Exhibition of Contemporary Scandinavian Art Held Under the Auspices of the American-Scandinavian Society PDF Download
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Author: American-Scandinavian Society
Publisher:
ISBN:
Category : Art, Scandinavian
Languages : en
Pages : 186
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Book Description
Author: American-Scandinavian Society
Publisher:
ISBN:
Category : Art, Scandinavian
Languages : en
Pages : 186
Get Book Here
Book Description
Author: American-Scandinavian Society
Publisher: Andesite Press
ISBN: 9781297642753
Category :
Languages : en
Pages : 186
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: American-Scandinavian Society
Publisher: Forgotten Books
ISBN: 9780428431846
Category : Art
Languages : en
Pages : 174
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Book Description
Excerpt from Exhibition of Contemporary Scandinavian Art Held Under the Auspices of the American-Scandinavian Society OT the least significant phase of esthetic expression has been the constant endeavour on the one hand to achieve a fusion of form, line, and colour that shall commend itself as universal in appeal, and on the other to preserve those fundamental factors which may be designated as national in substance. It is a struggle that has been waged unceasingly throughout the ages, and which repeats itself alike in the artistic development of every nation and every individual. The human spirit constantly seeks to voice in expansive fashion the great, typical impressions received from nature and from life, and yet has at the same time been endowed with the precious faculty of interpreting them after its own specific manner and largely according to a predetermined plan. If you attempt to deprive the creative impulse of its conscious or unconscious universality of utterance, or of its inherent nationality of accent, you go far toward destroying its significance, for art, whether pro duced in obscure wayside cottage, simple hut among the hills, or under the prestige of an organized institution, will instinctively seek to widen its outlook and clothe itself in a language for which it has the justification of an inalienable racial heritage. It is to the enduring credit of the leading Scandinavian countries that they may be counted among those fortunate peoples who, despite external influences, have stoutly guarded their native artistic birthright. Their achieve ments in the field of painting, sculpture, architecture, and industrial design are refreshingly and unmistakably their own. Save in rare and isolated cases they do not speak, and do not attempt to speak, that superficial studio Volapiik, that facile salon Esperanto, which is so utterly devoid of character and vitality. You will remark above all in the production of each of these nations, and to a kindred degree in each instance, the salutary stamp of race and of country. It is in fact only the redoubtable Russians who can to-day compete with the sturdy Scandinavians in the possession of a spontaneous, unspoiled esthetic patrimony. The reasons for such a situation have in many respects been similar, if not, indeed, identical. As in the case of Russia, the relative geographical remoteness of the Peninsula, the barrier of an unfamiliar speech, and the fact that the pallid fervour of Christianity and the pagan richness of the Renais sance were comparatively late in making appearance on the scene, all tended toward preserving that integrity of expression alike in art, letters, and music which is their most distinctive possession. It must not, however, be jauntily assumed that the contribution of the Scandinavian nations to the sum of creative artistic effort is, save in a broad sense, one and the same. Their painting, in particular, divides itself into three well-defined schools, which developed at different intervals, and the leading features of which are manifestly at variance. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Christian Brinton
Publisher: Alpha Edition
ISBN: 9789354307065
Category : History
Languages : en
Pages : 178
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Leah Modigliani
Publisher: Manchester University Press
ISBN: 1526126745
Category : Art
Languages : en
Pages : 346
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Book Description
Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists’ creation of ‘defeatured landscapes’ between 1968–71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 538
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 746
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Book Description
Author: Christian Brinton
Publisher:
ISBN: 9780649452651
Category :
Languages : en
Pages : 186
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Book Description
Author: Donald W. Olson
Publisher: Springer Science & Business Media
ISBN: 1461484030
Category : Science
Languages : en
Pages : 368
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Book Description
For a general audience interested in solving mysteries in art, history, and literature using the methods of science, 'forensic astronomy' is a thrilling new field of exploration. Astronomical calculations are the basis of the studies, which have the advantage of bringing to readers both evocative images and a better understanding of the skies. Weather facts, volcano studies, topography, tides, historical letters and diaries, famous paintings, military records, and the friendly assistance of experts in related fields add variety, depth, and interest to the work. The chosen topics are selected for their wide public recognition and intrigue, involving artists such as Vincent van Gogh, Claude Monet, Edvard Munch, and Ansel Adams; historical events such as the Battle of Marathon, the death of Julius Caesar, the American Revolution, and World War II; and literary authors such as Chaucer, Shakespeare, Joyce, and Mary Shelley. This book sets out to answer these mysteries indicated with the means and expertise of astronomy, opening the door to a richer experience of human culture and its relationship with nature. Each subject is carefully analyzed. As an example using the study of sky paintings by Vincent van Gogh, the analytical method would include: - computer calculations of historical skies above France in the 19th century - finding and quoting the clues found in translations of original letters by Van Gogh - making site visits to France to determine the precise locations when Van Gogh set up his easel and what celestial objects are depicted. For each historical event influenced by astronomy, there would be a different kind of mystery to be solved. As an example: - How can the phase of the Moon and time of moonrise help to explain a turning point of the American Civil War - the fatal wounding of Stonewall Jackson at Chancellorsville in 1863? For each literary reference to astronomy, it was determined which celestial objects were being described and making an argument that the author is describing an actual event. For example, what was the date of the moonlit scene when Mary Shelley first had the idea for her novel “Frankenstein?” These and more fun riddles will enchant and delight the fan of art and astronomy.
Author: Douglas Hunter
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228012937
Category : Art
Languages : en
Pages : 545
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Book Description
A captivating account of the formative years of one of Canada’s best-known artists, Jackson’s Wars follows A.Y. Jackson’s education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists. Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from Montreal to Toronto in 1913, he became a key figure in a landscape movement that was determined to depict Canada in a bold new way, only to have a war dash the group's collective ambitions. Alone among his close associates, Jackson enlisted to fight with the 60th Infantry Battalion. Wounded at Sanctuary Wood in 1916, he returned to the field of combat as an official war artist – the first Canadian artist appointed, the only infantryman in the program – and militated for other Canadian appointments to what is now a storied moment of creation for such artists as F.H. Varley and Arthur Lismer. Jackson produced some of Canada’s most memorable depictions of the world’s first industrial-scale conflict, even as he reckoned with the anguish caused by the mysterious death of his close friend Tom Thomson. A life-changing event for soldiers, families, and nations alike, the First World War has been understood as a moment of stasis in the visual arts in Canada – the dead ground from which the Group of Seven emerged in the early 1920s. Douglas Hunter shows how Jackson’s war was a moment of intense transformation and artistic development on the canvas as well as an experience that tempered a young man into a constructive elder statesman for Canadian art. On his return home he was not only instrumental in the formation of the Group of Seven in Toronto, but a key figure for the Beaver Hall Group in Montreal. Jackson’s Wars is a story of brotherhoods of painters and soldiers, shot through with inspiration, ambition, trauma, and loss, on the home front as well as on the battlefield. Hunter widens and deepens A.Y. Jackson’s world of friends, family, and colleagues to capture the life of a complex man and the crucial events and relationships behind the creation of Canada’s best-known art collective.
