Author: I-Hsien Wu
Publisher:
ISBN: 9781624999819
Category : Eroticism in literature
Languages : en
Pages :
Book Description
Eroticism and Other Literary Conventions in Chinese Literature: Intertextuality in the Story of the Stone
Author: I-Hsien Wu
Publisher:
ISBN: 9781624999819
Category : Eroticism in literature
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781624999819
Category : Eroticism in literature
Languages : en
Pages :
Book Description
Eroticism and Other Literary Conventions in Chinese Literature
Author: I-Hsien Wu
Publisher: Cambria Sinophone World
ISBN: 9781604979770
Category : History
Languages : en
Pages : 240
Book Description
Building on the novel's rich content and this vast scholarship, and using Julia Kristeva's terms on intertextuality, this book presents a new understanding of the famous Chinese classic Dream of the Red Chamber (The Story of the Stone). This is a must-read for anyone interested in Hongloumeng and Chinese literature.
Publisher: Cambria Sinophone World
ISBN: 9781604979770
Category : History
Languages : en
Pages : 240
Book Description
Building on the novel's rich content and this vast scholarship, and using Julia Kristeva's terms on intertextuality, this book presents a new understanding of the famous Chinese classic Dream of the Red Chamber (The Story of the Stone). This is a must-read for anyone interested in Hongloumeng and Chinese literature.
Language and Emotion. Volume 3
Author: Gesine Lenore Schiewer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110795558
Category : Language Arts & Disciplines
Languages : en
Pages : 1238
Book Description
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as well as research on emotion in literary studies; and media and emotion. The final section covers different domains, social practices, and applications, such as society, policy, diplomacy, economics and business communication, religion and emotional language, the domain of affective computing in human-machine interaction, and language and emotion research for language education. Overall, this Handbook represents a comprehensive overview in a rich, diverse compendium never before published in this particular domain.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110795558
Category : Language Arts & Disciplines
Languages : en
Pages : 1238
Book Description
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as well as research on emotion in literary studies; and media and emotion. The final section covers different domains, social practices, and applications, such as society, policy, diplomacy, economics and business communication, religion and emotional language, the domain of affective computing in human-machine interaction, and language and emotion research for language education. Overall, this Handbook represents a comprehensive overview in a rich, diverse compendium never before published in this particular domain.
The Culture of Love in China and Europe
Author: Paolo Santangelo
Publisher: BRILL
ISBN: 9004397833
Category : History
Languages : en
Pages : 839
Book Description
In The Culture of Love in China and Europe Paolo Santangelo and Gábor Boros offer a survey of the cults of love developed in the history of ideas and literary production in China and Europe between the 12th and early 19th century. They describe parallel evolutions within the two cultures, and how innovatively these independent civilisations developed their own categories and myths to explain, exalt but also control the emotions of love and their behavioural expressions. The analyses contain rich materials for comparison, point out the universal and specific elements in each culture, and hint at differences and resemblances, without ignoring the peculiar beauty and attractive force of the texts cultivating love.
Publisher: BRILL
ISBN: 9004397833
Category : History
Languages : en
Pages : 839
Book Description
In The Culture of Love in China and Europe Paolo Santangelo and Gábor Boros offer a survey of the cults of love developed in the history of ideas and literary production in China and Europe between the 12th and early 19th century. They describe parallel evolutions within the two cultures, and how innovatively these independent civilisations developed their own categories and myths to explain, exalt but also control the emotions of love and their behavioural expressions. The analyses contain rich materials for comparison, point out the universal and specific elements in each culture, and hint at differences and resemblances, without ignoring the peculiar beauty and attractive force of the texts cultivating love.
Reading Dream of the Red Chamber
Author: Ronald R. Gray
Publisher: McFarland
ISBN: 1476645825
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
A masterpiece of world literature, Honglou Meng (Dream of the Red Chamber) by Cao Xueqin (1715-1763) is widely considered China's greatest novel and serves as a compendium of traditional Chinese life and culture during the Qing Dynasty. This guide offers a comprehensive introduction and overview to Honglou Meng, providing more than 200 alphabetical entries describing characters, key events and a wide range of topics, with discussion of important themes and narrative techniques. A brief biography of Cao is included, along with a history of Chinese and English critical receptions, an extensive bibliography and recommended reading.
Publisher: McFarland
ISBN: 1476645825
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
A masterpiece of world literature, Honglou Meng (Dream of the Red Chamber) by Cao Xueqin (1715-1763) is widely considered China's greatest novel and serves as a compendium of traditional Chinese life and culture during the Qing Dynasty. This guide offers a comprehensive introduction and overview to Honglou Meng, providing more than 200 alphabetical entries describing characters, key events and a wide range of topics, with discussion of important themes and narrative techniques. A brief biography of Cao is included, along with a history of Chinese and English critical receptions, an extensive bibliography and recommended reading.
