Author: Artemis Leontis
Publisher: Princeton University Press
ISBN: 0691210764
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn. 0Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death. 0Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as "the only ancient Greek I ever knew."
Eva Palmer Sikelianos
Author: Artemis Leontis
Publisher: Princeton University Press
ISBN: 0691210764
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn. 0Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death. 0Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as "the only ancient Greek I ever knew."
Publisher: Princeton University Press
ISBN: 0691210764
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn. 0Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death. 0Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as "the only ancient Greek I ever knew."
Performing Antiquity
Author: Samuel N. Dorf
Publisher: Oxford University Press, USA
ISBN: 0190612096
Category : Music
Languages : en
Pages : 241
Book Description
Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 investigates collaborations between French and American scholars of Greek antiquity (archaeologists, philologists, classicists, and musicologists), and the performing artists (dancers, composers, choreographers and musicians) who brought their research to life at the birth of Modernism. The book tells the story of performances taking place at academic conferences, the Paris Op ra, ancient amphitheaters in Delphi, and private homes. These musical and dance collaborations are built on reciprocity: the performers gain new insight into their craft while learning new techniques or repertoire and the scholars gain an opportunity to bring theory into experimental practice, that is, they have a chance see/hear/experience what they have studied and imagined. The performers receive the imprimatur of scholarship, the stamp of authenticity, and validation for their creative activities. Drawing from methods and theory from musicology, dance studies, performance studies, queer studies, archaeology, classics and art history the book shows how new scholarly methods and technologies altered the performance, and, ultimately, the reception of music and dance of the past. Acknowledging and critically examining the complex relationships performers and scholars had with the pasts they studied does not undermine their work. Rather, understanding our own limits, biases, dreams, obsessions, desires, loves, and fears enriches the ways we perform the past.
Publisher: Oxford University Press, USA
ISBN: 0190612096
Category : Music
Languages : en
Pages : 241
Book Description
Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 investigates collaborations between French and American scholars of Greek antiquity (archaeologists, philologists, classicists, and musicologists), and the performing artists (dancers, composers, choreographers and musicians) who brought their research to life at the birth of Modernism. The book tells the story of performances taking place at academic conferences, the Paris Op ra, ancient amphitheaters in Delphi, and private homes. These musical and dance collaborations are built on reciprocity: the performers gain new insight into their craft while learning new techniques or repertoire and the scholars gain an opportunity to bring theory into experimental practice, that is, they have a chance see/hear/experience what they have studied and imagined. The performers receive the imprimatur of scholarship, the stamp of authenticity, and validation for their creative activities. Drawing from methods and theory from musicology, dance studies, performance studies, queer studies, archaeology, classics and art history the book shows how new scholarly methods and technologies altered the performance, and, ultimately, the reception of music and dance of the past. Acknowledging and critically examining the complex relationships performers and scholars had with the pasts they studied does not undermine their work. Rather, understanding our own limits, biases, dreams, obsessions, desires, loves, and fears enriches the ways we perform the past.
No Modernism Without Lesbians
Author: Diana Souhami
Publisher: Bloomsbury Publishing
ISBN: 1786694859
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle
Publisher: Bloomsbury Publishing
ISBN: 1786694859
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
A Sunday Times Book of the Year Winner of the Polari Prize 'A book about love, identity, acceptance and the freedom to write, paint, compose and wear corduroy breeches with gaiters. To swear, kiss, publish and be damned. It is vastly entertaining and often moving... There isn't a page without an entertaining vignette' The Times. The extraordinary story of how a singular group of women in a pivotal time and place – Paris, Between the Wars – fostered the birth of the Modernist movement. Sylvia Beach, Bryher, Natalie Barney, and Gertrude Stein. A trailblazing publisher; a patron of artists; a society hostess; a groundbreaking writer. They were all women who loved women. They rejected the patriarchy and made lives of their own – forming a community around them in Paris. Each of these four central women interacted with a myriad of others, some of the most influential, most entertaining, most shocking and most brilliant figures of the age. Diana Souhami weaves their stories into those of the four central women to create a vivid moving tapestry of life among the Modernists in pre-War Paris. 'One of the best books I've read this year.' James Bridle
Topographies of Hellenism
Author: Artemis Leontis
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 280
Book Description
In her discussion of both modern and ancient Greek texts, she reconsiders mainstream poetics in the light of a marginal national literature. Leontis examines in particular how the Nobel laureates George Seferis and Odysseus Elytis both incorporate ancient texts and use experimental techniques in their poetry.
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 280
Book Description
In her discussion of both modern and ancient Greek texts, she reconsiders mainstream poetics in the light of a marginal national literature. Leontis examines in particular how the Nobel laureates George Seferis and Odysseus Elytis both incorporate ancient texts and use experimental techniques in their poetry.
