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Author: Deborah B. Gaensbauer
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 216
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Book Description
In the wake of Ionesco's death in 1994, it is now possible to survey his oeuvre in its entirety. Gaensbauer's study examines, decade by decade, not only his dramatic works but also his early publications in Romania, his journals and personal essays, and even his painting. In viewing Ionesco's career as a continuous whole, Gaensbauer discovers that each work is essentially one piece of the long autobiography of a writer deeply engaged with a spiritual quest to understand himself and humanity.
Author: Deborah B. Gaensbauer
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 216
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Book Description
In the wake of Ionesco's death in 1994, it is now possible to survey his oeuvre in its entirety. Gaensbauer's study examines, decade by decade, not only his dramatic works but also his early publications in Romania, his journals and personal essays, and even his painting. In viewing Ionesco's career as a continuous whole, Gaensbauer discovers that each work is essentially one piece of the long autobiography of a writer deeply engaged with a spiritual quest to understand himself and humanity.
Author: Richard Wolin
Publisher: Routledge
ISBN: 1135445397
Category : Political Science
Languages : en
Pages : 306
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Book Description
This volume is a collection of essays by Richard Wolin, a leading political theorist and intellectual historian. It is the follow up to Wolin’s two recent, widely acclaimed books: Heidegger’s Children and The Seduction of Unreason. In those books, he explored the legacy of Martin Heidegger and his impact on some of his most influential and notable students. He dealt particularly with the effect that Heidegger’s subsequent embrace of fascism and National Socialism had on these students. Delving further in his next book, Wolin explored the question of why philosophers and intellectuals have been drawn to antiliberal, antidemocratic fascism. The essays in this book are focused on European Political Thought particularly with figures associated with the Frankfurt School. The collection represents a virtual who’s who of European political thinkers with essays on Walter Benjamin, Adorno, Marcuse, Arendt, Heidegger, Weber, Jaspers, and Carl Schmitt. Moving beyond these thinkers and those books, this collection will also include essays on contemporary political issues such as post-communist revolutions, human rights, global democracy, the revival of republicanism, and religion and public life.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438116411
Category : Criticism
Languages : en
Pages : 151
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Book Description
Eugene Ioneso's dramas still work in theaters thanks to what some critics call his primordial sense of the foundations of drama. This text examines some of his work, including The Bald Soprano, The Lesson, The Chair, and Rhinoceros
Author: Ravi K Dhar
Publisher: Think Tank Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Born on 28 October 1903 to Arthur Waugh (1866-1943) and Catherine Charlotte Raban (1870-1954) Arthur Evelyn St. John Waugh (1903-1966), popularly known by his pen name Evelyn Waugh, wrote thirteen major novels apart from short stories, travelogues, essays, news stories and non-fiction. In the maze of his prolific writings, the quintessential Waugh often escaped the critical scrutiny of critics and reviewers, who often charged him with being a bitter critic of modern Britain, without presenting an alternative moral vision or else that his novels play up an untenable nostalgia for the aristocratic values of the feudal past and a pre-occupation with thrusting his religion on others. This book attempts to tear through the foggy veil of such critiques to revisit and redeem the real Waugh as represented in his creative works. The study argues that the claim of Evelyn Waugh to be recognised as a major twentieth century novelist in English literature rests on his creative use of comedy to convey his unique vision of life. The book highlights the centrality of the ubiquitous metaphor of the ever-revolving wheel of life to an understanding of his comic vision and art. The metaphor helps to define not just the division of this world into static, dynamic and religious characters, but also the weltanschauung that drives them to lead their lives in a particular way. Based on this, Waugh's novels are amenable to classification into lesser and greater comedies. The book argues that while the lesser comedies play up the absurdity of belief in the Enlightenment philosophy of progress, the greater comedies present the grandeur of life in the spiritual resurrection of the central characters.
Author: Irina Lyubchenko
Publisher: BRILL
ISBN: 1848884605
Category : Social Science
Languages : en
Pages : 176
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Book Description
This volume was first published by Inter-Disciplinary Press in 2016. The term madness continues to perplex, to puzzle and to provoke. As such, questions about madness circulate around the place of madness across historical, cultural, and social boundaries. Regardless of the place that madness assumes in our world, madness can be understood as having the potential to liberate individuals from a society of control. Because madness can be understood not merely as one end of the binary of reason and unreason but as a form of art that allows us to transcend reason, it provides us with the ultimate liberation: to accept, know and understand the possibilities of a multiplicity of meanings and senses beyond reason, beyond the commonsense. And with such liberation, we gain the power not only to change our own lives, but society as a whole.
Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521622417
Category : Drama
Languages : en
Pages : 400
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Book Description
Comparative Criticism is an annual journal of comparative literature and cultural studies that has gained an international reputation since its inception in 1979. It contains major articles on literary theory and criticism; on a wide range of comparative topics; and on interdisciplinary debates. It includes translations of literary, scholarly and critical works; substantial reviews of important books in the field; and bibliographies on specialist themes for the year, on individual writers, and on comparative literary studies in Britain and Ireland.
Author: Michael Y. Bennett
Publisher: Cambridge University Press
ISBN: 1316395359
Category : Drama
Languages : en
Pages : 177
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Book Description
Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures.
Author: Alex Drace-Francis
Publisher: BRILL
ISBN: 9004252630
Category : History
Languages : en
Pages : 320
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Book Description
Based on hundreds of primary sources in a wide range of languages, this book offers a reevaluation of Romanian images of self and other, as well as of foreign images of the country and people. A nuanced and historically-grounded contribution to the lively debates over Balkanism, Orientalism and identities in Romania and in Europe as a whole.
Author: Simone Celine Marshall
Publisher: BRILL
ISBN: 9004357025
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
In The Medieval Presence in the Modernist Aesthetic: Unattended Moments, editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical span of a century is covered, from musical modernist Richard Wagner’s final opera Parsifal (1882) to Russell Hoban’s speculative fiction Riddley Walker (1980), and themes of Arthurian literature, scholastic philosophy, Irish legends, classical philology, dream theory, Orthodox theology and textual exegesis are brought into conversation with key Modernist writers, including T. S. Eliot, Ezra Pound, Samuel Beckett, Marcel Proust, W. B. Yeats, Evelyn Waugh and Eugene Ionesco. These scholarly investigations are original, illuminating, and often delightful.
Author: Verna A. Foster
Publisher: Routledge
ISBN: 1351885340
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Focusing on European tragicomedy from the early modern period to the theatre of the absurd, Verna Foster here argues for the independence of tragicomedy as a genre that perceives and communicates human experience differently from the various forms of tragedy, comedy, and the drame (serious drama that is neither comic nor tragic). Foster posits that, in the sense of the dramaturgical and emotional fusion of tragic and comic elements to create a distinguishable new genre, tragicomedy has emerged only twice in the history of drama. She argues that tragicomedy first emerged and was controversial in the Renaissance; and that it has in modern times replaced tragedy itself as the most serious and moving of all dramatic genres. In the first section of the book, the author analyzes the name 'tragicomedy' and the genre's problems of identity; then goes on to explore early modern tragicomedies by Shakespeare, Beaumont and Fletcher, and Massinger. A transitional chapter addresses cognate genres. The final section of the book focuses on modern tragicomedies by Ibsen, Chekhov, Synge, O'Casey, Williams, Ionesco, Beckett and Pinter. By exploring dramaturgical similarities between early modern and modern tragicomedies, Foster demonstrates the persistence of tragicomedy's generic markers and provides a more precise conceptual framework for the genre than has so far been available.