Decadence in Modern Chinese Literature and Culture
Author: Hongjian Wang
Publisher:
ISBN: 9781621965435
Category :
Languages : en
Pages :
Book Description
"European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. This is the first comprehensive study of decadence in Chinese literature since the early twentieth century. Standing at the intersection of comparative literature and cultural history, it transcends the framework of tuifei by locating European Decadence in its sociocultural context and uses it as a critical lens to examine Chinese Decadent literature and Chinese society. Its in-depth analysis reveals that some Chinese writers and literary scholars creatively appropriated the concept of Decadence for enlightenment purposes or to bid farewell to revolution. This study is also the first to offer a holistic understanding of European Decadence, uncovering both its internal logic and external circumstances, hence excavating its distinct explanatory power. It also sheds fresh light on modern Chinese literature and culture. By examining the careers of seven prominent writers-Yu Dafu, Shao Xunmei, Yu Hua, Su Tong, Wang Shuo, Wang Xiaobo, and Yin Lichuan-this study disentangles apparent contradictions in their writing and reveals the nuances in the changing status of China's modern cultural elite. Last but not least, the book significantly expands the scope of comparative literary studies beyond influence studies and cultural translation by effectively adopting a literary-historical approach-a literary phenomenon is seen at once as a product and an indicator of certain sociocultural conditions, so similar literary phenomena can illuminate comparable contexts"--
Publisher:
ISBN: 9781621965435
Category :
Languages : en
Pages :
Book Description
"European Decadence, a controversial artistic movement that flourished mainly in late-nineteenth-century France and Britain, has inspired several generations of Chinese writers and literary scholars since it was introduced to China in the early 1920s. Translated into Chinese as tuifei, which has strong hedonistic and pessimistic connotations, the concept of Decadence has proven instrumental in multiple waves of cultural rebellion, but has also become susceptible to moralistic criticism. This is the first comprehensive study of decadence in Chinese literature since the early twentieth century. Standing at the intersection of comparative literature and cultural history, it transcends the framework of tuifei by locating European Decadence in its sociocultural context and uses it as a critical lens to examine Chinese Decadent literature and Chinese society. Its in-depth analysis reveals that some Chinese writers and literary scholars creatively appropriated the concept of Decadence for enlightenment purposes or to bid farewell to revolution. This study is also the first to offer a holistic understanding of European Decadence, uncovering both its internal logic and external circumstances, hence excavating its distinct explanatory power. It also sheds fresh light on modern Chinese literature and culture. By examining the careers of seven prominent writers-Yu Dafu, Shao Xunmei, Yu Hua, Su Tong, Wang Shuo, Wang Xiaobo, and Yin Lichuan-this study disentangles apparent contradictions in their writing and reveals the nuances in the changing status of China's modern cultural elite. Last but not least, the book significantly expands the scope of comparative literary studies beyond influence studies and cultural translation by effectively adopting a literary-historical approach-a literary phenomenon is seen at once as a product and an indicator of certain sociocultural conditions, so similar literary phenomena can illuminate comparable contexts"--
Erotic Literature in Adaptation and Translation
Author: Johannes D Kaminski
Publisher: Legenda
ISBN: 9781781885222
Category :
Languages : en
Pages : 216
Book Description
Transgressive by nature, erotic literature engages the reader in a dialogue informed by the social and aesthetic conventions that it playfully disregards or happily reproduces. But once this intimate, arousing and, often, disturbing dialogue transitions into another language, culture or medium, it must reposition itself within new conventions. How does this happen in practice? Examining erotic literature from multiple angles, this volume starts off with an ethical evaluation of the most recent rendering of Marquis de Sade into English. Other inquiries into European letters include the works of Goethe, Georges Bataille, Pierre Guyotat and E. L. James, and the films of Michael Haneke and Patrice Chéreau. Studies of Chinese and Japanese erotic traditions complement the picture by addressing the different functions of the erotic in discrete cultural settings. Johannes D. Kaminski is Marie Sklodowska-Curie Fellow at University of Vienna.
Publisher: Legenda
ISBN: 9781781885222
Category :
Languages : en
Pages : 216
Book Description
Transgressive by nature, erotic literature engages the reader in a dialogue informed by the social and aesthetic conventions that it playfully disregards or happily reproduces. But once this intimate, arousing and, often, disturbing dialogue transitions into another language, culture or medium, it must reposition itself within new conventions. How does this happen in practice? Examining erotic literature from multiple angles, this volume starts off with an ethical evaluation of the most recent rendering of Marquis de Sade into English. Other inquiries into European letters include the works of Goethe, Georges Bataille, Pierre Guyotat and E. L. James, and the films of Michael Haneke and Patrice Chéreau. Studies of Chinese and Japanese erotic traditions complement the picture by addressing the different functions of the erotic in discrete cultural settings. Johannes D. Kaminski is Marie Sklodowska-Curie Fellow at University of Vienna.
