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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 860
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Book Description
Author: Margaret Eleanor Menninger
Publisher: BRILL
ISBN: 9004507809
Category : History
Languages : en
Pages : 396
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Book Description
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
Author: British Museum. Department of Printed Books
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Category : English literature
Languages : en
Pages : 652
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Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 628
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 628
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Book Description
Author: Sigfried Giedion
Publisher: Getty Publications
ISBN: 0892363193
Category : Architecture
Languages : en
Pages : 250
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Book Description
With Building in France, Building in Iron, Building in Ferroconcretre (1928)—published now for the first time in English—Sigfried Giedion positioned himself as an eloquent advocate of modern architecture. This was the first book to exalt Le Corbusier as the artistic champion of the new movement. It also spelled out many of the tenets of Modernism that are now regarded as myths, among them the impoverishment of nineteenth-century architectural thinking and practice, the contrasting vigor of engineering innovations, and the notion of Modernism as technologically preordained.
Author: Hermann Muthesius
Publisher: Getty Publications
ISBN: 0892362820
Category : Architecture
Languages : en
Pages : 144
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Book Description
Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
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Category : Classical antiquities
Languages : it
Pages : 456
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Author: Siegfried Kracauer
Publisher: Harvard University Press
ISBN: 9780674551633
Category : Family & Relationships
Languages : en
Pages : 420
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Book Description
The Mass Ornament today remains a refreshing tribute to popular culture, and its impressively interdisciplinary writings continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile.