Carl W. Blegen
Author: Jack L. Davis
Publisher: Lockwood Press
ISBN: 1937040232
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
Carl Blegen is the most famous American archaeologist ever to work in Greece, and no American has ever had a greater impact on Greek archaeology. Yet Blegen, unlike several others of his generation, has found no biographer. In part, the explanation for this must lie in the fact that his life was so multifaceted: not only was he instrumental in creating the field of Aegean prehistory, but Blegen, his wife, and their best friends, the Hills ("the family"), were also significant forces in the social and intellectual community of Athens. Authors who have contributed to this book have each researched one aspect of Blegen's life, drawing on copious documentation in the United States, England, and Greece. The result is a biography that sets Blegen and his closest colleagues in the social and academic milieu that gave rise to the discipline of classical archaeology in Greece.
Publisher: Lockwood Press
ISBN: 1937040232
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
Carl Blegen is the most famous American archaeologist ever to work in Greece, and no American has ever had a greater impact on Greek archaeology. Yet Blegen, unlike several others of his generation, has found no biographer. In part, the explanation for this must lie in the fact that his life was so multifaceted: not only was he instrumental in creating the field of Aegean prehistory, but Blegen, his wife, and their best friends, the Hills ("the family"), were also significant forces in the social and intellectual community of Athens. Authors who have contributed to this book have each researched one aspect of Blegen's life, drawing on copious documentation in the United States, England, and Greece. The result is a biography that sets Blegen and his closest colleagues in the social and academic milieu that gave rise to the discipline of classical archaeology in Greece.
Ladies' Greek
Author: Yopie Prins
Publisher: Princeton University Press
ISBN: 0691141894
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
In Ladies' Greek, Yopie Prins illuminates a culture of female classical literacy that emerged in the second half of the nineteenth century, during the formation of women's colleges on both sides of the Atlantic. Why did Victorian women of letters desire to learn ancient Greek, a "dead" language written in a strange alphabet and no longer spoken? In the words of Elizabeth Barrett Browning, they wrote "some Greek upon the margin—lady's Greek, without the accents." Yet in the margins of classical scholarship they discovered other ways of knowing, and not knowing, Greek. Mediating between professional philology and the popularization of classics, these passionate amateurs became an important medium for classical transmission. Combining archival research on the entry of women into Greek studies in Victorian England and America with a literary interest in their translations of Greek tragedy, Prins demonstrates how women turned to this genre to perform a passion for ancient Greek, full of eros and pathos. She focuses on five tragedies—Agamemnon, Prometheus Bound, Electra, Hippolytus, and The Bacchae—to analyze a wide range of translational practices by women and to explore the ongoing legacy of Ladies' Greek. Key figures in this story include Barrett Browning and Virginia Woolf, Janet Case and Jane Harrison, Edith Hamilton and Eva Palmer, and A. Mary F. Robinson and H.D. The book also features numerous illustrations, including photographs of early performances of Greek tragedy at women's colleges. The first comparative study of Anglo-American Hellenism, Ladies' Greek opens up new perspectives in transatlantic Victorian studies and the study of classical reception, translation, and gender.
Publisher: Princeton University Press
ISBN: 0691141894
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
In Ladies' Greek, Yopie Prins illuminates a culture of female classical literacy that emerged in the second half of the nineteenth century, during the formation of women's colleges on both sides of the Atlantic. Why did Victorian women of letters desire to learn ancient Greek, a "dead" language written in a strange alphabet and no longer spoken? In the words of Elizabeth Barrett Browning, they wrote "some Greek upon the margin—lady's Greek, without the accents." Yet in the margins of classical scholarship they discovered other ways of knowing, and not knowing, Greek. Mediating between professional philology and the popularization of classics, these passionate amateurs became an important medium for classical transmission. Combining archival research on the entry of women into Greek studies in Victorian England and America with a literary interest in their translations of Greek tragedy, Prins demonstrates how women turned to this genre to perform a passion for ancient Greek, full of eros and pathos. She focuses on five tragedies—Agamemnon, Prometheus Bound, Electra, Hippolytus, and The Bacchae—to analyze a wide range of translational practices by women and to explore the ongoing legacy of Ladies' Greek. Key figures in this story include Barrett Browning and Virginia Woolf, Janet Case and Jane Harrison, Edith Hamilton and Eva Palmer, and A. Mary F. Robinson and H.D. The book also features numerous illustrations, including photographs of early performances of Greek tragedy at women's colleges. The first comparative study of Anglo-American Hellenism, Ladies' Greek opens up new perspectives in transatlantic Victorian studies and the study of classical reception, translation, and gender.
