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Author: Macdonald Stewart Art Centre
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Macdonald Stewart Art Centre
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9780920810262
Category :
Languages : en
Pages : 19
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Book Description
Author: Evan MacDonald
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Flora Macdonald Spencer
Publisher: Wilfrid Laurier Univ. Press
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
"A master draughtsman, artist Evan Macdonald had extraordinary facility as a painter - in oil, acrylic, tempera, and watercolour - as well as a printmaker (particularly in drypoint and mezzotint) and a book illustrator. This beautifully illustrated book chronicles Macdonald's life and work from the perspective of the artist's daughter, Flora Macdonald Spencer, whose insightful essay creates a lasting image of a great Canadian artist." "Literally hundreds of his streetscapes, landscapes, portraits, and drawings survive today in private collections across Canada. At the end of his life, Macdonald was bestowed an Honorary Doctor of Laws degree by the University of Guelph, an acknowledgement of his artistic legacy. The painter's life is richly documented by Flora Macdonald Spencer in her poignant telling of his journey."--BOOK JACKET.
Author: Judith Nasby
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228007607
Category : Art
Languages : en
Pages : 152
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Book Description
Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Making of a Museum Nasby reveals how the museum developed its internationally recognized collection of contemporary Inuit drawings and wall hangings that toured four continents. She discusses the development of the collection's specializations in contemporary works by Canadian silversmiths; historical European etchings; Woodland and Northeastern Indigenous beadwork; and others that arose from curatorial collaborations, such as molas by Kuna women artists from Panama and contemporary paintings and indigenous woodcuts from Chongqing, China. Nasby recounts her long career as founding director and curator, peppering the hundred-year history of cultural development on the University of Guelph campus and in the city with humorous anecdotes and personal insights to reveal how arts institutions can be created through dedication, serendipity, and perseverance.
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 848
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 826
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Book Description
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
Author: Norm Macdonald
Publisher: Random House
ISBN: 0812993632
Category : Humor
Languages : en
Pages : 241
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Book Description
NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran. When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1164
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Book Description
Author: Evan Brier
Publisher: University of Pennsylvania Press
ISBN: 0812201442
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
As television transformed American culture in the 1950s, critics feared the influence of this newly pervasive mass medium on the nation's literature. While many studies have addressed the rhetorical response of artists and intellectuals to mid-twentieth-century mass culture, the relationship between the emergence of this culture and the production of novels has gone largely unexamined. In A Novel Marketplace, Evan Brier illuminates the complex ties between postwar mass culture and the making, marketing, and reception of American fiction. Between 1948, when television began its ascendancy, and 1959, when Random House became a publicly owned corporation, the way American novels were produced and distributed changed considerably. Analyzing a range of mid-century novels—including Paul Bowles's The Sheltering Sky, Ray Bradbury's Fahrenheit 451, Sloan Wilson's The Man in the Gray Flannel Suit, and Grace Metalious's Peyton Place—Brier reveals the specific strategies used to carve out cultural and economic space for the American novel just as it seemed most under threat. During this anxious historical moment, the book business underwent an improbable expansion, by capitalizing on an economic boom and a rising population of educated consumers and by forming institutional alliances with educators and cold warriors to promote reading as both a cultural and political good. A Novel Marketplace tells how the book trade and the novelists themselves successfully positioned their works as embattled holdouts against an oppressive mass culture, even as publishers formed partnerships with mass-culture institutions that foreshadowed the multimedia mergers to come in the 1960s. As a foil for and a partner to literary institutions, mass media corporations assisted in fostering the novel's development as both culture and commodity.