Revolutionary Taiwan
Author: Catherine Lila Chou
Publisher: Cambria Press
ISBN:
Category : Political Science
Languages : en
Pages : 203
Book Description
This book is in the Cambria Sinophone World Series, headed by Victor H. Mair (University of Pennsylvania). In the early 1990s, the people of Taiwan gained the right to vote for their executive and legislature. In building a democratic society, they transformed how they saw themselves and their homeland. The outcome of democratization was nothing less than revolutionary, producing a new, de facto nation and people that can be justly called "Taiwanese." Yet this revolution remains unfinished and incomplete. In an era of increasing US-China rivalry, the People's Republic of China (PRC) claims sovereignty over Taiwan and insists that "reunification" is the historic mission of all peoples on both sides of the Taiwan Strait. The PRC threatens war with and over the island, inviting a crisis that would engulf the region and beyond. Common ideas about Taiwan-that it "split with China in 1949" or "sees itself as the true China"-fail to explain why the Taiwanese withstand pressure from the PRC to relinquish their democratic self-governance. Revolutionary Taiwan sheds light on this. Each chapter shows how democratization in Taiwan constituted a revolution, changing not just the form of government but also how Taiwanese people conceptualized the island, coming to see it a complete nation unto itself. At the same time, however, Beijing has blocked the "normal" endpoint of this revolution: an open declaration of statehood and welcome into the global community. Revolutionary Taiwan: Making Nationhood in a Changing World Order brings the Taiwan story to a general audience. It will appeal to students and readers interested in international relations, contemporary geopolitics, and East Asian Studies. Informed by years of academic research and life in Taiwan, this book provides an entry point to a remarkable place and people.
Publisher: Cambria Press
ISBN:
Category : Political Science
Languages : en
Pages : 203
Book Description
This book is in the Cambria Sinophone World Series, headed by Victor H. Mair (University of Pennsylvania). In the early 1990s, the people of Taiwan gained the right to vote for their executive and legislature. In building a democratic society, they transformed how they saw themselves and their homeland. The outcome of democratization was nothing less than revolutionary, producing a new, de facto nation and people that can be justly called "Taiwanese." Yet this revolution remains unfinished and incomplete. In an era of increasing US-China rivalry, the People's Republic of China (PRC) claims sovereignty over Taiwan and insists that "reunification" is the historic mission of all peoples on both sides of the Taiwan Strait. The PRC threatens war with and over the island, inviting a crisis that would engulf the region and beyond. Common ideas about Taiwan-that it "split with China in 1949" or "sees itself as the true China"-fail to explain why the Taiwanese withstand pressure from the PRC to relinquish their democratic self-governance. Revolutionary Taiwan sheds light on this. Each chapter shows how democratization in Taiwan constituted a revolution, changing not just the form of government but also how Taiwanese people conceptualized the island, coming to see it a complete nation unto itself. At the same time, however, Beijing has blocked the "normal" endpoint of this revolution: an open declaration of statehood and welcome into the global community. Revolutionary Taiwan: Making Nationhood in a Changing World Order brings the Taiwan story to a general audience. It will appeal to students and readers interested in international relations, contemporary geopolitics, and East Asian Studies. Informed by years of academic research and life in Taiwan, this book provides an entry point to a remarkable place and people.
The Phantom Heroine
Author: Judith T. Zeitlin
Publisher: University of Hawaii Press
ISBN: 082486493X
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
The "phantom heroine"—in particular the fantasy of her resurrection through sex with a living man—is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin’s elegantly written and meticulously researched new book. Zeitlin’s study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers—that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance.
Publisher: University of Hawaii Press
ISBN: 082486493X
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
The "phantom heroine"—in particular the fantasy of her resurrection through sex with a living man—is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin’s elegantly written and meticulously researched new book. Zeitlin’s study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers—that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance.
The Embroidered Couch
Author: Lu Tiancheng
Publisher: Arsenal Pulp Press
ISBN: 1551525313
Category : Fiction
Languages : en
Pages : 144
Book Description
A book that is guaranteed to raise eyebrows, The Embroidered Couch is the first English translation of an erotic novel originally published in the early 17th century, attributed to Lu Tiancheng (b. 1580). Regarded as a notorious classic in Chinese literature, it has long been banned in China, and never been available in English.
Publisher: Arsenal Pulp Press
ISBN: 1551525313
Category : Fiction
Languages : en
Pages : 144
Book Description
A book that is guaranteed to raise eyebrows, The Embroidered Couch is the first English translation of an erotic novel originally published in the early 17th century, attributed to Lu Tiancheng (b. 1580). Regarded as a notorious classic in Chinese literature, it has long been banned in China, and never been available in English.