Tracing the Landscape of Dance in Greece
Author: Katia Savrami
Publisher: Cambridge Scholars Publishing
ISBN: 1527543331
Category : Performing Arts
Languages : en
Pages : 155
Book Description
This volume critically discusses dance’s role as an art form in modern Greek society, exploring both ethnographic and cross-cultural issues. The contents of the book unfold in parallel and intertwining dialogues and discourses incorporating reflections on philosophical and scientific subjects and experiences relating to dance. The investigation places ballet, modern and contemporary dance within the Greek context, and juxtaposes these genres with international dance making. It also uncovers the factors that have affected the development of dance practices in Greece during the twentieth and twenty-first centuries, and considers the reasons why, until now, dance, as an embodied art form, has not been established in Greece as an autonomous academic discipline with its own sustainable educational structures. It paints a picture of the past and the present, while also serving to inspire future artist-practitioners and scholars to advocate and support the discipline of dance in Greece.
Publisher: Cambridge Scholars Publishing
ISBN: 1527543331
Category : Performing Arts
Languages : en
Pages : 155
Book Description
This volume critically discusses dance’s role as an art form in modern Greek society, exploring both ethnographic and cross-cultural issues. The contents of the book unfold in parallel and intertwining dialogues and discourses incorporating reflections on philosophical and scientific subjects and experiences relating to dance. The investigation places ballet, modern and contemporary dance within the Greek context, and juxtaposes these genres with international dance making. It also uncovers the factors that have affected the development of dance practices in Greece during the twentieth and twenty-first centuries, and considers the reasons why, until now, dance, as an embodied art form, has not been established in Greece as an autonomous academic discipline with its own sustainable educational structures. It paints a picture of the past and the present, while also serving to inspire future artist-practitioners and scholars to advocate and support the discipline of dance in Greece.
Naoroji
Author: Dinyar Patel
Publisher: Harvard University Press
ISBN: 0674238206
Category : Biography & Autobiography
Languages : en
Pages : 369
Book Description
Winner of the 2021 Kamaladevi Chattopadhyay–NIF Book Prize The definitive biography of Dadabhai Naoroji, the nineteenth-century activist who founded the Indian National Congress, was the first British MP of Indian origin, and inspired Gandhi and Nehru. Mahatma Gandhi called Dadabhai Naoroji the “father of the nation,” a title that today is reserved for Gandhi himself. Dinyar Patel examines the extraordinary life of this foundational figure in India’s modern political history, a devastating critic of British colonialism who served in Parliament as the first-ever Indian MP, forged ties with anti-imperialists around the world, and established self-rule or swaraj as India’s objective. Naoroji’s political career evolved in three distinct phases. He began as the activist who formulated the “drain of wealth” theory, which held the British Raj responsible for India’s crippling poverty and devastating famines. His ideas upended conventional wisdom holding that colonialism was beneficial for Indian subjects and put a generation of imperial officials on the defensive. Next, he attempted to influence the British Parliament to institute political reforms. He immersed himself in British politics, forging links with socialists, Irish home rulers, suffragists, and critics of empire. With these allies, Naoroji clinched his landmark election to the House of Commons in 1892, an event noticed by colonial subjects around the world. Finally, in his twilight years he grew disillusioned with parliamentary politics and became more radical. He strengthened his ties with British and European socialists, reached out to American anti-imperialists and Progressives, and fully enunciated his demand for swaraj. Only self-rule, he declared, could remedy the economic ills brought about by British control in India. Naoroji is the first comprehensive study of the most significant Indian nationalist leader before Gandhi.
Publisher: Harvard University Press
ISBN: 0674238206
Category : Biography & Autobiography
Languages : en
Pages : 369
Book Description
Winner of the 2021 Kamaladevi Chattopadhyay–NIF Book Prize The definitive biography of Dadabhai Naoroji, the nineteenth-century activist who founded the Indian National Congress, was the first British MP of Indian origin, and inspired Gandhi and Nehru. Mahatma Gandhi called Dadabhai Naoroji the “father of the nation,” a title that today is reserved for Gandhi himself. Dinyar Patel examines the extraordinary life of this foundational figure in India’s modern political history, a devastating critic of British colonialism who served in Parliament as the first-ever Indian MP, forged ties with anti-imperialists around the world, and established self-rule or swaraj as India’s objective. Naoroji’s political career evolved in three distinct phases. He began as the activist who formulated the “drain of wealth” theory, which held the British Raj responsible for India’s crippling poverty and devastating famines. His ideas upended conventional wisdom holding that colonialism was beneficial for Indian subjects and put a generation of imperial officials on the defensive. Next, he attempted to influence the British Parliament to institute political reforms. He immersed himself in British politics, forging links with socialists, Irish home rulers, suffragists, and critics of empire. With these allies, Naoroji clinched his landmark election to the House of Commons in 1892, an event noticed by colonial subjects around the world. Finally, in his twilight years he grew disillusioned with parliamentary politics and became more radical. He strengthened his ties with British and European socialists, reached out to American anti-imperialists and Progressives, and fully enunciated his demand for swaraj. Only self-rule, he declared, could remedy the economic ills brought about by British control in India. Naoroji is the first comprehensive study of the most significant Indian nationalist leader before Gandhi.
