to broaden their range beyond villainous stereotypes, but it took several false starts before they achieved their lasting legacy as Nick and Nora. Packed with behind-the-scenes details and memorable characters, this is a lively look at two tinseltown icons and a film series that remains beloved nearly a century later.
Author: Naida García-Crespo
Publisher: Rutgers University Press
ISBN: 1684481198
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Early Puerto Rican Cinema and Nation Building focuses on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897 and 1940. Anchoring her work in archival sources in film technology, economy, and education, Naida García-Crespo argues that Puerto Rico’s position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures. This book aims to contribute to recently expanding discussions of cultural networks by analyzing how Puerto Rican cinema navigates the problems arising from the connection and/or disjunction between nation and state. The author argues that Puerto Rico’s position as a stateless nation puts pressure on traditional conceptions of national cinema, which tend to rely on assumptions of state support or a bounded nation-state. She also contends that the cultural and business practices associated with early cinema reveal that transnationalism is an integral part of national identities and their development. García-Crespo shows throughout this book that the development and circulation of cinema in Puerto Rico illustrate how the “national” is built from transnational connections. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
