Estampes et dessins de toutes les écoles, relatifs au costume, du XVIe au XVIIIe siècle PDF Download
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Author: Hôtel Drouot
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Languages : fr
Pages :
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Author: Hôtel Drouot
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ISBN:
Category :
Languages : fr
Pages :
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Author: D***
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Category :
Languages : fr
Pages : 77
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Category :
Languages : fr
Pages :
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![Collection de M. D. [D***, Lacroix]. Catalogue d'estampes et dessins de toutes les écoles, relatifs au costume, du XVIe au XVIIIe siècle, et dont la vente... aura lieu Hôtel des commissaires-priseurs, rue Drouot... les lundi 10, mardi 11 et mercredi 12 mars 1884... PDF](https://books.google.com/books/content/images/frontcover/L79K0AEACAAJ?fife=w80-h100)
Author:
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Languages : en
Pages : 0
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Author:
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Category : Philology, Modern
Languages : de
Pages : 776
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Author: Boston Public Library
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Category : Boston (Mass.)
Languages : en
Pages : 394
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
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Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: François Boucher
Publisher: ENSBA
ISBN:
Category : Drawing
Languages : en
Pages : 388
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