The Greek Revolution
Author: Paschalis M. Kitromilides
Publisher: Harvard University Press
ISBN: 0674259319
Category : History
Languages : en
Pages : 825
Book Description
Winner of the 2022 London Hellenic Prize On the bicentennial of the Greek Revolution, an essential guide to the momentous war for independence of the Greeks from the Ottoman Empire. The Greek war for independence (1821–1830) often goes missing from discussion of the Age of Revolutions. Yet the rebellion against Ottoman rule was enormously influential in its time, and its resonances are felt across modern history. The Greeks inspired others to throw off the oppression that developed in the backlash to the French Revolution. And Europeans in general were hardly blind to the sight of Christian subjects toppling Muslim rulers. In this collection of essays, Paschalis Kitromilides and Constantinos Tsoukalas bring together scholars writing on the many facets of the Greek Revolution and placing it squarely within the revolutionary age. An impressive roster of contributors traces the revolution as it unfolded and analyzes its regional and transnational repercussions, including the Romanian and Serbian revolts that spread the spirit of the Greek uprising through the Balkans. The essays also elucidate religious and cultural dimensions of Greek nationalism, including the power of the Orthodox church. One essay looks at the triumph of the idea of a Greek “homeland,” which bound the Greek diaspora—and its financial contributions—to the revolutionary cause. Another essay examines the Ottoman response, involving a series of reforms to the imperial military and allegiance system. Noted scholars cover major figures of the revolution; events as they were interpreted in the press, art, literature, and music; and the impact of intellectual movements such as philhellenism and the Enlightenment. Authoritative and accessible, The Greek Revolution confirms the profound political significance and long-lasting cultural legacies of a pivotal event in world history.
Publisher: Harvard University Press
ISBN: 0674259319
Category : History
Languages : en
Pages : 825
Book Description
Winner of the 2022 London Hellenic Prize On the bicentennial of the Greek Revolution, an essential guide to the momentous war for independence of the Greeks from the Ottoman Empire. The Greek war for independence (1821–1830) often goes missing from discussion of the Age of Revolutions. Yet the rebellion against Ottoman rule was enormously influential in its time, and its resonances are felt across modern history. The Greeks inspired others to throw off the oppression that developed in the backlash to the French Revolution. And Europeans in general were hardly blind to the sight of Christian subjects toppling Muslim rulers. In this collection of essays, Paschalis Kitromilides and Constantinos Tsoukalas bring together scholars writing on the many facets of the Greek Revolution and placing it squarely within the revolutionary age. An impressive roster of contributors traces the revolution as it unfolded and analyzes its regional and transnational repercussions, including the Romanian and Serbian revolts that spread the spirit of the Greek uprising through the Balkans. The essays also elucidate religious and cultural dimensions of Greek nationalism, including the power of the Orthodox church. One essay looks at the triumph of the idea of a Greek “homeland,” which bound the Greek diaspora—and its financial contributions—to the revolutionary cause. Another essay examines the Ottoman response, involving a series of reforms to the imperial military and allegiance system. Noted scholars cover major figures of the revolution; events as they were interpreted in the press, art, literature, and music; and the impact of intellectual movements such as philhellenism and the Enlightenment. Authoritative and accessible, The Greek Revolution confirms the profound political significance and long-lasting cultural legacies of a pivotal event in world history.
"We Met in Paris"
Author: Joan E Howard
Publisher: University of Missouri Press
ISBN: 0826274048
Category : Biography & Autobiography
Languages : en
Pages : 413
Book Description
Grace Frick introduced English-language readers all over the world to the distinguished French author Marguerite Yourcenar with her award-winning translation of Yourcenar’s novel Memoirs of Hadrian in 1954. European biographies of Yourcenar have often disparaged Frick and her relationship with Yourcenar, however. This work shows Frick as a person of substance in her own right, and paints a portrait of both women that is at once intimate and scrupulously documented. It contains a great deal of new information that will disrupt long-held beliefs about Yourcenar and may even shock some of her scholars and fans.
Publisher: University of Missouri Press
ISBN: 0826274048
Category : Biography & Autobiography
Languages : en
Pages : 413
Book Description
Grace Frick introduced English-language readers all over the world to the distinguished French author Marguerite Yourcenar with her award-winning translation of Yourcenar’s novel Memoirs of Hadrian in 1954. European biographies of Yourcenar have often disparaged Frick and her relationship with Yourcenar, however. This work shows Frick as a person of substance in her own right, and paints a portrait of both women that is at once intimate and scrupulously documented. It contains a great deal of new information that will disrupt long-held beliefs about Yourcenar and may even shock some of her scholars and fans.